℗ 2012 Genuin
| Released | April 3, 2012 |
| Duration | 53m 02s |
| Record Label | Genuin |
| Catalogue No. | GEN12231 |
| Genre | Classical (Concertos) |
Uraufnahmen Primal Recordings: Original Works by Jörg Duda - Gisbert Näther - Kjell Roikjer
Andreas Martin Hofmeir, Philharmonie Salzburg
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Tuba Concerto, Op. 67, No. 1
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1.1
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I. —
Jörg Duda; Andreas Martin Hofmeir; Philharmonie Salzburg |
6:07 | |||
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1.2
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II. —
Jörg Duda; Andreas Martin Hofmeir; Philharmonie Salzburg |
6:33 | |||
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1.3
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III. —
Jörg Duda; Andreas Martin Hofmeir; Philharmonie Salzburg |
6:41 | |||
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1.4
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Duo for Tuba and Harp, Op. 120
Gisbert Näther; Andreas Martin Hofmeir; Andreas Mildner |
9:19 | |||
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Fantasia II, Op. 29, No. 2
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1.5
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I. Nocturne. Adagio
Gisbert Näther; Andreas Martin Hofmeir; Andreas Mildner |
1:45 | |||
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1.6
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II. Rondeau. Allegro scherzando
Gisbert Näther; Andreas Martin Hofmeir; Andreas Mildner |
2:38 | |||
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1.7
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III. Valse berceuse. Andante calmo
Gisbert Näther; Andreas Martin Hofmeir; Andreas Mildner |
4:44 | |||
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1.8
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IV. Finale. Allegro vivace – un poco piu vivace – Presto
Gisbert Näther; Andreas Martin Hofmeir; Andreas Mildner |
3:06 | |||
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1.9
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Funky Nightmare, Op. 55d, No. 1
Jörg Duda; Andreas Martin Hofmeir; Michael Martin Kofler; Albert Osterhammer |
2:02 | |||
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1.10
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Capriccio, Op. 66
Kjell Roikjer; Andreas Martin Hofmeir; New Brandenburg Philharmonic Orchestra |
7:59 | |||
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1.11
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Burlesque en Miniature, Op. 33, No. 5e
Jörg Duda; Andreas Martin Hofmeir; Andreas Mildner; Hinrich Alpers |
2:08 | |||
Tuba player Andreas Martin Hofmeir, grand prize winner of the German Music Competition and an ECHO Klassik Instrumentalist of the Year, handles his weighty tuba light-footedly on this album, ranging from the lowest depths to a tenor brilliance. Produced in cooperation with the German Music Council, the programme presents witty, stimulating works by Jörg Duda, Gisbert Näther and Kjell Roikjer, all premiere recordings.
44.1 kHz / 24-bit PCM – Genuin Studio Masters
Tracks 10 and 11 contain material which has been processed by a perceptual audio coding algorithm.
Tracks 10 and 11 contain material which has been processed by a perceptual audio coding algorithm.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.92 -7.54 to -0.27 | -23.64 -27.30 to -20.27 | -20.35 -23.90 to -17.40 | 14 12 to 16 | |
| 1 | I. — | -0.54 | -20.27 | -17.4 | 13 |
| 2 | II. — | -1.23 | -23.07 | -19.8 | 14 |
| 3 | III. — | -1.62 | -22.21 | -18.9 | 13 |
| 4 | Duo for Tuba and Harp, Op. 120 | -0.27 | -24.52 | -20.3 | 16 |
| 5 | I. Nocturne. Adagio | -0.89 | -23.35 | -19.9 | 13 |
| 6 | II. Rondeau. Allegro scherzando | -0.67 | -23.54 | -20.7 | 13 |
| 7 | III. Valse berceuse. Andante calmo | -7.54 | -27.30 | -23.9 | 12 |
| 8 | IV. Finale. Allegro vivace – un poco piu vivace – Presto | -0.27 | -23.28 | -20.4 | 16 |
| 9 | Funky Nightmare, Op. 55d, No. 1 | -2.54 | -25.07 | -21.9 | 14 |
| 10 | Capriccio, Op. 66 | -0.27 | -21.42 | -18.4 | 14 |
| 11 | Burlesque en Miniature, Op. 33, No. 5e | -5.22 | -26.02 | -22.2 | 12 |