Lettres intimes: Bartók - Schulhoff - Janáček
Quatuor Voce
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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String Quartet No. 1, Op. 7, Sz. 40
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1.1
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I. Lento
Béla Bartók; Quatuor Voce |
9:25 | |||
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1.2
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II. Allegretto
Béla Bartók; Quatuor Voce |
8:59 | |||
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1.3
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III. Allegro vivace
Béla Bartók; Quatuor Voce |
12:17 | |||
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5 Pieces for String Quartet
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1.4
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No. 1. Alla valse viennese
Erwin Schulhoff; Quatuor Voce |
1:59 | |||
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1.5
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No. 2. Alla serenata
Erwin Schulhoff; Quatuor Voce |
3:26 | |||
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1.6
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No. 3. Alla czeca
Erwin Schulhoff; Quatuor Voce |
1:36 | |||
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1.7
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No. 4. Alla tango milonga
Erwin Schulhoff; Quatuor Voce |
3:52 | |||
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1.8
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No. 5. Alla tarantella
Erwin Schulhoff; Quatuor Voce |
2:45 | |||
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String Quartet No. 2, JW VII/13 "Intimate Letters"
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1.9
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I. Andante - Con moto - Allegro
Leoš Janáček; Quatuor Voce |
6:07 | |||
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1.10
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II. Adagio - Vivace
Leoš Janáček; Quatuor Voce |
6:00 | |||
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1.11
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III. Moderato - Adagio - Allegro
Leoš Janáček; Quatuor Voce |
5:18 | |||
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1.12
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IV. Allegro - Andante - Adagio
Leoš Janáček; Quatuor Voce |
8:06 | |||
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Digital Booklet
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The Quatuor Voce travels to central Europe via the three works recorded here, written over a period of 20 years. Two of them allude to their composers' love lives: Bartók’s String Quartet No. 1 transposes an unhappy experience of love while Janáček’s quartet reflects his love for Kamila Stösslová and is a faithful mirror of emotions in all their spontaneous and constantly shifting authenticity. Schulhoff was one of the first Jewish composers to fall victim to the Nazi regime: an inventive and omnivorously curious virtuoso pianist, he performed both jazz and serial music. His 5 Pieces for String Quartet is a suite of dances in different styles.
96 kHz / 24-bit PCM – Alpha Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.40 -2.26 to -0.10 | -21.89 -23.95 to -18.77 | -17.64 -19.60 to -15.60 | 13 12 to 15 | |
| 1 | I. Lento | -1.21 | -23.95 | -18.9 | 13 |
| 2 | II. Allegretto | -0.12 | -22.79 | -17.6 | 14 |
| 3 | III. Allegro vivace | -0.21 | -22.56 | -18.4 | 15 |
| 4 | No. 1. Alla valse viennese | -0.10 | -22.29 | -18.8 | 15 |
| 5 | No. 2. Alla serenata | -0.13 | -22.53 | -18.0 | 12 |
| 6 | No. 3. Alla czeca | -0.11 | -18.77 | -15.6 | 12 |
| 7 | No. 4. Alla tango milonga | -2.26 | -23.21 | -19.6 | 13 |
| 8 | No. 5. Alla tarantella | -0.20 | -21.47 | -17.9 | 14 |
| 9 | I. Andante - Con moto - Allegro | -0.11 | -21.06 | -16.6 | 13 |
| 10 | II. Adagio - Vivace | -0.19 | -21.19 | -16.8 | 13 |
| 11 | III. Moderato - Adagio - Allegro | -0.12 | -21.03 | -16.5 | 13 |
| 12 | IV. Allegro - Andante - Adagio | -0.10 | -21.85 | -17.0 | 14 |