℗ 2017 2xHD - Ondine
| Released | January 6, 2017 |
| Duration | 1h 12m 51s |
| Record Label | 2xHD - Ondine |
| Genre | Classical Music (Chamber) |
Brahms: The Violin Sonatas
Christian Tetzlaff, Lars Vogt
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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Violin Sonata No. 1 in G Major, Op. 78
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1.1
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I. Vivace ma non troppo
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
10:46 | |||
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1.2
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II. Adagio
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
7:25 | |||
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1.3
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III. Allegro molto moderato
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
8:34 | |||
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Violin Sonata No. 2 in A Major, Op. 100
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1.4
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I. Allegro amabile
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
8:02 | |||
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1.5
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II. Andante tranquillo - Vivace
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
6:28 | |||
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1.6
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III. Allegro grazioso (quasi andante)
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:31 | |||
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Violin Sonata No. 3 in D Minor, Op. 108
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1.7
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I. Allegro
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
7:46 | |||
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1.8
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II. Adagio
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
4:19 | |||
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1.9
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III. Un poco presto e con sentimento
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
3:01 | |||
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1.10
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IV. Presto agitato
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:33 | |||
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Violin Sonata in A Minor "F-A-E"
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1.11
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III. Scherzo in C Minor, WoO 2
Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:26 | |||
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Digital Booklet
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"It’s beautiful playing, tonally and expressively and very musical, but it’s also surprisingly open ..."
- BBC Music Magazine
"Disc of the Month ... a breathtaking balance of poise and daring ... Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether it’s a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata."
- Gramophone
"Four Stars ... each work has a questing lyricism, vividly captured here. Christian Tetzlaff’s distinctive, quicksilver playing, capable of extreme pianissimo, suits the intensity and introspection in each ... the performances are agile, airborne, refreshingly unpredictable and alive with exhilarating freedom."
- The Guardian
Award-winning violinist Christian Tetzlaff and pianist Lars Vogt continue their successful series of violin chamber music with this exciting programme of Brahms's sonatas, considered among the greatest masterpieces of the 19th century chamber repertoire. Brahms wrote these powerful works at the height of his creative powers, bringing the genre of violin sonatas into a new dimension.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – 2xHD - Ondine Studio Masters
96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DSD 5.6 MHz using Merging Horus/Hapi In and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. Each format (96kHz, 192kHz, DSD 2.8 MHz, DSD 5.6 MHz) was created using Merging Horus/Hapi A/D converter, calibrated to the required format and a dCS Vivaldi clock. 2xHD mastering: René Laflamme and André Perry 2xHD executive producer: André Perry
96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DSD 5.6 MHz using Merging Horus/Hapi In and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. Each format (96kHz, 192kHz, DSD 2.8 MHz, DSD 5.6 MHz) was created using Merging Horus/Hapi A/D converter, calibrated to the required format and a dCS Vivaldi clock. 2xHD mastering: René Laflamme and André Perry 2xHD executive producer: André Perry
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.16 -5.40 to -2.10 | -27.33 -31.30 to -21.92 | -22.97 -27.00 to -17.60 | 15 12 to 19 | |
| 1 | I. Vivace ma non troppo | -2.74 | -26.45 | -21.5 | 15 |
| 2 | II. Adagio | -2.82 | -27.99 | -23.5 | 16 |
| 3 | III. Allegro molto moderato | -3.93 | -29.35 | -25.5 | 15 |
| 4 | I. Allegro amabile | -3.02 | -26.49 | -22.1 | 15 |
| 5 | II. Andante tranquillo - Vivace | -2.76 | -31.02 | -27.0 | 19 |
| 6 | III. Allegro grazioso (quasi andante) | -4.90 | -28.42 | -24.8 | 14 |
| 7 | I. Allegro | -2.40 | -26.68 | -21.9 | 15 |
| 8 | II. Adagio | -5.40 | -31.30 | -26.8 | 15 |
| 9 | III. Un poco presto e con sentimento | -2.51 | -27.87 | -23.5 | 14 |
| 10 | IV. Presto agitato | -2.23 | -23.13 | -18.5 | 13 |
| 11 | III. Scherzo in C Minor, WoO 2 | -2.10 | -21.92 | -17.6 | 12 |