℗ 2018 harmonia mundi
| Released | October 19, 2018 |
| Duration | 1h 04m 41s |
| Record Label | harmonia mundi |
| Catalogue No. | 902337DI |
| Genre | Classical (Keyboard (Specific Genres)) |
À Portuguesa
Andreas Staier, Orquestra barocca Casa da Música
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto No. 7 "Alla Portugesa" in B-Flat Major, Op. 7
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1.1
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I. Allegro
William Corbett; Andreas Staier; Orquestra barocca Casa da Música |
3:09 | |||
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1.2
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II. Largo e pia(no)
William Corbett; Andreas Staier; Orquestra barocca Casa da Música |
4:16 | |||
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1.3
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III. Allegro
William Corbett; Andreas Staier; Orquestra barocca Casa da Música |
2:03 | |||
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Harpsichord Concerto in G Minor
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1.4
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I. Allegro
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
5:25 | |||
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1.5
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II. Adagio
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
2:39 | |||
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1.6
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III. Allegro assai
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
6:15 | |||
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Harpsichord Sonata in G Minor, K. 8
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1.7
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Allegro
Domenico Scarlatti; Andreas Staier |
2:33 | |||
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Harpsichord Sonata in G Major, K. 13
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1.8
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Presto
Domenico Scarlatti; Andreas Staier |
4:09 | |||
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Harpsichord Sonata in B Minor, K. 173
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1.9
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Allegro
Domenico Scarlatti; Andreas Staier |
4:44 | |||
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Harpsichord Concerto in A Major
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1.10
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I. Allegro
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
1:52 | |||
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1.11
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II. Adagio
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
1:07 | |||
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1.12
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III. Giga. Allegro
José António Carlos de Seixas; Andreas Staier; Orquestra barocca Casa da Música |
2:16 | |||
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Concerto grosso No. 5 in D Minor
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1.13
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I. Largo
Charles Avison; Andreas Staier; Orquestra barocca Casa da Música |
2:44 | |||
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1.14
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II. Allegro
Charles Avison; Andreas Staier; Orquestra barocca Casa da Música |
1:40 | |||
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1.15
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III. Andante moderato
Charles Avison; Andreas Staier; Orquestra barocca Casa da Música |
1:40 | |||
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1.16
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IV. Allegro
Charles Avison; Andreas Staier; Orquestra barocca Casa da Música |
2:02 | |||
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Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid"
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1.17
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I. Ave Maria. Imitando il tocco dell'Ave Maria della Parrochia (transcription for String Orchestra and Harpsichords by Andreas Staier)
Luigi Boccherini; Orquestra barocca Casa da Música |
1:01 | |||
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1.18
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II. Minuetto (transcription for String Orchestra and Harpsichords by Andreas Staier)
Luigi Boccherini; Andreas Staier; Orquestra barocca Casa da Música |
2:09 | |||
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1.19
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III. Rosario. Largo assai (transcription for String Orchestra and Harpsichords by Andreas Staier)
Luigi Boccherini; Andreas Staier; Orquestra barocca Casa da Música |
4:37 | |||
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1.20
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IV. Los manolos. Passa Calle. Allegro (transcription for String Orchestra and Harpsichords by Andreas Staier)
Luigi Boccherini; Andreas Staier; Orquestra barocca Casa da Música |
2:00 | |||
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1.21
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V. Ritirata con variazioni. Tempo di Marcia (transcription for String Orchestra and Harpsichords by Andreas Staier)
Luigi Boccherini; Andreas Staier; Orquestra barocca Casa da Música |
6:20 | |||
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Digital Booklet
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This musical journey takes its title from one of William Corbett's Bizzarie universali, a set of concertos which, in truth, owe much more to the Italian tradition than to the Iberian peninsula . . . In the Age of Enlightenment, Portuguese music shared the favours of certain English publishers with its Spanish neighbour; drinking at the inexhaustible source of the Scarlatti sonatas, Charles Avison conceived sumptuous concertos that sound extraordinarily like their contemporary equivalents written at Coimbra by Seixas. This constant exchange between Iberian chamber music and the eighteenth-century orchestra culminates in an orchestral arrangement of Boccherini's famous Musica notturna, presented by Andreas Staier in total complicity with the Baroque orchestra of the Casa da Música de Porto.
96 kHz / 24-bit PCM – harmonia mundi Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.41 -19.19 to -0.30 | -26.27 -36.45 to -19.48 | -22.79 -33.60 to -16.40 | 13 10 to 17 | |
| 1 | I. Allegro | -5.14 | -24.41 | -21.2 | 13 |
| 2 | II. Largo e pia(no) | -3.80 | -26.71 | -23.4 | 14 |
| 3 | III. Allegro | -3.42 | -23.86 | -20.4 | 14 |
| 4 | I. Allegro | -1.85 | -25.18 | -21.7 | 15 |
| 5 | II. Adagio | -6.94 | -28.52 | -25.5 | 12 |
| 6 | III. Allegro assai | -1.82 | -27.03 | -24.0 | 17 |
| 7 | Allegro | -14.54 | -31.83 | -29.0 | 12 |
| 8 | Presto | -14.87 | -31.65 | -28.7 | 12 |
| 9 | Allegro | -19.19 | -36.45 | -33.6 | 12 |
| 10 | I. Allegro | -3.70 | -25.64 | -22.4 | 13 |
| 11 | II. Adagio | -11.75 | -31.35 | -28.2 | 10 |
| 12 | III. Giga. Allegro | -5.06 | -27.15 | -23.9 | 13 |
| 13 | I. Largo | -1.73 | -23.53 | -20.2 | 13 |
| 14 | II. Allegro | -3.82 | -23.30 | -20.1 | 13 |
| 15 | III. Andante moderato | -3.21 | -22.66 | -19.3 | 12 |
| 16 | IV. Allegro | -4.20 | -23.70 | -20.5 | 12 |
| 17 | I. Ave Maria. Imitando il tocco dell'Ave Maria della Parrochia (transcription for String Orchestra and Harpsichords by Andreas Staier) | -3.43 | -23.59 | -18.4 | 13 |
| 18 | II. Minuetto (transcription for String Orchestra and Harpsichords by Andreas Staier) | -0.32 | -19.48 | -16.4 | 14 |
| 19 | III. Rosario. Largo assai (transcription for String Orchestra and Harpsichords by Andreas Staier) | -0.71 | -26.11 | -19.0 | 15 |
| 20 | IV. Los manolos. Passa Calle. Allegro (transcription for String Orchestra and Harpsichords by Andreas Staier) | -3.89 | -25.04 | -22.1 | 13 |
| 21 | V. Ritirata con variazioni. Tempo di Marcia (transcription for String Orchestra and Harpsichords by Andreas Staier) | -0.30 | -24.50 | -20.5 | 15 |