℗ 2016 Decca Music Group Limited under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
| Released | October 28, 2016 |
| Duration | 1h 07m 21s |
| Record Label | Decca/London |
| Genre | Classical |
Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)
Mitsuko Uchida, The Cleveland Orchestra
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Piano Concerto No. 17 In G Major, K.453
|
|||||
|
1.1
|
1. Allegro (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
12:45 | |||
|
1.2
|
2. Andante (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
11:30 | |||
|
1.3
|
3. Allegretto - Finale. Presto (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
8:31 | |||
|
Piano Concerto No. 25 in C major, K.503
|
|||||
|
1.4
|
1. Allegro maestoso (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
16:39 | |||
|
1.5
|
2. Andante (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
8:23 | |||
|
1.6
|
3. Allegretto (Live)
Wolfgang Amadeus Mozart; Mitsuko Uchida; The Cleveland Orchestra |
9:33 | |||
|
Digital Booklet
|
|||||
"Alert yet dreamy, freely bending the tempo throughout, Ms. Uchida was most fascinating in the way she shifted her approach between the concertos. In the earlier work, her sound was pebbly: smooth yet defined. In the latter, her tone was richer, by the end almost organ-like in its amplitude and grandeur. With the orchestra, her relationship was intimate, playful, delightful."
- The New York Times
With this release recorded live at Severance Hall in February 2016, Mitsuko Uchida concludes her ongoing exploration of Mozart’s piano concertos, conducting the Cleveland Orchestra from the piano. The first volume in the series earned a Grammy Award in 2011 and all the following installments have received lavish critical praise.
96 kHz / 24-bit PCM – Decca/London Studio Masters
Recording location: Severance Hall, Cleveland, Ohio, February 11 - 13, 2016 (live recording) Recording producer, engineer and editor: Everett Porter Assistant engineer: Bruce Gigax Recording facilities: Polyhymnia International BV and the Cleveland Orchestra Piano technician: Georges Ammann Production coordinator: Joanne Baines Product management: Sam Le Roux
Recording location: Severance Hall, Cleveland, Ohio, February 11 - 13, 2016 (live recording) Recording producer, engineer and editor: Everett Porter Assistant engineer: Bruce Gigax Recording facilities: Polyhymnia International BV and the Cleveland Orchestra Piano technician: Georges Ammann Production coordinator: Joanne Baines Product management: Sam Le Roux
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.07 -7.63 to -0.18 | -26.38 -29.66 to -24.00 | -23.07 -26.30 to -20.40 | 15 14 to 16 | |
| 1 | 1. Allegro (Live) | -3.01 | -25.77 | -22.4 | 15 |
| 2 | 2. Andante (Live) | -5.04 | -29.66 | -26.3 | 14 |
| 3 | 3. Allegretto - Finale. Presto (Live) | -1.66 | -25.77 | -22.5 | 16 |
| 4 | 1. Allegro maestoso (Live) | -0.86 | -24.00 | -20.4 | 14 |
| 5 | 2. Andante (Live) | -7.63 | -29.03 | -26.0 | 14 |
| 6 | 3. Allegretto (Live) | -0.18 | -24.07 | -20.8 | 15 |