℗ 2017 Concord Music Group, Inc.
| Released | March 24, 2017 |
| Duration | 46m 48s |
| Record Label | Fantasy Records |
| Genre | Jazz |
On A Monday Evening
The Bill Evans Trio
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
|
Sugar Plum
The Bill Evans Trio |
5:29 | |||
|
1.2
|
Up With The Lark
The Bill Evans Trio |
6:06 | |||
|
1.3
|
Time Remembered
The Bill Evans Trio |
5:33 | |||
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1.4
|
T.T.T. (Twelve Tone Tune)
The Bill Evans Trio |
5:07 | |||
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1.5
|
Someday My Prince Will Come
The Bill Evans Trio |
6:15 | |||
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1.6
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Minha (All Mine)
The Bill Evans Trio |
3:49 | |||
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1.7
|
All Of You
The Bill Evans Trio |
9:41 | |||
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1.8
|
Some Other Time
The Bill Evans Trio |
4:48 | |||
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Digital Booklet
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"... (Evans) at the pinnacle of his career ... one of jazz’s most nuanced and lyrical pianists."
- DownBeat
On A Monday Evening offers Bill Evans fans a rare treat: an unreleased (and never bootlegged!) concert recording of the Bill Evans Trio, featuring bassist Eddie Gomez and drummer Eliot Zigmund, from November 15, 1976. Captured live at a packed show at the Union Theater in Madison, Wisconsin and remastered from the original analogue tapes, On A Monday Evening finds Evans at the top of his game, performing both contemporary compositions from that era and his longstanding signature tunes. Liner notes by Grammy Award-winning jazz historian Ashley Kahn round out the package, featuring commentary by Gomez and Zigmund.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Fantasy Records Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release. Tracks 1 - 8 – contains monophonic material - i.e., both channels are identical
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release. Tracks 1 - 8 – contains monophonic material - i.e., both channels are identical
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.01 -4.39 to -0.19 | -21.07 -24.82 to -19.10 | -18.31 -22.10 to -16.50 | 13 12 to 14 | |
| 1 | Sugar Plum | -0.19 | -20.00 | -17.4 | 13 |
| 2 | Up With The Lark | -0.20 | -19.10 | -16.5 | 13 |
| 3 | Time Remembered | -1.53 | -22.20 | -19.2 | 14 |
| 4 | T.T.T. (Twelve Tone Tune) | -0.20 | -20.37 | -17.8 | 14 |
| 5 | Someday My Prince Will Come | -0.19 | -19.65 | -16.8 | 13 |
| 6 | Minha (All Mine) | -1.14 | -22.96 | -20.1 | 14 |
| 7 | All Of You | -0.22 | -19.43 | -16.6 | 12 |
| 8 | Some Other Time | -4.39 | -24.82 | -22.1 | 13 |