℗ 2017 Signum Records
| Released | May 26, 2017 |
| Duration | 1h 11m 10s |
| Record Label | Signum Records |
| Genre | Classical |
J. S. Bach: The Complete Solo Soprano Cantatas, Vol. 1
Gillian Keith, Armonico Consort, Christopher Monks
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cantata "Ich habe genug", BWV 82a
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1.1
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I. Aria: Ich habe genug
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
6:35 | |||
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1.2
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II. Recitative - Ich habe genug
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:57 | |||
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1.3
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III. Aria - Schlummert ein, ihr matten Augen
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
8:53 | |||
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1.4
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IV. Recitative - Mein Gott! wann kömmt das schöne: Nun!
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:38 | |||
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1.5
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V. Aria - Ich freue mich auf meinen Tod
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
3:12 | |||
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Cantata "Weichet nur, betrübte Schatten", BWV 202
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1.6
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I. Aria - Weichet nur, betrübte Schatten
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
6:11 | |||
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1.7
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II. Recitative - Die Welt wird wieder neu
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:22 | |||
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1.8
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III. Aria - Phoebus eilt mit schnellen Pferden
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
3:05 | |||
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1.9
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IV. Recitative - Drum sucht auch Amor sein Vergnügen
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:35 | |||
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1.10
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V. Aria - Wenn die Frühlingslüfte streichen
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
2:30 | |||
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1.11
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VI. Recitative - Und dieses ist das Glücke
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:43 | |||
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1.12
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VII. Aria - Sich üben im Lieben
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
4:01 | |||
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1.13
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VIII. Recitative - So sei das Band der keuschen Liebe
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:23 | |||
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1.14
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IX. Aria - sehet in Zufriedenheit
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
1:38 | |||
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Cantata "O holder Tag, erwünschte Zeit", BWV 210
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1.15
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I. Recitative - O holder Tag, erwünschte Zeit
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
0:51 | |||
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1.16
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II. Aria - Spielet, ihr beseelten Lieder
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
6:06 | |||
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1.17
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III. Recitative - Doch, haltet ein, ihr muntern Saiten
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
1:04 | |||
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1.18
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IV. Aria - Ruhet hie, matte Töne
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
6:39 | |||
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1.19
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V. Recitative - So glaubt man denn, dass die Musik verführe
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
1:51 | |||
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1.20
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VI. Aria - Schweigt, ihr Flöten, schweigt, ihr Töne
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
4:31 | |||
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1.21
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VII. Recitative - Was Luft? was Grab?
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
1:35 | |||
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1.22
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VIII. Aria - Großer Gönner, dein Vergnügen
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
2:49 | |||
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1.23
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IX. Recitative - Hochteurer Mann, so fahre ferner fort
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
1:29 | |||
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1.24
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X. Aria - Seid beglückt, edle Beide
Johann Sebastian Bach; Gillian Keith; Armonico Consort; Christopher Monks |
4:32 | |||
Soprano Gillian Keith joins the acclaimed Baroque ensemble Armonico Consort under Christopher Monks for the first release in a trilogy featuring J.S. Bach's solo cantatas, which hold a special place among performers and devotees of his music. Whether sacred or secular, these works provide incredible variety for listeners and players alike. Some contain elements of storytelling similar to arias and recitatives from his great Passions; many have instrumental movements and solo passages that rival any of his concertos and are indeed borrowed directly from some of the most famous. Not surprisingly, Bach’s cantatas are often incredibly virtuosic, demanding as much technical ability, style and understanding of the music as any of his other compositions. This inaugural volume in the series includes the famous Wedding Cantata.
96 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.90 -6.48 to -0.15 | -24.98 -27.86 to -20.20 | -21.33 -24.50 to -17.10 | 14 10 to 15 | |
| 1 | I. Aria: Ich habe genug | -2.61 | -23.83 | -20.8 | 14 |
| 2 | II. Recitative - Ich habe genug | -1.54 | -27.23 | -23.3 | 14 |
| 3 | III. Aria - Schlummert ein, ihr matten Augen | -2.55 | -24.84 | -22.0 | 15 |
| 4 | IV. Recitative - Mein Gott! wann kömmt das schöne: Nun! | -3.69 | -27.30 | -23.6 | 14 |
| 5 | V. Aria - Ich freue mich auf meinen Tod | -0.85 | -23.28 | -20.2 | 15 |
| 6 | I. Aria - Weichet nur, betrübte Schatten | -2.89 | -24.95 | -21.3 | 13 |
| 7 | II. Recitative - Die Welt wird wieder neu | -4.68 | -26.77 | -22.3 | 10 |
| 8 | III. Aria - Phoebus eilt mit schnellen Pferden | -3.57 | -26.11 | -22.3 | 15 |
| 9 | IV. Recitative - Drum sucht auch Amor sein Vergnügen | -4.10 | -25.59 | -20.8 | 11 |
| 10 | V. Aria - Wenn die Frühlingslüfte streichen | -4.72 | -26.12 | -22.7 | 14 |
| 11 | VI. Recitative - Und dieses ist das Glücke | -4.64 | -25.67 | -21.2 | 11 |
| 12 | VII. Aria - Sich üben im Lieben | -5.02 | -27.86 | -24.5 | 15 |
| 13 | VIII. Recitative - So sei das Band der keuschen Liebe | -6.48 | -26.90 | -22.9 | 12 |
| 14 | IX. Aria - sehet in Zufriedenheit | -2.93 | -25.73 | -22.1 | 13 |
| 15 | I. Recitative - O holder Tag, erwünschte Zeit | -2.69 | -22.90 | -19.4 | 14 |
| 16 | II. Aria - Spielet, ihr beseelten Lieder | -1.20 | -22.58 | -19.6 | 14 |
| 17 | III. Recitative - Doch, haltet ein, ihr muntern Saiten | -5.08 | -26.13 | -22.2 | 14 |
| 18 | IV. Aria - Ruhet hie, matte Töne | -0.26 | -24.49 | -21.4 | 14 |
| 19 | V. Recitative - So glaubt man denn, dass die Musik verführe | -0.15 | -23.88 | -19.3 | 14 |
| 20 | VI. Aria - Schweigt, ihr Flöten, schweigt, ihr Töne | -1.88 | -25.40 | -21.8 | 15 |
| 21 | VII. Recitative - Was Luft? was Grab? | -1.73 | -24.84 | -20.8 | 15 |
| 22 | VIII. Aria - Großer Gönner, dein Vergnügen | -3.26 | -24.09 | -20.8 | 13 |
| 23 | IX. Recitative - Hochteurer Mann, so fahre ferner fort | -2.81 | -22.78 | -19.6 | 13 |
| 24 | X. Aria - Seid beglückt, edle Beide | -0.15 | -20.20 | -17.1 | 13 |