℗ 2017 Naxos
| Released | February 10, 2017 |
| Duration | 56m 18s |
| Record Label | Naxos |
| Genre | Classical (Orchestral) |
Enrique Soro: Sinfonía romántica - Danza fantástica - Tres Aires chilenos - Andante appassionato
Chile Symphony Orchestra, José Luis Domínguez
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Danza fantástica
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
4:29 | |||
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Tres Aires chilenos
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1.2
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No. 1. Allegro ma non troppo
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
3:24 | |||
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1.3
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No. 2. Moderato
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
3:48 | |||
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1.4
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No. 3. Allegro moderato
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
3:06 | |||
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1.5
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Andante appassionato (version for Orchestra)
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
4:32 | |||
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Sinfonía romántica
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1.6
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I. Allegro moderato
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
11:04 | |||
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1.7
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II. Adagio
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
7:08 | |||
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1.8
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III. Scherzo
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
5:58 | |||
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1.9
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IV. Finale. Allegro con brio
Enrique Soro; Chile Symphony Orchestra; José Luis Domínguez |
12:49 | |||
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Digital Booklet
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"Soro’s music as rendered here is entertaining, colourful and attractive. The idiom is familiar. The recording is good ... all credit to everyone for bringing to grateful listeners this otherwise unheard-of music."
- MusicWeb International
With this recording, the Chile Symphony Orchestra and José Luis Domínguez pay tribute to their countryman Enrique Soro, who rose to great esteem not only as Chile’s leading composer but as a distinguished pianist, conductor and teacher. The Sinfonía romántica, receiving its world premiere here, was the first symphony to be composed in Chile and remains the most important example of the genre in the country’s musical history. Soro’s melodic distinction, mastery of orchestration and sense of form are equally distinguished.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at the Teatro CEAC Universidad de Chile, Santiago de Chile, September 22 - 25, 2015 Producer: Álvaro Gallegos Engineer and editor: Rodrigo Pérez Publishers: Manuscript (tracks 1, 6 - 9), Instituto de Extensión Musical (IEM) (tracks 2 - 5) Booklet notes: Roberto Doniez Soro and Álvaro Gallegos Cover: Enrique Soro in 1924
Recorded at the Teatro CEAC Universidad de Chile, Santiago de Chile, September 22 - 25, 2015 Producer: Álvaro Gallegos Engineer and editor: Rodrigo Pérez Publishers: Manuscript (tracks 1, 6 - 9), Instituto de Extensión Musical (IEM) (tracks 2 - 5) Booklet notes: Roberto Doniez Soro and Álvaro Gallegos Cover: Enrique Soro in 1924
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.76 -2.23 to -0.10 | -20.97 -25.60 to -18.16 | -17.24 -22.00 to -14.60 | 12 10 to 15 | |
| 1 | Danza fantástica | -0.10 | -18.16 | -14.6 | 11 |
| 2 | No. 1. Allegro ma non troppo | -0.40 | -18.49 | -15.0 | 10 |
| 3 | No. 2. Moderato | -0.42 | -21.88 | -16.3 | 12 |
| 4 | No. 3. Allegro moderato | -0.40 | -18.55 | -15.3 | 11 |
| 5 | Andante appassionato (version for Orchestra) | -2.23 | -25.44 | -22.0 | 15 |
| 6 | I. Allegro moderato | -0.40 | -19.35 | -16.1 | 12 |
| 7 | II. Adagio | -2.05 | -25.60 | -21.9 | 14 |
| 8 | III. Scherzo | -0.40 | -22.90 | -19.4 | 14 |
| 9 | IV. Finale. Allegro con brio | -0.40 | -18.41 | -14.6 | 11 |