℗ 2017 Naxos
| Released | February 10, 2017 |
| Duration | 1h 05m 39s |
| Record Label | Naxos |
| Genre | Classical (Vocal Ensemble) |
Giacomo Carissimi: Eight Motets
Consortium Carissimi, Garrick Comeaux
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Audivi vocem
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
8:18 | |||
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1.2
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Christus factus est
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
4:32 | |||
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1.3
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Usquequo peccatores
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
20:21 | |||
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1.4
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Dixit Dominus
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
5:52 | |||
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1.5
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Silentium tenebant
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
6:05 | |||
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1.6
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Sustinuimus in pacem
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
6:06 | |||
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1.7
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Timete Dominum
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
6:07 | |||
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1.8
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Hodie Salvator Mundi
Giacomo Carissimi; Consortium Carissimi; Garrick Comeaux |
8:18 | |||
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Digital Booklet
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American Baroque ensemble the Consortium Carissimi continues to promote its namesake, Giacomo Carissimi, with this fourth recording of his works. One of the most admired of 17th century Italian composers, Carissimi became famous across Europe at an early age, particularly for his church music. Commonly employing texts that modify or amplify passages from the scriptures rather than taking those texts verbatim, Carissimi used all his talent for vocal melodic lines and accompanying instrumentation to fashion a sequence of spellbinding masterpieces. Foremost among these is Usquequo peccatores which, through its size and length, blurs the very distinction between motet and oratorio.
48 kHz / 24-bit PCM – Naxos Studio Masters
Recorded in the Church of Saint Therese, Deephaven, Minnetonaka, MN, USA, July 19 - 24, 2015 Producers: Garrett Lahr and Donald Livingston Engineer and editor: Reid Kruger at Waterbury Music + Sound Booklet notes: Garrick Comeaux Cover image: detail of the rear of the Church of Madonna d’Ongera, Monte San Salvatore, Lugano, Switzerland Photo: G. Paolo Zeccara, Italy
Recorded in the Church of Saint Therese, Deephaven, Minnetonaka, MN, USA, July 19 - 24, 2015 Producers: Garrett Lahr and Donald Livingston Engineer and editor: Reid Kruger at Waterbury Music + Sound Booklet notes: Garrick Comeaux Cover image: detail of the rear of the Church of Madonna d’Ongera, Monte San Salvatore, Lugano, Switzerland Photo: G. Paolo Zeccara, Italy
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.28 -0.57 to -0.20 | -19.25 -20.55 to -16.73 | -16.34 -17.70 to -13.90 | 12 11 to 13 | |
| 1 | Audivi vocem | -0.20 | -20.55 | -17.7 | 13 |
| 2 | Christus factus est | -0.57 | -18.95 | -16.0 | 11 |
| 3 | Usquequo peccatores | -0.50 | -19.46 | -16.4 | 12 |
| 4 | Dixit Dominus | -0.20 | -16.73 | -13.9 | 11 |
| 5 | Silentium tenebant | -0.20 | -20.22 | -17.2 | 13 |
| 6 | Sustinuimus in pacem | -0.20 | -18.60 | -15.9 | 12 |
| 7 | Timete Dominum | -0.20 | -19.57 | -16.6 | 12 |
| 8 | Hodie Salvator Mundi | -0.20 | -19.94 | -17.0 | 13 |