℗ 2017 Orchid Classics
Released | April 7, 2017 |
Duration | 1h 03m 18s |
Record Label | Orchid Classics |
Genre | Classical |
Walton: Façade
Carole Boyd, Zeb Soanes, Ensemble 7x3, John Wilson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Façade
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1.1
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Fanfare
Ensemble 7x3; John Wilson |
0:31 | |||
1.2
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Hornpipe
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:11 | |||
1.3
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En famille
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
2:55 | |||
1.4
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Mariner Man
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
0:34 | |||
1.5
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Long Steel Grass
Carole Boyd; Ensemble 7x3; John Wilson |
2:18 | |||
1.6
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Through Gilded Trellises
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
2:22 | |||
1.7
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Tango-Pasadoble
Carole Boyd; Ensemble 7x3; John Wilson |
1:54 | |||
1.8
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Lullaby for Jumbo
Zeb Soanes; Ensemble 7x3; John Wilson |
1:39 | |||
1.9
|
Black Mrs. Behemoth
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:00 | |||
1.10
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Tarantella
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:12 | |||
1.11
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A Man from A Far Countree
Zeb Soanes; Ensemble 7x3; John Wilson |
1:27 | |||
1.12
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By the Lake
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:52 | |||
1.13
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Country Dance
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:48 | |||
1.14
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Polka
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:07 | |||
1.15
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Four in the Morning
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
2:07 | |||
1.16
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Something Lies Beyond the Scene
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
0:54 | |||
1.17
|
Valse
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
3:06 | |||
1.18
|
Jodelling Song
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
2:17 | |||
1.19
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Scotch Rhapsody
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:09 | |||
1.20
|
Popular Song
Zeb Soanes; Ensemble 7x3; John Wilson |
1:54 | |||
1.21
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Fox Trot
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
1:49 | |||
1.22
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Sir Beelzebub
Carole Boyd; Zeb Soanes; Ensemble 7x3; John Wilson |
0:57 | |||
Frankly Speaking - Dame Edith Sitwell Interviewed by Paul Dehn, Lionel Hale and Margaret Lane
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1.23
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'Introduction…' what is the most beautiful line of poetry?'
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
2:24 | |||
1.24
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Personal appearance
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
1:46 | |||
1.25
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'…the technical side of your poetry…'
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
1:32 | |||
1.26
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Façade
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
1:30 | |||
1.27
|
Thoughts on her early work
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
0:46 | |||
1.28
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The Sitwell siblings…childhood
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
1:37 | |||
1.29
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Other poets…poetry's position in the world
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
4:35 | |||
1.30
|
Childhood reading
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
3:12 | |||
1.31
|
Façade again
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
0:39 | |||
1.32
|
Writing film scripts…America
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
1:36 | |||
1.33
|
Parental influence and childhood
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
2:40 | |||
1.34
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Worst faults…battles against injustice…the aims of poetry
Edith Sitwell; Paul Dehn; Lionel Hale; Margaret Lane |
4:58 | |||
Digital Booklet
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William Walton and Edith Sitwell’s Façade — An Entertainment created a new, thoroughly modern means to present poetry to an audience when it was performed for the first time in 1923. This recording of Façade features Carole Boyd and Zeb Soanes reading Sitwell’s words and director John Wilson leading Ensemble 7x3 in this avant-garde treasure.
96 kHz / 24-bit PCM – Orchid Classics Studio Masters
Tracks 23 - 34 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm.
Tracks 23 - 34 – 44.1 kHz / 24-bit PCM; contains material which has been processed by a perceptual audio coding algorithm.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.88 -13.98 to 0.00 | -26.51 -34.39 to -19.80 | -23.61 -30.70 to -16.00 | 13 11 to 18 | |
1 | Fanfare | -1.58 | -26.50 | -21.0 | 14 |
2 | Hornpipe | 0.00 | -24.10 | -20.3 | 15 |
3 | En famille | -0.14 | -27.24 | -23.7 | 18 |
4 | Mariner Man | -2.09 | -26.04 | -21.5 | 14 |
5 | Long Steel Grass | -1.70 | -26.61 | -22.2 | 16 |
6 | Through Gilded Trellises | -1.64 | -27.73 | -23.1 | 14 |
7 | Tango-Pasadoble | 0.00 | -26.02 | -21.8 | 16 |
8 | Lullaby for Jumbo | -12.09 | -34.39 | -30.6 | 13 |
9 | Black Mrs. Behemoth | -2.61 | -28.52 | -23.4 | 15 |
10 | Tarantella | -3.47 | -25.82 | -22.0 | 15 |
11 | A Man from A Far Countree | -13.98 | -33.85 | -30.7 | 11 |
12 | By the Lake | -10.45 | -29.99 | -26.6 | 12 |
13 | Country Dance | -7.21 | -28.51 | -24.8 | 14 |
14 | Polka | 0.00 | -22.55 | -18.5 | 15 |
15 | Four in the Morning | -10.60 | -29.92 | -26.2 | 11 |
16 | Something Lies Beyond the Scene | -1.11 | -21.53 | -17.3 | 13 |
17 | Valse | -1.48 | -23.20 | -19.5 | 14 |
18 | Jodelling Song | -8.62 | -30.91 | -27.5 | 14 |
19 | Scotch Rhapsody | 0.00 | -19.80 | -16.0 | 14 |
20 | Popular Song | -3.87 | -28.30 | -24.7 | 14 |
21 | Fox Trot | -1.32 | -24.35 | -20.2 | 16 |
22 | Sir Beelzebub | 0.00 | -21.41 | -16.6 | 13 |
23 | 'Introduction…' what is the most beautiful line of poetry?' | -8.61 | -25.48 | -25.3 | 11 |
24 | Personal appearance | -9.43 | -25.43 | -25.2 | 12 |
25 | '…the technical side of your poetry…' | -9.90 | -25.50 | -25.2 | 11 |
26 | Façade | -9.78 | -26.01 | -25.8 | 12 |
27 | Thoughts on her early work | -9.78 | -25.68 | -25.6 | 12 |
28 | The Sitwell siblings…childhood | -9.31 | -26.39 | -25.8 | 12 |
29 | Other poets…poetry's position in the world | -9.29 | -26.13 | -25.2 | 13 |
30 | Childhood reading | -9.40 | -26.40 | -25.1 | 12 |
31 | Façade again | -10.56 | -26.91 | -25.5 | 11 |
32 | Writing film scripts…America | -10.12 | -26.57 | -25.2 | 12 |
33 | Parental influence and childhood | -9.65 | -26.52 | -25.3 | 13 |
34 | Worst faults…battles against injustice…the aims of poetry | -10.06 | -26.89 | -25.3 | 12 |