℗ 2013 Sono Luminus
Released | October 1, 2013 |
Duration | 57m 50s |
Record Label | Sono Luminus |
Catalogue No. | DSL-92174 |
Genre | Classical (Instrumental) |
Toccatas: Modern American Music for Harpsichord
Jory Vinikour
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Recitative and Toccata Percossa
Mel Powell; Jory Vinikour |
3:46 | |||
Set of Four
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1.2
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Ostinato
Henry Cowell; Jory Vinikour |
2:24 | |||
1.3
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Spiders
Ned Rorem; Jory Vinikour |
2:48 | |||
Harpsichord Sonata
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1.4
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I. Fast, very rhythmic
Samuel Adler; Jory Vinikour |
3:11 | |||
1.5
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II. Slowly and expressively
Samuel Adler; Jory Vinikour |
4:46 | |||
1.6
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III. Very fast
Samuel Adler; Jory Vinikour |
3:12 | |||
Profiles
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1.7
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I. Moderato
Robert Muczynski; Jory Vinikour |
1:49 | |||
1.8
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II. Allegro
Robert Muczynski; Jory Vinikour |
2:25 | |||
3 Movements
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1.9
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No. 1. Prelude
Thomas Benjamin; Jory Vinikour |
1:30 | |||
1.10
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No. 2. Cantilena
Thomas Benjamin; Jory Vinikour |
2:34 | |||
1.11
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No. 3. Toccata
Thomas Benjamin; Jory Vinikour |
2:27 | |||
1.12
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Saraband
Robert Moevs; Jory Vinikour |
4:53 | |||
1.13
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Gyre
Stephen Blumberg; Jory Vinikour |
7:26 | |||
1.14
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Tourbillon Galaxy
Patricia Morehead; Jory Vinikour |
3:10 | |||
5 Toccatas
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1.15
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No. 1. —
Harold Meltzer; Jory Vinikour |
0:44 | |||
1.16
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No. 2. —
Harold Meltzer; Jory Vinikour |
3:16 | |||
1.17
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No. 3. —
Harold Meltzer; Jory Vinikour |
3:02 | |||
1.18
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No. 4. —
Harold Meltzer; Jory Vinikour |
2:04 | |||
1.19
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No. 5. —
Harold Meltzer; Jory Vinikour |
2:23 |
"... a voyage of discovery, one which introduces heartening vists of tonal worlds so close and yet so unfamiliar to many 21st century listeners ... Vinikour proves the ideal guide along these craggy, captivating musical paths."
- Voix des Arts
This is an engaging and exciting grouping of modern works for the harpsichord that takes full advantage of all of the tonal and harmonic characteristics of the dynamic instrument. Grammy nominated harpsichordist Jory Vinikour brings a new musical spin to the instrument which is better associated with Bach, Rameau and Couperin than the rousing composers featured on this album.
96 kHz / 24-bit PCM – Sono Luminus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.28 -4.45 to -0.14 | -20.46 -25.61 to -17.74 | -16.76 -22.10 to -14.20 | 13 11 to 16 | |
1 | Recitative and Toccata Percossa | -0.16 | -19.69 | -15.8 | 13 |
2 | Ostinato | -0.33 | -17.74 | -14.2 | 12 |
3 | Spiders | -0.18 | -19.46 | -15.7 | 14 |
4 | I. Fast, very rhythmic | -0.22 | -19.77 | -16.4 | 13 |
5 | II. Slowly and expressively | -1.32 | -25.61 | -22.1 | 16 |
6 | III. Very fast | -0.14 | -18.76 | -15.1 | 13 |
7 | I. Moderato | -3.23 | -21.87 | -18.6 | 13 |
8 | II. Allegro | -0.15 | -19.87 | -16.5 | 13 |
9 | No. 1. Prelude | -0.15 | -19.32 | -14.8 | 14 |
10 | No. 2. Cantilena | -1.92 | -22.04 | -18.6 | 13 |
11 | No. 3. Toccata | -0.39 | -18.47 | -14.9 | 12 |
12 | Saraband | -0.15 | -20.71 | -16.2 | 12 |
13 | Gyre | -0.15 | -20.02 | -16.3 | 14 |
14 | Tourbillon Galaxy | -0.68 | -19.40 | -15.8 | 12 |
15 | No. 1. — | -3.97 | -20.69 | -16.6 | 11 |
16 | No. 2. — | -4.45 | -22.51 | -19.1 | 11 |
17 | No. 3. — | -1.76 | -20.64 | -17.2 | 12 |
18 | No. 4. — | -2.52 | -22.34 | -18.4 | 13 |
19 | No. 5. — | -2.36 | -19.76 | -16.1 | 13 |