℗ 2017 Sorel Classics
| Released | May 19, 2017 |
| Duration | 59m 23s |
| Record Label | Sorel Classics |
| Genre | Classical |
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1.1
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Odeón
Ernesto Nazareth; Grace Alves |
2:59 | |||
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1.2
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Brejeiro
Ernesto Nazareth; Grace Alves |
2:28 | |||
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1.3
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Faceira
Ernesto Nazareth; Grace Alves |
5:00 | |||
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1.4
|
Coração que sente
Ernesto Nazareth; Grace Alves |
7:54 | |||
|
1.5
|
Apanhei-te cavaquinho
Ernesto Nazareth; Grace Alves |
2:30 | |||
|
1.6
|
Gaúcho
Chiquinha Gonzaga; Grace Alves |
1:59 | |||
|
1.7
|
Suspiro
Chiquinha Gonzaga; Grace Alves |
3:34 | |||
|
1.8
|
Atraente
Chiquinha Gonzaga; Grace Alves |
3:11 | |||
|
Ciclo nordestino No. 1, Op. 5
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1.9
|
No. 2. Cantiga
Marlos Nobre; Grace Alves |
1:40 | |||
|
Ciclo nordestino No. 4, Op. 43
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|
1.10
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No. 5. Frevo
Marlos Nobre; Grace Alves |
1:55 | |||
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1.11
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Valsa de Paris
Oriano de Almeida; Grace Alves |
2:26 | |||
|
Prelúdios potiguares
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1.12
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No. 11. Polytheama
Oriano de Almeida; Grace Alves |
1:37 | |||
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1.13
|
No. 1. No caminho do sertão
Oriano de Almeida; Grace Alves |
1:43 | |||
|
1.14
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Valsa da dor, W. 316
Heitor Villa-Lobos; Grace Alves |
5:52 | |||
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Ciclo brasileiro, W. 374
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1.15
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No. 2, Impressões seresteiras
Heitor Villa-Lobos; Grace Alves |
6:11 | |||
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Prole do bebê No. 1, W. 140
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1.16
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No. 1. Branquinha (A boneca de louça)
Heitor Villa-Lobos; Grace Alves |
2:25 | |||
|
1.17
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No. 2. Morenhina (A boneca de massa)
Heitor Villa-Lobos; Grace Alves |
1:55 | |||
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1.18
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No. 6. A pobrezinha (A boneca de trapo)
Heitor Villa-Lobos; Grace Alves |
2:13 | |||
|
1.19
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No. 7. O Polichinello
Heitor Villa-Lobos; Grace Alves |
1:51 | |||
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Digital Booklet
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Renowned pianist Grace Alves presents her debut recording of Brazilian piano music, channelling the spirit of Rio de Janeiro and its art, the expression of the national soul. The country's capital for two centuries, Rio has remained Brazil's cultural centre and virtually all Brazilian classical music and musicians find themselves connected in some way to the life of the city, especially during what could arguably be called its Golden Age in the first half of the 20th century. For Alves, Keys to Rio is above all a personal offering of works by Brazilian composers Ernesto Nazareth, Chiquinha Gonzaga, Marlos Nobre, Oriano de Almeida and Heitor Villa-Lobos.
44.1 kHz / 24-bit PCM – Sorel Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.46 -11.95 to -0.64 | -24.92 -34.12 to -20.78 | -21.71 -30.80 to -17.50 | 13 11 to 15 | |
| 1 | Odeón | -5.52 | -24.50 | -21.8 | 12 |
| 2 | Brejeiro | -5.02 | -24.48 | -21.7 | 13 |
| 3 | Faceira | -5.92 | -25.97 | -22.9 | 13 |
| 4 | Coração que sente | -3.97 | -26.77 | -23.4 | 14 |
| 5 | Apanhei-te cavaquinho | -2.48 | -22.08 | -18.7 | 13 |
| 6 | Gaúcho | -5.93 | -24.32 | -21.4 | 13 |
| 7 | Suspiro | -5.46 | -27.26 | -24.0 | 14 |
| 8 | Atraente | -4.45 | -25.77 | -22.4 | 13 |
| 9 | No. 2. Cantiga | -9.48 | -31.46 | -27.6 | 13 |
| 10 | No. 5. Frevo | -0.64 | -20.92 | -17.5 | 13 |
| 11 | Valsa de Paris | -1.82 | -22.47 | -19.5 | 13 |
| 12 | No. 11. Polytheama | -2.70 | -20.79 | -17.9 | 13 |
| 13 | No. 1. No caminho do sertão | -6.41 | -26.01 | -22.8 | 13 |
| 14 | Valsa da dor, W. 316 | -2.24 | -26.01 | -22.2 | 15 |
| 15 | No. 2, Impressões seresteiras | -1.69 | -21.99 | -18.4 | 12 |
| 16 | No. 1. Branquinha (A boneca de louça) | -4.78 | -24.95 | -21.7 | 12 |
| 17 | No. 2. Morenhina (A boneca de massa) | -2.56 | -22.78 | -19.8 | 13 |
| 18 | No. 6. A pobrezinha (A boneca de trapo) | -11.95 | -34.12 | -30.8 | 15 |
| 19 | No. 7. O Polichinello | -1.81 | -20.78 | -17.9 | 11 |