Britten, De Falla, Gershwin, Milhaud & Schnittke: Suites & Fantasies
Joo Yeon Sir, Irina Andrievsky
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Suite in Old Style
|
|||||
|
1.1
|
I. Pastorale
Alfred Schnittke; Joo Yeon Sir; Irina Andrievsky |
3:13 | |||
|
1.2
|
II. Ballet
Alfred Schnittke; Joo Yeon Sir; Irina Andrievsky |
2:27 | |||
|
1.3
|
III. Menuett
Alfred Schnittke; Joo Yeon Sir; Irina Andrievsky |
3:17 | |||
|
1.4
|
IV. Fugue
Alfred Schnittke; Joo Yeon Sir; Irina Andrievsky |
2:35 | |||
|
1.5
|
V. Pantomime
Alfred Schnittke; Joo Yeon Sir; Irina Andrievsky |
3:33 | |||
|
Suite popular española
|
|||||
|
1.6
|
I. El paño moruno
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
2:25 | |||
|
1.7
|
V. Nana
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
2:22 | |||
|
1.8
|
VI. Canción
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
1:33 | |||
|
1.9
|
VII. Polo
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
1:25 | |||
|
1.10
|
III. Asturiana
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
2:29 | |||
|
1.11
|
IV. Jota
Manuel de Falla; Joo Yeon Sir; Irina Andrievsky |
3:28 | |||
|
Suite for Violin and Piano, Op. 6
|
|||||
|
1.12
|
I. Introduction
Benjamin Britten; Joo Yeon Sir; Irina Andrievsky |
0:28 | |||
|
1.13
|
II. March
Benjamin Britten; Joo Yeon Sir; Irina Andrievsky |
2:32 | |||
|
1.14
|
III. Moto perpetuo
Benjamin Britten; Joo Yeon Sir; Irina Andrievsky |
3:10 | |||
|
1.15
|
IV. Lullaby
Benjamin Britten; Joo Yeon Sir; Irina Andrievsky |
4:41 | |||
|
1.16
|
V. Waltz
Benjamin Britten; Joo Yeon Sir; Irina Andrievsky |
4:44 | |||
|
1.17
|
Cinéma-Fantasie after Le Boeuf sur le toit, Op. 58b
Darius Milhaud; Joo Yeon Sir; Irina Andrievsky |
18:37 | |||
|
1.18
|
Concert Fantasy on Themes from Porgy and Bess, Op. 19
Igor Alexandrovich Frolov; Joo Yeon Sir; Irina Andrievsky |
14:28 | |||
“Joo Yeon Sir clearly has a bright future. This young player melds technical assurance with rare artistic sensibility in this showcase debut album, featuring music for violin and piano away from the core repertoire. She displays real poise in her reading of Alfred Schnittke’s nostalgic Suite in the Old Style, grit and determination in Britten’s Suite for Violin and Piano and dash and verve in Darius Milhaud’s hilariously helter-skelter Le boeuf sur le toit (Cinéma-Fantasie).”
- Stephen Pritchard, The Observer
Korean-born British violinist and composer Joo Yeon Sir performs suites and fantasies from Alfred Schnittke, Manuel de Falla, Benjamin Britten, Darius Milhaud and Igor Alexandrovich Frolov on this release. Sir is joined by pianist Irina Andrievsky in a combination that has gained a deserved reputation for both virtuosity and sensitivity.
96 kHz / 24-bit PCM – RUBICON Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.26 -15.61 to -0.06 | -26.74 -36.40 to -20.21 | -23.40 -33.80 to -17.20 | 13 12 to 16 | |
| 1 | I. Pastorale | -11.34 | -31.24 | -28.2 | 12 |
| 2 | II. Ballet | -3.49 | -24.66 | -21.9 | 14 |
| 3 | III. Menuett | -12.32 | -31.77 | -28.9 | 12 |
| 4 | IV. Fugue | -3.92 | -22.69 | -19.8 | 12 |
| 5 | V. Pantomime | -4.21 | -30.42 | -27.0 | 16 |
| 6 | I. El paño moruno | -3.69 | -24.86 | -21.9 | 14 |
| 7 | V. Nana | -14.53 | -36.40 | -33.8 | 12 |
| 8 | VI. Canción | -5.51 | -24.85 | -21.7 | 12 |
| 9 | VII. Polo | -0.52 | -20.21 | -17.2 | 13 |
| 10 | III. Asturiana | -15.61 | -34.79 | -32.1 | 12 |
| 11 | IV. Jota | -2.60 | -25.62 | -22.3 | 15 |
| 12 | I. Introduction | -3.20 | -21.98 | -17.6 | 12 |
| 13 | II. March | -1.63 | -24.47 | -19.9 | 14 |
| 14 | III. Moto perpetuo | -0.70 | -22.87 | -18.8 | 14 |
| 15 | IV. Lullaby | -10.83 | -35.87 | -32.3 | 14 |
| 16 | V. Waltz | -0.06 | -23.48 | -19.5 | 15 |
| 17 | Cinéma-Fantasie after Le Boeuf sur le toit, Op. 58b | -0.43 | -22.23 | -18.8 | 14 |
| 18 | Concert Fantasy on Themes from Porgy and Bess, Op. 19 | -0.06 | -22.87 | -19.5 | 15 |