℗ 2017 Thousand Mile, Inc. under exclusive license to Virgin Records
| Released | August 29, 1977 |
| Duration | 41m 03s |
| Record Label | Virgin |
| Genre | Rock |
Lust For Life
Iggy Pop
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD high resolution audio formats
|
1.1
|
Lust For Life
Iggy Pop |
5:14 | |||
|
1.2
|
Sixteen
Iggy Pop |
2:27 | |||
|
1.3
|
Some Weird Sin
Iggy Pop |
3:41 | |||
|
1.4
|
The Passenger
Iggy Pop |
4:43 | |||
|
1.5
|
Tonight
Iggy Pop |
3:40 | |||
|
1.6
|
Success
Iggy Pop |
4:26 | |||
|
1.7
|
Turn Blue
Iggy Pop |
6:56 | |||
|
1.8
|
Neighborhood Threat
Iggy Pop |
3:25 | |||
|
1.9
|
Fall In Love With Me
Iggy Pop |
6:31 |
UK Albums Chart - #28, 1977
“The songs are almost all great. The title track in particular is an immortal classic, as much for its massive drumbeat and layers of piano and guitar, all hammering out that simple Morse Code-like riff, as for Iggy’s wild braggadocio. ”
- Phil Freeman, Stereogum
Iggy Pop, known for pioneering punk attitude with his band The Stooges, released his second solo album Lust for Life in collaboration with David Bowie in 1977, combining Bowie’s experimental darkness with Iggy Pop’s raucous rock and roll flavour for some of the best-loved proto-punk of the 1970s.
Lust for Life was recorded at Hansa Studio by the Wall in West Berlin from May to June 1977, with production being handled by Bowie, Pop, and engineer Colin Thurston. The touring band of Pop, Bowie, guitarist Ricky Gardiner, and brothers Tony Fox and Hunt Sales on bass and drums, respectively, comprised the primary lineup for the album. After The Idiot was mostly composed by Bowie, Pop was adamant about having more control over Lust for Life, often composing his own arrangements, including for "Sixteen". This resulted in a hard rock and proto-punk sound more akin to his older style with the band the Stooges. Pop would use Bowie's arrangements for some songs, including the well-known title track.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 2.8224 MHz DSD – Virgin Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue master source. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth or dynamic range, due to the technology used at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.76 -1.20 to -0.24 | -12.46 -13.34 to -11.50 | -9.20 -10.30 to -8.20 | 7 6 to 8 | |
| 1 | Lust For Life | -0.85 | -12.28 | -9.0 | 7 |
| 2 | Sixteen | -0.89 | -12.59 | -9.4 | 7 |
| 3 | Some Weird Sin | -0.77 | -11.66 | -8.3 | 6 |
| 4 | The Passenger | -0.24 | -12.39 | -9.0 | 7 |
| 5 | Tonight | -0.54 | -11.50 | -8.2 | 6 |
| 6 | Success | -0.72 | -12.76 | -9.5 | 8 |
| 7 | Turn Blue | -1.20 | -13.34 | -10.3 | 7 |
| 8 | Neighborhood Threat | -0.91 | -12.63 | -9.0 | 7 |
| 9 | Fall In Love With Me | -0.72 | -12.99 | -10.1 | 8 |