℗ 2017 Gothic
Released May 5, 2017
Duration 1h 14m 36s
Record Label Gothic
Genre Classical
 

More Chosen Tunes

Susan Jane Matthews

Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • AIFF 192 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
Add to cart
discounted price

 
Organ Symphony No. 6 in G Minor, Op. 42 No. 2  
1.1
III. Intermezzo
Charles-Marie Widor; Susan Jane Matthews
5:48
1.2
The Bells
William Byrd; Susan Jane Matthews
6:37
1.3
Liebster Jesu, wir sind hier, BWV 731
Johann Sebastian Bach; Susan Jane Matthews
3:06
Toccata & Fugue in D Minor, BWV 538 "Dorian"  
1.4
Toccata
Johann Sebastian Bach; Susan Jane Matthews
4:56
1.5
Fuga
Johann Sebastian Bach; Susan Jane Matthews
10:12
Sunday Music  
1.6
III. Moto ostinato
Petr Eben; Susan Jane Matthews
6:19
Resurrection  
1.7
Lament - The Rising - The Ecstasy - Reflection
Larry King; Susan Jane Matthews
12:43
12 Chorale Preludes on Gregorian Themes, Op. 8  
1.8
No. 1. Rorate coeli
Jeanne Demessieux; Susan Jane Matthews
2:36
1.9
Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4
Maurice Duruflé; Susan Jane Matthews
22:19
Digital Booklet
The former principal organist of Grace Cathedral in San Francisco, Susan Jane Matthews presents her second album recorded on the cathedral's landmark 7,466 pipe Aeolian-Skinner organ, built in 1934. The programme of works by J.S. Bach, Maurice Duruflé, Charles-Marie Widor and others reveals the extraordinary tonal resources of this historic instrument, set in an acoustic with powerful bass and long reverberation.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Gothic Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.27
-14.89 to -0.21
-25.37
-31.44 to -20.67
-23.29
-32.20 to -18.80
11
6 to 14
1
III. Intermezzo
-1.83-24.98-22.714
2
The Bells
-11.50-31.44-28.712
3
Liebster Jesu, wir sind hier, BWV 731
-12.33-27.43-26.39
4
Toccata
-5.73-23.91-21.711
5
Fuga
-0.32-20.67-20.212
6
III. Moto ostinato
-0.36-21.46-19.312
7
Lament - The Rising - The Ecstasy - Reflection
-0.27-23.49-18.813
8
No. 1. Rorate coeli
-14.89-31.44-32.26
9
Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4
-0.21-23.53-19.714

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions