℗ 2017 Priory Records
| Released | May 5, 2017 |
| Duration | 1h 07m 56s |
| Record Label | Priory Records |
| Genre | Classical |
Thomas Tertius Noble: The Complete Organ Works, Vol. 3 (Final Volume)
John Scott Whiteley
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Theme with Variations
Thomas Tertius Noble; John Scott Whiteley |
10:40 | |||
|
1.2
|
Mélancolique
Thomas Tertius Noble; John Scott Whiteley |
3:22 | |||
|
1.3
|
Solemn March in E Flat Minor
Thomas Tertius Noble; John Scott Whiteley |
7:03 | |||
|
1.4
|
Prelude on Bangor
Thomas Tertius Noble; John Scott Whiteley |
5:20 | |||
|
1.5
|
Prelude on an Ancient Welsh Tune (The Poverty Carol)
Thomas Tertius Noble; John Scott Whiteley |
4:25 | |||
|
1.6
|
Finale in D Major
Thomas Tertius Noble; John Scott Whiteley |
2:52 | |||
|
1.7
|
Gloria Domini: Solemn Prelude
Thomas Tertius Noble; John Scott Whiteley |
4:12 | |||
|
1.8
|
2 Preludes on St. James
Thomas Tertius Noble; John Scott Whiteley |
4:34 | |||
|
1.9
|
Prelude on Drumclog
Thomas Tertius Noble; John Scott Whiteley |
3:35 | |||
|
1.10
|
Elegy
Thomas Tertius Noble; John Scott Whiteley |
4:25 | |||
|
1.11
|
Prelude on St. Peter
Thomas Tertius Noble; John Scott Whiteley |
3:10 | |||
|
1.12
|
Fantasy on Ton-y-Botel
Thomas Tertius Noble; John Scott Whiteley |
5:17 | |||
|
1.13
|
Prelude on Eventide
Thomas Tertius Noble; John Scott Whiteley |
5:17 | |||
|
1.14
|
Nachspiel, Op. 14
Thomas Tertius Noble; John Scott Whiteley |
3:44 |
"John Scott Whiteley brings this music to life with expressive playing and finely chosen tempi that foreground Noble's melodic skills ... the organ at York is amply suitable for this repertoire and the extensive programme notes situate the pieces on this disc in the context of Noble's life and wider compositional output."
- Organists' Review
John Scott Whiteley continues to shine the spotlight on his fellow British organist and composer Thomas Tertius Noble with this third and final volume in a series. Chiefly known for his Magnificat and Nunc Dimittis, Noble's organ music has remained for the most part unfamiliar and unrecorded. Whiteley certainly helped change that with his extensively researched and acclaimed trilogy.
44.1 kHz / 24-bit PCM – Priory Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.27 -20.58 to -0.20 | -27.14 -36.80 to -19.24 | -24.41 -37.10 to -15.60 | 11 6 to 14 | |
| 1 | Theme with Variations | -1.41 | -23.89 | -18.0 | 12 |
| 2 | Mélancolique | -18.79 | -31.77 | -33.7 | 6 |
| 3 | Solemn March in E Flat Minor | -4.56 | -25.32 | -22.8 | 12 |
| 4 | Prelude on Bangor | -3.58 | -24.80 | -19.3 | 11 |
| 5 | Prelude on an Ancient Welsh Tune (The Poverty Carol) | -17.02 | -35.94 | -36.3 | 10 |
| 6 | Finale in D Major | -0.20 | -23.10 | -20.4 | 14 |
| 7 | Gloria Domini: Solemn Prelude | -4.67 | -26.75 | -22.1 | 11 |
| 8 | 2 Preludes on St. James | -15.23 | -34.15 | -32.4 | 10 |
| 9 | Prelude on Drumclog | -1.08 | -22.28 | -16.7 | 11 |
| 10 | Elegy | -9.29 | -30.30 | -27.7 | 12 |
| 11 | Prelude on St. Peter | -20.58 | -36.80 | -37.1 | 8 |
| 12 | Fantasy on Ton-y-Botel | -1.09 | -19.24 | -15.6 | 10 |
| 13 | Prelude on Eventide | -0.82 | -22.78 | -19.0 | 11 |
| 14 | Nachspiel, Op. 14 | -3.51 | -22.83 | -20.6 | 12 |