℗ 1996 Allan Holdsworth, under exclusive license to Manifesto Records, Inc.
| Released | April 7, 1996 |
| Duration | 50m 56s |
| Record Label | Allan Holdsworth |
| Genre | Jazz |
None Too Soon (Remastered)
Allan Holdsworth
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Countdown
Allan Holdsworth |
3:09 | |||
|
1.2
|
Nuages
Allan Holdsworth |
5:41 | |||
|
1.3
|
How Deep Is the Ocean
Allan Holdsworth |
5:29 | |||
|
1.4
|
Isotop
Allan Holdsworth |
5:42 | |||
|
1.5
|
None Too Soon (Part 1) / Interlude / None Too Soon (Part II)
Allan Holdsworth |
7:43 | |||
|
1.6
|
Norwegian Wood
Allan Holdsworth |
5:55 | |||
|
1.7
|
Very Early
Allan Holdsworth |
7:41 | |||
|
1.8
|
San Marcos
Allan Holdsworth |
3:24 | |||
|
1.9
|
Inner Urge
Allan Holdsworth |
6:12 |
"To me Allan Holdsworth is number one."
- Eddie Van Halen
"... lays any questions about the guitarist's jazz credentials to rest ... certainly well worth revisiting."
- All About Jazz
On his 1996 outing None Too Soon, influential fusion guitarist Allan Holdsworth presents a selection of jazz standards by John Coltrane, Django Reinhardt, Joe Henderson, Bill Evans and Irving Berlin, even finding room for a Beatles cover. None Too Soon has been remastered for this reissue, part of a series of 12 Holdsworth solo albums originally released between 1982 and 2003.
96 kHz / 24-bit PCM – Allan Holdsworth Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release. Tracks 1 - 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release. Tracks 1 - 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.24 -1.62 to -0.98 | -18.77 -20.21 to -17.78 | -16.20 -17.50 to -15.30 | 12 11 to 12 | |
| 1 | Countdown | -1.28 | -19.22 | -16.2 | 12 |
| 2 | Nuages | -1.62 | -20.21 | -17.5 | 12 |
| 3 | How Deep Is the Ocean | -0.98 | -17.78 | -15.4 | 12 |
| 4 | Isotop | -1.06 | -17.91 | -15.6 | 11 |
| 5 | None Too Soon (Part 1) / Interlude / None Too Soon (Part II) | -1.04 | -18.98 | -16.3 | 12 |
| 6 | Norwegian Wood | -1.34 | -17.80 | -15.3 | 11 |
| 7 | Very Early | -1.32 | -19.49 | -17.1 | 12 |
| 8 | San Marcos | -1.14 | -18.24 | -15.8 | 12 |
| 9 | Inner Urge | -1.36 | -19.27 | -16.6 | 12 |