℗ 2017 Priory Records
Released | May 19, 2017 |
Duration | 1h 17m 19s |
Record Label | Priory Records |
Genre | Classical |
1.1
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Fantasia on St. Denio "Immortal, Invisible"
Gordon Cameron; Ian Hare |
3:37 | |||
Baroque Suite
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1.2
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I. Toccata in the Aeolian Mode
J. H. Reginald Dixon; Ian Hare |
5:36 | |||
1.3
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II. Pastorale. Softly Sweet in Lydian Measures
J. H. Reginald Dixon; Ian Hare |
2:48 | |||
1.4
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III. Verset in the Dorian Mode
J. H. Reginald Dixon; Ian Hare |
2:41 | |||
1.5
|
IV. Finale. In Modo Festivo
J. H. Reginald Dixon; Ian Hare |
3:24 | |||
Occasional Oratorio, HWV 62 (arr. by W.T. Best for Organ)
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1.6
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Overture. Andante maestoso - Allegro
George Frideric Handel; William Thomas Best; Ian Hare |
5:25 | |||
1.7
|
Overture. Largo
George Frideric Handel; William Thomas Best; Ian Hare |
2:15 | |||
1.8
|
Overture. March
George Frideric Handel; William Thomas Best; Ian Hare |
2:22 | |||
1.9
|
Postlude No. 2
F.W. Wadely; Ian Hare |
2:38 | |||
1.10
|
Postlude No. 3
F.W. Wadely; Ian Hare |
2:59 | |||
Cartmel Priory Suite
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1.11
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I. Variations
Adrian Self; Ian Hare |
5:27 | |||
1.12
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II. Berceuse
Adrian Self; Ian Hare |
2:06 | |||
1.13
|
III. Dance
Adrian Self; Ian Hare |
2:39 | |||
Triptych
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1.14
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I. Prelude
Ian Hare; Ian Hare |
5:13 | |||
1.15
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II. Intermezzo
Ian Hare; Ian Hare |
5:14 | |||
1.16
|
III. Toccata
Ian Hare; Ian Hare |
4:59 | |||
1.17
|
Air in C Major (arr. by A.G. Matthew for Organ)
Arthur Somervell; A.G. Matthew; Ian Hare |
3:52 | |||
6 Sketches
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1.18
|
No. 1. Lyric Melody
Cecil Armstrong Gibbs; Ian Hare |
3:09 | |||
1.19
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No. 2. Elegy
Cecil Armstrong Gibbs; Ian Hare |
2:07 | |||
1.20
|
No. 3. Jubilate Deo
Cecil Armstrong Gibbs; Ian Hare |
1:39 | |||
1.21
|
No. 4. Quiet Thoughts
Cecil Armstrong Gibbs; Ian Hare |
2:40 | |||
1.22
|
No. 5. Folk-Song
Cecil Armstrong Gibbs; Ian Hare |
1:57 | |||
1.23
|
No. 6. Processional March
Cecil Armstrong Gibbs; Ian Hare |
2:32 |
"Fascinating on several levels. Who knew there was such a rich organ tradition within the boundaries of the Lake District?”
- Michael Quinn, Choir and Organ
"... Mr Hare's playing is polished and his renditions are immaculately controlled."
- Organists' Review
Organist and choir director Ian Hare draws attention to the fine organs of Cumbria and North Lancashire, as well as the music written by local composers, with his technically impeccable interpretations of these 23 selections of Lake District pieces that reflect the area’s unparalleled beauty and majesty.
44.1 kHz / 24-bit PCM – Priory Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.68 -19.82 to -0.20 | -24.62 -35.10 to -16.93 | -22.25 -33.50 to -14.10 | 10 8 to 13 | |
1 | Fantasia on St. Denio "Immortal, Invisible" | -1.86 | -20.42 | -18.4 | 12 |
2 | I. Toccata in the Aeolian Mode | -4.31 | -24.72 | -21.6 | 11 |
3 | II. Pastorale. Softly Sweet in Lydian Measures | -17.87 | -32.54 | -30.5 | 9 |
4 | III. Verset in the Dorian Mode | -19.82 | -35.10 | -33.5 | 8 |
5 | IV. Finale. In Modo Festivo | -0.63 | -20.12 | -17.7 | 12 |
6 | Overture. Andante maestoso - Allegro | -1.88 | -19.67 | -16.8 | 11 |
7 | Overture. Largo | -18.04 | -34.42 | -31.5 | 10 |
8 | Overture. March | -1.05 | -16.93 | -14.1 | 10 |
9 | Postlude No. 2 | -1.81 | -19.54 | -16.3 | 10 |
10 | Postlude No. 3 | -0.20 | -19.16 | -16.1 | 11 |
11 | I. Variations | -3.32 | -25.44 | -22.7 | 11 |
12 | II. Berceuse | -10.91 | -25.42 | -25.4 | 8 |
13 | III. Dance | -1.75 | -22.77 | -20.7 | 10 |
14 | I. Prelude | -0.20 | -20.82 | -18.3 | 13 |
15 | II. Intermezzo | -1.30 | -23.00 | -20.6 | 12 |
16 | III. Toccata | -0.20 | -18.93 | -16.2 | 11 |
17 | Air in C Major (arr. by A.G. Matthew for Organ) | -11.58 | -27.50 | -25.5 | 9 |
18 | No. 1. Lyric Melody | -9.18 | -27.96 | -25.8 | 10 |
19 | No. 2. Elegy | -12.62 | -30.13 | -27.8 | 9 |
20 | No. 3. Jubilate Deo | -5.96 | -22.12 | -19.4 | 10 |
21 | No. 4. Quiet Thoughts | -13.90 | -29.85 | -27.8 | 9 |
22 | No. 5. Folk-Song | -13.35 | -29.70 | -27.7 | 9 |
23 | No. 6. Processional March | -1.84 | -20.07 | -17.3 | 11 |