℗ 2017 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
| Released | January 27, 2017 |
| Duration | 1h 19m 21s |
| Record Label | ECM New Series |
| Genre | Classical |
Point And Line: Debussy - Hosokawa
Momo Kodama
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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12 Etudes, L.136
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1.1
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11. Pour les Arpèges composés
Claude Debussy; Momo Kodama |
4:53 | |||
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Etudes For Piano
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1.2
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II. Point And Line
Toshio Hosokawa; Momo Kodama |
7:01 | |||
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12 Etudes, L.136
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1.3
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3. Pour les Quartes
Claude Debussy; Momo Kodama |
4:59 | |||
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Etudes For Piano
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1.4
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III. Calligraphy, Haiku, 1 Line
Toshio Hosokawa; Momo Kodama |
2:05 | |||
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12 Etudes, L.136
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1.5
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4. Pour les Sixtes
Claude Debussy; Momo Kodama |
4:18 | |||
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Etudes For Piano
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1.6
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I. 2 Lines
Toshio Hosokawa; Momo Kodama |
5:11 | |||
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12 Etudes, L.136
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1.7
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10. Pour les Sonorités opposées
Claude Debussy; Momo Kodama |
5:33 | |||
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1.8
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2. Pour les Tierces
Claude Debussy; Momo Kodama |
4:16 | |||
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1.9
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6. Pour les huit doigts
Claude Debussy; Momo Kodama |
1:50 | |||
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Etudes For Piano
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1.10
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VI. Lied, Melody
Toshio Hosokawa; Momo Kodama |
4:52 | |||
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12 Etudes, L.136
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1.11
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1. Pour les "cinq doigts" (d'après Monsieur Czerny)
Claude Debussy; Momo Kodama |
3:18 | |||
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1.12
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12. Pour les Accords
Claude Debussy; Momo Kodama |
4:31 | |||
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1.13
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8. Pour les Agréments
Claude Debussy; Momo Kodama |
5:02 | |||
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Etudes For Piano
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1.14
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IV. Ayatori, Magic By 2 Hands, 3 Lines
Toshio Hosokawa; Momo Kodama |
9:30 | |||
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12 Etudes, L.136
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1.15
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7. Pour les Degrés chromatiques
Claude Debussy; Momo Kodama |
2:27 | |||
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Etudes For Piano
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1.16
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V. Anger
Toshio Hosokawa; Momo Kodama |
3:12 | |||
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12 Etudes, L.136
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1.17
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9. Pour les Notes répétées
Claude Debussy; Momo Kodama |
3:30 | |||
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1.18
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5. Pour les Octaves
Claude Debussy; Momo Kodama |
2:53 | |||
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Digital Booklet
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Grammy Award nomination – Producer Of The Year, Classical, 2017
"Four Stars ... (the title) hints at the cool definition of Kodama’s playing. Her touch is immaculate and diligent, neatly flamboyant in the Debussy and reassuringly robust in the Hosokawa."
- The Guardian
On Point And Line, pianist Momo Kodama interweaves etudes by Claude Debussy and Toshio Hosokawa, both border-crossing composers. Debussy, pointing to music of the future, looked to Asia for inspiration while Hosokawa combines aspects of Japanese and European tradition in his contemporary pieces.
"In the music of Toshio Hosokawa I find elements close to Debussy: the freedom of form and tone colour, the sense of poetic design, with a wide range of lyricism and dynamics, between meditation and virtuoso development, between light and shade, between large gestures and minimalist refinement."
- Momo Kodama
96 kHz / 24-bit PCM – ECM New Series Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.45 -7.18 to -0.19 | -28.24 -35.79 to -22.34 | -23.47 -29.80 to -18.40 | 15 12 to 19 | |
| 1 | 11. Pour les Arpèges composés | -3.76 | -28.59 | -24.7 | 15 |
| 2 | II. Point And Line | -3.77 | -31.35 | -24.7 | 17 |
| 3 | 3. Pour les Quartes | -3.95 | -28.55 | -23.0 | 15 |
| 4 | III. Calligraphy, Haiku, 1 Line | -1.83 | -29.00 | -21.4 | 18 |
| 5 | 4. Pour les Sixtes | -3.84 | -30.25 | -25.9 | 15 |
| 6 | I. 2 Lines | -5.89 | -30.19 | -22.8 | 14 |
| 7 | 10. Pour les Sonorités opposées | -5.45 | -33.83 | -29.3 | 19 |
| 8 | 2. Pour les Tierces | -2.30 | -25.52 | -22.3 | 13 |
| 9 | 6. Pour les huit doigts | -4.60 | -25.77 | -22.6 | 12 |
| 10 | VI. Lied, Melody | -5.22 | -35.79 | -29.8 | 19 |
| 11 | 1. Pour les "cinq doigts" (d'après Monsieur Czerny) | -2.27 | -25.27 | -21.3 | 13 |
| 12 | 12. Pour les Accords | -0.19 | -23.34 | -18.4 | 14 |
| 13 | 8. Pour les Agréments | -4.47 | -28.05 | -24.0 | 14 |
| 14 | IV. Ayatori, Magic By 2 Hands, 3 Lines | -3.23 | -26.85 | -21.2 | 14 |
| 15 | 7. Pour les Degrés chromatiques | -7.18 | -28.18 | -25.1 | 12 |
| 16 | V. Anger | -0.28 | -26.07 | -21.1 | 14 |
| 17 | 9. Pour les Notes répétées | -3.14 | -29.32 | -25.8 | 16 |
| 18 | 5. Pour les Octaves | -0.80 | -22.34 | -19.0 | 12 |