℗ 2017 Globe Music
Released March 3, 2017
Duration 53m 23s
Record Label Globe Music
Genre Classical
 

Mali in Oak

Tunde Jegede, Derek Gripper

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Kaira Konkoba
Traditional; Tunde Jegede; Derek Gripper; Tunde Jegede; Derek Gripper
3:49
1.2
Where Rivers Meet
Tunde Jegede; Derek Gripper; Tunde Jegede; Derek Gripper
4:10
1.3
Jarabi
Traditional; Tunde Jegede; Derek Gripper; Tunde Jegede; Derek Gripper
5:15
1.4
Miniyamba
Tunde Jegede; Sidki Diabate; Toumani Diabate; Derek Gripper; Tunde Jegede; Derek Gripper
5:18
1.5
Alone
Tunde Jegede; Tunde Jegede
4:02
1.6
Songs of the Eternal
Tunde Jegede; Tunde Jegede
4:04
1.7
Si Naani
Toumani Diabate; Derek Gripper; Derek Gripper
3:30
1.8
Tutu Jara
Traditional; Derek Gripper; Derek Gripper
3:16
1.9
Maimouna
Derek Gripper; Ballaké Sissoko; Derek Gripper
2:39
1.10
Alfa Yaya
Traditional; Tunde Jegede; Derek Gripper; Tunde Jegede; Derek Gripper
3:41
1.11
Cycle of Reckoning
Tunde Jegede; Tunde Jegede
13:39
Celebrating West African songcraft, Mali in Oak brings together two of the world’s most unclassifiable string players, performing in the intimate, candle-lit ambience of the Sam Wanamaker Playhouse. South African guitarist Derek Gripper and Nigerian kora player Tunde Jegede follow a series of concerts at Shakespeare’s Globe in 2014 and 2015 with this album, Gripper's first recording with the 21 string kora. A combination of duets and solos, the release features modern interpretations of classics alongside original compositions. "I listened to this recording for the first time about a year after we made it. With the distance of time I heard it without reference to a memory of the event, as for the first time. What struck me immediately is that we had approached playing together differently to how it is commonly approached by today’s griots, perhaps because of a Western classical conception of music that neither of us has left behind. When Tunde and I play these pieces it is almost as if two complete versions of the compositions coexist, creating a form of counterpoint that is part Bach and part griot. I would like to believe that, in some small way, this is what we have done together ..." - Derek Gripper
96 kHz / 24-bit PCM – Globe Music Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.89
-4.40 to -0.21
-23.24
-25.15 to -22.09
-20.63
-22.40 to -19.40
13
12 to 15
1
Kaira Konkoba
-0.21-22.09-19.614
2
Where Rivers Meet
-1.23-22.40-20.112
3
Jarabi
-3.98-24.08-21.413
4
Miniyamba
-1.67-22.44-20.014
5
Alone
-4.40-25.15-22.413
6
Songs of the Eternal
-2.84-22.24-19.412
7
Si Naani
-1.85-23.79-20.912
8
Tutu Jara
-1.78-23.00-20.613
9
Maimouna
-1.28-23.97-21.314
10
Alfa Yaya
-0.98-23.98-21.415
11
Cycle of Reckoning
-0.61-22.47-19.814

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions