Philippe Verdelot - Sylvestro Ganassi: Madrigali diminuiti
Doulce Mémoirel, Denis Raisin Dadre
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Tutt'il dì piango (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Doulce Mémoire; Denis Raisin-Dadre |
3:50 | |||
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1.2
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Tutt'il dì piango (arr. for Chamber Ensemble)
Anonymous; Philippe Verdelot; Denis Raisin-Dadre; Doulce Mémoire |
4:05 | |||
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1.3
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Nunqua fu pena magiore
Bartolomeo Tromboncino; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
7:43 | |||
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1.4
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Padouana della Ragione
Anonymous; Doulce Mémoire; Denis Raisin-Dadre |
2:55 | |||
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1.5
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Igno soave ove il mio foco alento (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Doulce Mémoire; Denis Raisin-Dadre |
2:09 | |||
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1.6
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Igno soave (instrumental version)
Philippe Verdelot; Denis Raisin-Dadre; Doulce Mémoire |
2:19 | |||
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1.7
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Ardenti miei sospiri (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
3:26 | |||
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1.8
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Padouana "La Ternarina"
Anonymous; Doulce Mémoire; Denis Raisin-Dadre |
1:40 | |||
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1.9
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Donna che sete fra le donne belle (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Doulce Mémoire; Denis Raisin-Dadre |
2:43 | |||
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1.10
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Donna che sete fra le donne belle (arr. for Chamber Ensemble)
Anonymous; Philippe Verdelot; Denis Raisin-Dadre; Doulce Mémoire |
2:48 | |||
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1.11
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Dormend'un giorno a Baia (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
2:37 | |||
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1.12
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Aldi, donna, non dormire
Filippo de Lurano; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
3:22 | |||
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1.13
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Fantasia sopra se mai provasti
Melchiore de Barberiis; Pascale Boquet |
2:33 | |||
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1.14
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Se a vostra voglia
Anonymous; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
4:44 | |||
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1.15
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In me cresce l'ardore (arr. for Chamber Ensemble)
Anonymous; Philippe Verdelot; Denis Raisin-Dadre; Doulce Mémoire |
3:20 | |||
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1.16
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In me cresce l'ardore (arr. for Voice and Chamber Ensemble)
Anonymous; Philippe Verdelot; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
3:12 | |||
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1.17
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Madonna qual certezza
Melchiore de Barberiis; Doulce Mémoire; Denis Raisin-Dadre |
2:55 | |||
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1.18
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Madonna qual certezza
Philippe Verdelot; Clara Coutouly; Sebastien Wonner |
2:33 | |||
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1.19
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Madonna qual certezza (arr. for Chamber Ensemble)
Anonymous; Philippe Verdelot; Denis Raisin-Dadre; Doulce Mémoire |
2:47 | |||
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1.20
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Pacientia ognom mi dice
Anonymous; Clara Coutouly; Denis Raisin-Dadre; Doulce Mémoire |
5:42 | |||
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Digital Booklet
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In 1535, Sylvestro Ganassi published in Venice the first treatise developing the technique of the art of ornamentation at an unprecedented level of rhythmic complexity and virtuosity. Playing the recorder, the instrument to which Ganassi devoted his work, Denis Raisin Dadre applies the rules of the treatise to the same repertoire as Ganassi: frottole and, above all, the madrigals of Philippe Verdelot. With the ornaments, the music proves to be a living art with a constant rhythmic shift, exuberant improvisations and a "swing" typical of 20th century jazz.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.29 -14.72 to 0.00 | -26.05 -34.35 to -20.97 | -22.82 -31.70 to -18.10 | 12 10 to 14 | |
| 1 | Tutt'il dì piango (arr. for Voice and Chamber Ensemble) | -4.64 | -25.88 | -21.4 | 12 |
| 2 | Tutt'il dì piango (arr. for Chamber Ensemble) | -6.55 | -26.12 | -22.2 | 11 |
| 3 | Nunqua fu pena magiore | -2.93 | -24.32 | -21.0 | 12 |
| 4 | Padouana della Ragione | -13.45 | -33.54 | -30.8 | 14 |
| 5 | Igno soave ove il mio foco alento (arr. for Voice and Chamber Ensemble) | -10.85 | -31.22 | -27.8 | 12 |
| 6 | Igno soave (instrumental version) | -5.41 | -23.35 | -20.0 | 10 |
| 7 | Ardenti miei sospiri (arr. for Voice and Chamber Ensemble) | 0.00 | -22.13 | -19.1 | 13 |
| 8 | Padouana "La Ternarina" | -10.48 | -30.58 | -27.9 | 13 |
| 9 | Donna che sete fra le donne belle (arr. for Voice and Chamber Ensemble) | -7.31 | -27.63 | -24.1 | 11 |
| 10 | Donna che sete fra le donne belle (arr. for Chamber Ensemble) | -5.57 | -25.30 | -21.4 | 11 |
| 11 | Dormend'un giorno a Baia (arr. for Voice and Chamber Ensemble) | -6.73 | -25.69 | -22.4 | 12 |
| 12 | Aldi, donna, non dormire | -3.55 | -24.32 | -21.3 | 12 |
| 13 | Fantasia sopra se mai provasti | -14.72 | -34.35 | -31.7 | 12 |
| 14 | Se a vostra voglia | -1.97 | -22.40 | -19.6 | 13 |
| 15 | In me cresce l'ardore (arr. for Chamber Ensemble) | -6.21 | -22.48 | -19.2 | 10 |
| 16 | In me cresce l'ardore (arr. for Voice and Chamber Ensemble) | -2.00 | -21.44 | -18.4 | 12 |
| 17 | Madonna qual certezza | -8.93 | -29.95 | -27.4 | 14 |
| 18 | Madonna qual certezza | -4.28 | -24.07 | -20.4 | 12 |
| 19 | Madonna qual certezza (arr. for Chamber Ensemble) | -8.21 | -25.26 | -22.1 | 10 |
| 20 | Pacientia ognom mi dice | -2.09 | -20.97 | -18.1 | 11 |