℗ 2016 Alpha
| Released | November 18, 2016 |
| Duration | 1h 06m 50s |
| Record Label | Alpha |
| Catalogue No. | ALPHA256 |
| Genre | Classical (Chamber Music) |
Le théâtre musical de Telemann
Ensemble Masques, Olivier Fortin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Ouverture-Suite in A Major, TWV 55:A1
|
|||||
|
1.1
|
I. Ouverture
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
5:19 | |||
|
1.2
|
II. Branle
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:12 | |||
|
1.3
|
III. Gaillarde
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:29 | |||
|
1.4
|
IV. Sarabande
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:44 | |||
|
1.5
|
V. Réjouissance
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:09 | |||
|
1.6
|
VI. Passepied
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:11 | |||
|
1.7
|
VII. Canarie
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
0:53 | |||
|
Ouverture-Suite in B Flat Major, TWV 55:B5 "Les nations"
|
|||||
|
1.8
|
I. Ouverture
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
6:31 | |||
|
1.9
|
II. Menuets I & II
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
3:37 | |||
|
1.10
|
III. Les Turcs
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:39 | |||
|
1.11
|
IV. Les Suisses
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:43 | |||
|
1.12
|
V. Les Muscovites
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:19 | |||
|
1.13
|
VI. Les Portugais
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:21 | |||
|
1.14
|
VII. Les Boiteux
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:32 | |||
|
1.15
|
VIII. Les Coureurs
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:46 | |||
|
Concerto polonois in G Major, TWV 43:G7
|
|||||
|
1.16
|
I. Dolce
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:22 | |||
|
1.17
|
II. Allegro
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:21 | |||
|
1.18
|
III. Largo
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:56 | |||
|
1.19
|
IV. Allegro
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:17 | |||
|
Ouverture-Suite in G Major, TWV 55:G10 "Burlesque de Quixotte"
|
|||||
|
1.20
|
I. Ouverture
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
6:18 | |||
|
1.21
|
II. Le réveil de Quixotte
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
3:04 | |||
|
1.22
|
III. Son attaque des moulins à vent
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:40 | |||
|
1.23
|
IV. Ses soupirs amoureux après la Princesse Dulcinée
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
3:48 | |||
|
1.24
|
V. Sanche Panse berné
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:57 | |||
|
1.25
|
VI. Le galope de Rosinante
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:00 | |||
|
1.26
|
VII. Celui d'ane de Sanche
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
1:28 | |||
|
1.27
|
VIII. Le couché de Quixotte
Georg Philipp Telemann; Ensemble Masques; Olivier Fortin |
2:14 | |||
|
Digital Booklet
|
|||||
"Tremendous fun!", "Scintillating!", wrote the journalists of Diapason and Classica about the most recent recording of Olivier Fortin and his ensemble, devoted to the rarely heard Romanus Weichlein, which received every honor from the French musical press (Diapason d'Or, Choc de Classica, FFFF Telerama). This year, the Canadian harpsichordist and his loyal band have decided to record Telemann, the 250th anniversary of whose death will be commemorated in 2017. Two anonymous musicians from the city of Hamburg wrote in 1728 that "Handel composes music" but Telemann composes "music and affects". The overture-suites by Telemann presented on this recording are written in a "mimetic' style: Les Nations, the Concerto Polonois, La Bizarre and the Burlesque de Quixotte explore a vast range of subjects and, even more than all his other works, reveal a man of the theatre, widely read, curious a humorist and a shrewd observer of the physical and political world around him.
96 kHz / 24-bit PCM – Alpha Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.33 -5.75 to -0.22 | -20.93 -26.12 to -16.56 | -17.68 -22.20 to -13.40 | 11 10 to 13 | |
| 1 | I. Ouverture | -1.46 | -19.60 | -16.7 | 11 |
| 2 | II. Branle | -1.73 | -20.28 | -17.0 | 12 |
| 3 | III. Gaillarde | -2.97 | -20.06 | -17.1 | 10 |
| 4 | IV. Sarabande | -5.75 | -23.89 | -20.8 | 11 |
| 5 | V. Réjouissance | -1.87 | -20.49 | -17.5 | 11 |
| 6 | VI. Passepied | -2.36 | -21.32 | -18.6 | 11 |
| 7 | VII. Canarie | -4.29 | -21.20 | -17.6 | 10 |
| 8 | I. Ouverture | -1.88 | -19.70 | -16.7 | 11 |
| 9 | II. Menuets I & II | -4.14 | -22.76 | -19.3 | 12 |
| 10 | III. Les Turcs | -0.35 | -16.56 | -13.4 | 11 |
| 11 | IV. Les Suisses | -3.85 | -22.56 | -18.6 | 11 |
| 12 | V. Les Muscovites | -2.87 | -21.63 | -18.4 | 11 |
| 13 | VI. Les Portugais | -2.24 | -20.28 | -17.0 | 12 |
| 14 | VII. Les Boiteux | -1.81 | -19.86 | -16.8 | 11 |
| 15 | VIII. Les Coureurs | -2.30 | -20.75 | -17.3 | 12 |
| 16 | I. Dolce | -2.04 | -20.74 | -17.7 | 11 |
| 17 | II. Allegro | -0.28 | -18.55 | -15.4 | 12 |
| 18 | III. Largo | -0.92 | -20.45 | -17.2 | 11 |
| 19 | IV. Allegro | -0.57 | -19.93 | -16.5 | 12 |
| 20 | I. Ouverture | -1.41 | -19.93 | -16.9 | 11 |
| 21 | II. Le réveil de Quixotte | -1.46 | -21.20 | -17.6 | 11 |
| 22 | III. Son attaque des moulins à vent | -0.23 | -19.12 | -16.0 | 11 |
| 23 | IV. Ses soupirs amoureux après la Princesse Dulcinée | -2.07 | -23.06 | -19.4 | 12 |
| 24 | V. Sanche Panse berné | -0.22 | -20.20 | -17.2 | 13 |
| 25 | VI. Le galope de Rosinante | -3.47 | -21.37 | -18.3 | 11 |
| 26 | VII. Celui d'ane de Sanche | -5.23 | -23.50 | -20.2 | 12 |
| 27 | VIII. Le couché de Quixotte | -5.04 | -26.12 | -22.2 | 12 |