℗ 2017 Songlines Recordings
Released March 17, 2017
Duration 40m 33s
Record Label Songlines Recordings
Genre Jazz
 

Recent Developments

Recent Developments

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price

 
1.1
I. Introduction
Recent Developments
0:26
1.2
II. Prologue
Recent Developments
0:57
1.3
III. Part I
Recent Developments
6:33
1.4
IV. Interlude (group 1)
Recent Developments
1:58
1.5
V. Part II
Recent Developments
6:27
1.6
VI. Interlude (quartet)
Recent Developments
1:37
1.7
VII. Part III
Recent Developments
3:10
1.8
VIII. Interlude (duo 1)
Recent Developments
0:27
1.9
IX. Part IV
Recent Developments
5:13
1.10
X. Interlude (group 2)
Recent Developments
1:20
1.11
XI. Part V
Recent Developments
5:33
1.12
XII. Interlude (duo 2)
Recent Developments
1:41
1.13
XIII. Part VI
Recent Developments
2:53
1.14
XIV. Epilogue
Recent Developments
2:18
Digital Booklet
Recent Developments is the self-titled debut from New York composer, percussionist and bandleader Harris Eisenstadt and his group. While many of his more recent releases have involved quartets and quintets, Recent Developments is a nonet which includes several of Brooklyn’s most esteemed creative musicians. Eisenstadt sketched all the music on a nine hour flight home to Brooklyn at the end of a tour: a 14 part suite with six ensemble sections and eight discreet transitional sections in which snapshots of the material from the ensemble sections are reimagined and interpreted freely in sub-ensembles of varied instrumentation that were only chosen on the day of the recording. "Medium sized ensembles present unique sets of compositional problems. They contain many more voices than a small group has to account for. But at the same time, you are not quite dealing in big, heaving blocks of sound ... writing for a medium sized ensemble is, in miniature, something like writing for chamber orchestra. Textures can be massed, but they can just as easily be quite thin. I wanted to explore all of the weights available in Recent Developments and discovered again that the heaviest weight in a medium sized group still has a sheerness, a level of exposed-ness, that is neither large nor small." - Harris Eisenstadt
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Songlines Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.72
-4.23 to -0.28
-19.99
-26.24 to -15.41
-16.91
-22.10 to -13.20
12
9 to 17
1
I. Introduction
-0.32-22.07-18.015
2
II. Prologue
-2.02-18.24-15.89
3
III. Part I
-0.31-18.85-16.111
4
IV. Interlude (group 1)
-0.32-22.53-19.315
5
V. Part II
-0.28-19.01-16.911
6
VI. Interlude (quartet)
-0.36-21.96-18.914
7
VII. Part III
-0.29-15.82-13.710
8
VIII. Interlude (duo 1)
-4.23-22.34-18.611
9
IX. Part IV
-0.31-20.36-16.712
10
X. Interlude (group 2)
-0.31-19.35-16.013
11
XI. Part V
-0.31-17.58-15.510
12
XII. Interlude (duo 2)
-0.32-26.24-22.117
13
XIII. Part VI
-0.31-15.41-13.29
14
XIV. Epilogue
-0.33-20.08-15.910

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions