℗ 2016 2xHD
 

Getz/Gilberto '76

João Gilberto

Available in 5.6448 MHz, 2.8224 MHz DSD-DSF and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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    • AIFF 192.0 kHz | 24-bit
    • AIFF 96.0 kHz | 24-bit
    • FLAC 192.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
    • DSF 5.6448 MHz DSD
    • DSF 2.8224 MHz DSD
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1
Spoken Intro by Stan Getz
Stan Getz
0:54
2
É Preciso Perdoar
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
5:42
3
Aguas de Março
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
5:54
4
Retrato em Branco e Preto
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
4:32
5
Samba da minha terra
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
3:39
6
Chega de saudade
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
4:28
7
Rosa Morena
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
3:53
8
Eu vim da bahia
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
0:03
9
Doralice
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
3:56
10
Morena boca de ouro
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
3:32
11
Um Abraço no Bonfa
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
3:41
12
E Preciso Perdoar (encore)
João Gilberto; Stan Getz; Clint Houston; Joanne Brackeen; Billy Hart
5:59
Digital Booklet
Total Playing Time    46:13
"Four Stars ... appearances by the perfectionist, semi-reclusive Gilberto were rare and there’s an atmosphere of occasion about the silence into which he half-whispers the Portuguese lyrics, accompanied by his minimalist but infinitely subtle guitar ... there’s something spellbinding about Gilberto’s intensity when facing a live audience, close up."
- The Guardian

"... I put the album on early one morning ... in the pitch quiet, I totally fell in love with the music and understood its beauty ... what makes Getz/Gilberto '76 special is Gilberto's tender voice, which forces you to sit forward to hear it. The album is really Gilberto's, with Getz jumping in for solos. As a result, it's more of a Brazilian folk album, featuring the earthy, breathy vocal expressions of a bossa nova founding father. Gilberto sings passionately and sensitively throughout in Portuguese, giving the music an exotic air."
- JazzWax.com

This newly-discovered classic unreleased live music from Stan Getz and João Gilberto was recorded during a week-long engagement in May 1976 at the legendary San Francisco jazz club Keystone Korner. The series of shows represents one of the very few times the famed duo reunited after their initial creative collaboration years earlier which yielded one of the most successful jazz records of all time, the Grammy-winning, million-selling 1964 album Getz/Gilberto and its 1966 sequel Getz/Gilberto #2.

"... (João Gilberto is) the most individual singer of our time ... a true originator ... (how) a performer, so gifted, one of the true greats in music should be so hesitant about public appearance, is just one of those mysteries. But he's here this week."
- Stan Getz
5.6448 MHz, 2.8224 MHz DSD and 192 kHz / 24-bit, 96 kHz / 24-bit PCM – 2xHD Studio Masters

For the 2xHD transfer of this recording, the original 1/4”, 15 ips NAB master tape was played on a Nagra-T modified with high end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra T has one of the best transports ever made, having four direct drive motors, two pinch rollers and a tape tension head.

Each format (96kHz, 192kHz, DSD2.8mHz and DSD5.6mHz) was created using Merging Horus/Hapi A/D converter, calibrated to the required format and a dCS Vivaldi clock.

2xHD mastering: René Laflamme
2xHD executive producer: André Perry

This album is a high-resolution digital transfer of material originating from an analogue recording. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth and dynamic range, due to the technology available at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.

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