Hindemith: Das Marienleben (1948 Version)
Rachel Harnisch, Jan Philip Schulze
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Das Marienleben, Op. 27 (1948 Version)
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1.1
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No. 1. Geburt Mariä
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
3:00 | |||
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1.2
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No. 2. Die Darstellung Mariä im Tempel
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
6:09 | |||
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1.3
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No. 3. Mariä Verkündigung
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
4:36 | |||
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1.4
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No. 4. Mariä Heimsuchung
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
2:33 | |||
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1.5
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No. 5. Argwohn Josephs
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
1:53 | |||
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1.6
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No. 6. Verkündigung über die Hirten
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
6:00 | |||
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1.7
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No. 7. Geburt Christi
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
3:59 | |||
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1.8
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No. 8. Rast auf der Flucht nach Ägypten
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
3:34 | |||
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1.9
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No. 9. Von der Hochzeit zu Kana
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
6:56 | |||
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1.10
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No. 10. Vor der Passion
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
4:52 | |||
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1.11
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No. 11. Pietà
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
2:49 | |||
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1.12
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No. 12. Stillung Mariä mit dem Auferstandenen
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
2:07 | |||
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1.13
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No. 13. Vom Tode Mariä I
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
6:48 | |||
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1.14
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No. 14. Vom Tode Mariä II (Thema mit Variationen)
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
6:49 | |||
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1.15
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No. 15. Vom Tode Mariä III
Paul Hindemith; Rachel Harnisch; Jan Philip Schulze |
2:50 | |||
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Digital Booklet
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Soprano Rachel Harnisch is accompanied at the piano by Jan Philip Schulze on Hindemith's song cycle Das Marienleben, first completed in 1923. Since then, it has occupied a key position in his output, marking a transition from avant-garde Expressionism to his mature Neoclassical style. Based around the poetry of Rainer Maria Rilke, Hindemith regarded the cycle as the best thing he had written to that point, an affection retained through painstaking revisions over subsequent years. Hindemith responded to Rilke’s imagery with truly moving music that ranges from tenderness and hushed emotion to sweeping dramatic power; this 1948 version transforming his youthful songs into an organic masterpiece ranking with the great cycles.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at Radiostudio DRS, Zürich, Switzerland, May 26 - 28, 2014 Producer: Roland Wächter (Radio DRS) Engineer and editor: Michaela Wiesbeck Publisher: Schott Music Ltd. Booklet notes: Paul Conway Cover: Virgin Mary (1640 - 50) by Giovanni Battista Salvi da Sassoferrato (1609 - 85)
Recorded at Radiostudio DRS, Zürich, Switzerland, May 26 - 28, 2014 Producer: Roland Wächter (Radio DRS) Engineer and editor: Michaela Wiesbeck Publisher: Schott Music Ltd. Booklet notes: Paul Conway Cover: Virgin Mary (1640 - 50) by Giovanni Battista Salvi da Sassoferrato (1609 - 85)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.01 -10.82 to -3.20 | -26.21 -32.03 to -22.47 | -22.23 -28.50 to -19.10 | 13 11 to 14 | |
| 1 | No. 1. Geburt Mariä | -5.67 | -27.70 | -23.0 | 13 |
| 2 | No. 2. Die Darstellung Mariä im Tempel | -3.20 | -24.38 | -20.3 | 13 |
| 3 | No. 3. Mariä Verkündigung | -4.05 | -26.00 | -21.3 | 13 |
| 4 | No. 4. Mariä Heimsuchung | -3.46 | -26.43 | -22.4 | 13 |
| 5 | No. 5. Argwohn Josephs | -3.41 | -22.68 | -19.6 | 11 |
| 6 | No. 6. Verkündigung über die Hirten | -3.29 | -22.47 | -19.1 | 12 |
| 7 | No. 7. Geburt Christi | -4.16 | -25.05 | -21.2 | 13 |
| 8 | No. 8. Rast auf der Flucht nach Ägypten | -4.20 | -23.97 | -20.1 | 12 |
| 9 | No. 9. Von der Hochzeit zu Kana | -4.82 | -25.68 | -22.1 | 13 |
| 10 | No. 10. Vor der Passion | -6.62 | -29.65 | -25.3 | 13 |
| 11 | No. 11. Pietà | -7.80 | -28.81 | -23.5 | 11 |
| 12 | No. 12. Stillung Mariä mit dem Auferstandenen | -10.82 | -32.03 | -28.5 | 14 |
| 13 | No. 13. Vom Tode Mariä I | -4.39 | -28.12 | -24.3 | 14 |
| 14 | No. 14. Vom Tode Mariä II (Thema mit Variationen) | -4.42 | -26.25 | -22.4 | 13 |
| 15 | No. 15. Vom Tode Mariä III | -4.82 | -23.94 | -20.3 | 11 |