Resound Beethoven, Vol. 5: Symphony No. 9 in D Minor, Op. 125 "Choral" (Live)
Laura Aikin, Michaela Selinger, Steve Davislim, José Antonio López, Chorus Sine Nomine, Orchester Wiener Akademie, Martin Haselböck
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 9 in D Minor, Op. 125 "Choral"
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1.1
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I. Allegro ma non troppo, un poco maestoso
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
14:29 | |||
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1.2
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II. Molto vivace
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
14:21 | |||
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1.3
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III. Adagio molto e cantabile - Andante moderato
Ludwig van Beethoven; Orchester Wiener Akademie; Martin Haselböck |
13:41 | |||
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1.4
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IV. Finale. Presto - Allegro assai
Ludwig van Beethoven; Laura Aikin; Michaela Selinger; Steve Davislim; José Antonio López; Chorus Sine Nomine; Orchester Wiener Akademie; Martin Haselböck |
23:05 | |||
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Digital Booklet
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The Orchester Wiener Akademie and conductor Martin Haselböck continue their Resound Beethoven series, which aims to record the composer's complete symphonies on period instruments in the venues where they were first performed. Haselböck scrupulously respects the layout of the orchestra 200 years ago as well as that of the chorus, which was positioned in front of the orchestra back then. The fifth volume in the cycle is devoted to the monumental Ninth Symphony with its famous Ode to Joy, recorded live in the Grosser Redoutensaal of the Hofburg Palace in Vienna in 2015.
96 kHz / 24-bit PCM – Alpha Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.48 -7.47 to -1.38 | -26.99 -32.89 to -22.58 | -23.58 -30.10 to -18.30 | 15 13 to 17 | |
| 1 | I. Allegro ma non troppo, un poco maestoso | -1.52 | -25.21 | -21.7 | 14 |
| 2 | II. Molto vivace | -3.55 | -27.26 | -24.2 | 15 |
| 3 | III. Adagio molto e cantabile - Andante moderato | -7.47 | -32.89 | -30.1 | 17 |
| 4 | IV. Finale. Presto - Allegro assai | -1.38 | -22.58 | -18.3 | 13 |