℗ 2013 Wilson Audiophile Recordings
| Released | October 1, 2013 |
| Duration | 38m 44s |
| Record Label | Wilson Audiophile Recordings |
| Catalogue No. | WILSON 771 |
| Genre | Classical (Instrumental) |
Concert
James Welch
Available in 176.4 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Concerto No. 3 in B Minor
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1.1
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I. Allegro
Johann Gottfried Walther; James Welch |
3:07 | |||
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1.2
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II. Adagio
Johann Gottfried Walther; James Welch |
2:53 | |||
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1.3
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III. Allegro
Johann Gottfried Walther; James Welch |
3:05 | |||
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Four Pieces for Musical Clock
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1.4
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Minuet (Song of the Quail)
Franz Joseph Haydn; James Welch |
2:12 | |||
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1.5
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Marche
Franz Joseph Haydn; James Welch |
2:13 | |||
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1.6
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Andantino
Franz Joseph Haydn; James Welch |
3:13 | |||
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1.7
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Minuet (Presto)
Franz Joseph Haydn; James Welch |
1:16 | |||
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1.8
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Fugue in G Major 'Jig Fugue', BWV 577
Johann Sebastian Bach; James Welch |
3:03 | |||
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1.9
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Praeludium, Fuge and Ciacona
Dieterich Buxtehude; James Welch |
4:45 | |||
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1.10
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Prelude et fugue sur le nom d'Alain, Op. 7
Maurice Duruflé; James Welch |
10:06 | |||
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Pieces de fantaisie, Op. 54
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1.11
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Impromptu
Louis Vierne; James Welch |
2:51 | |||
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Digital Booklet
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Concert from American organist James B. Welch was recorded by Wilson Audiophile in 1977 and features Welch's interpretations of works by composers including Bach, Haydn, Johann Gottfried Walther and Louis Vierne. The selections by Walther and Haydn were recorded on the Flentrop organ at All Saints' Episcopal Church in Palo Alto, California; the other pieces were recorded on a 1962 Möller/Holtkamp three manual instrument consisting of 79 ranks with a total of 4334 pipes.
176.4 kHz / 24-bit, 88.2 kHz / 24-bit PCM – Wilson Audiophile Recordings Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. Due to the nature of analogue tape recording, it may contain artifacts or audio which uses a limited amount of the available dynamic range / frequency bandwidth of high-resolution digital audio. As such, it is offered as a high-resolution documentation of a historical release. Recorded by David A. Wilson Assistance by David A. Wilson, III and Sheryl Lee Wilson Mastering by Bruce Leek Matrix by Rick Goldman
This album is a high-resolution digital transfer of material originating from an analogue master source. Due to the nature of analogue tape recording, it may contain artifacts or audio which uses a limited amount of the available dynamic range / frequency bandwidth of high-resolution digital audio. As such, it is offered as a high-resolution documentation of a historical release. Recorded by David A. Wilson Assistance by David A. Wilson, III and Sheryl Lee Wilson Mastering by Bruce Leek Matrix by Rick Goldman
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.29 -14.58 to -4.27 | -26.72 -32.40 to -24.25 | -24.74 -32.70 to -21.00 | 11 5 to 13 | |
| 1 | I. Allegro | -6.02 | -24.25 | -21.1 | 11 |
| 2 | II. Adagio | -9.80 | -25.90 | -22.4 | 11 |
| 3 | III. Allegro | -5.66 | -24.51 | -21.0 | 12 |
| 4 | Minuet (Song of the Quail) | -7.31 | -26.15 | -22.0 | 12 |
| 5 | Marche | -11.99 | -28.84 | -25.5 | 11 |
| 6 | Andantino | -6.78 | -28.35 | -26.1 | 12 |
| 7 | Minuet (Presto) | -5.73 | -24.38 | -23.6 | 10 |
| 8 | Fugue in G Major 'Jig Fugue', BWV 577 | -13.85 | -32.40 | -32.7 | 9 |
| 9 | Praeludium, Fuge and Ciacona | -14.58 | -28.34 | -29.8 | 5 |
| 10 | Prelude et fugue sur le nom d'Alain, Op. 7 | -5.17 | -25.12 | -22.9 | 12 |
| 11 | Impromptu | -4.27 | -25.66 | -25.0 | 13 |