Le coeur & l'oreille: Manuscript Bauyn
Giulia Nuti
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prelude in F Major
Louis Couperin; Giulia Nuti |
3:01 | |||
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Suite in F Major
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1.2
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I. Allemande
Jacques Champion Chambonnières; Giulia Nuti |
3:27 | |||
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1.3
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II. Courante
Jacques Champion Chambonnières; Giulia Nuti |
1:25 | |||
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1.4
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III. Autre courante
Jacques Champion Chambonnières; Giulia Nuti |
1:23 | |||
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1.5
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IV. Rondeau
Jacques Champion Chambonnières; Giulia Nuti |
2:12 | |||
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1.6
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V. Sarabande
Jacques Champion Chambonnières; Giulia Nuti |
2:28 | |||
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1.7
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VI. Chaconne
Jacques Champion Chambonnières; Giulia Nuti |
3:22 | |||
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Suite in D Minor
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1.8
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I. Allemande
Jacques Hardel; Giulia Nuti |
2:51 | |||
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1.9
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II. Courante
Jacques Hardel; Giulia Nuti |
1:19 | |||
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1.10
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III. Autre courante
Jacques Hardel; Giulia Nuti |
1:22 | |||
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1.11
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IV. Sarabande
Jacques Hardel; Giulia Nuti |
2:47 | |||
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1.12
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V. Gigue
Jacques Hardel; Giulia Nuti |
0:38 | |||
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1.13
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VI. Gavotte avec double par M. Couperin
Jacques Hardel; Giulia Nuti |
2:19 | |||
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1.14
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Sarabande grave
Jean Henri d'Anglebert; Giulia Nuti |
3:50 | |||
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1.15
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Toccata in A Minor (Bauyn Manuscript)
Johann Jacob Froberger; Giulia Nuti |
4:11 | |||
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1.16
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Sarabande
René Mesangeau; Giulia Nuti |
2:32 | |||
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1.17
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Tombeau de Mr. Blancrocher
Louis Couperin; Giulia Nuti |
4:54 | |||
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1.18
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Sarabande in C Major
Germain Pinel; Giulia Nuti |
1:36 | |||
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Suite in C Major
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1.19
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I. Allemande
Jacques Champion Chambonnières; Giulia Nuti |
3:03 | |||
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1.20
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II. Courante
Jacques Champion Chambonnières; Giulia Nuti |
1:11 | |||
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1.21
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III. Autre courante
Jacques Champion Chambonnières; Giulia Nuti |
1:29 | |||
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1.22
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IV. Sarabande
Jacques Champion Chambonnières; Giulia Nuti |
2:57 | |||
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1.23
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V. Gigue
Jacques Champion Chambonnières; Giulia Nuti |
1:39 | |||
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1.24
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VI. Chaconne
Jacques Champion Chambonnières; Giulia Nuti |
1:38 | |||
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Suite in G Minor
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1.25
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I. Prélude
Louis Couperin; Giulia Nuti |
4:10 | |||
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1.26
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II. Allemande
Louis Couperin; Giulia Nuti |
3:44 | |||
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1.27
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III. Courante
Louis Couperin; Giulia Nuti |
1:48 | |||
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1.28
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IV. Sarabande
Louis Couperin; Giulia Nuti |
2:16 | |||
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1.29
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V. Passacaille
Louis Couperin; Giulia Nuti |
4:38 | |||
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Digital Booklet
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“though [the “Le Hanneton” harpsichord] has been altered over time it retains a magically rich resonance and sensual warmth, ideally suited to the music of the music of the French baroque. Giulia Nuti penetrates its depths in a recital gathering works from the famous Bauyn manuscript, taking slow speeds that suit the elaborate decorations and graceful dance rhythms of the suites.”
- Nicholas Kenyon, The Observer
This release from Italian harpsichordist Giulia Nuti brings together two rich historical items—the 17th-century music collection of the Bauyn Manuscript and the 1658 “Le Hanneton” harpsichord by Louis Denis—bringing them both to life. Including suites by the famous French clavecinistes Louis Couperin and Chambonnières as well as sarabandes and toccatas by composers such as Froberger and d'Anglebert, Nuti's performance of these pieces on this remarkable instrument (one of the earliest surviving harpsichords of its kind) are unique sonic experiences which provide an engaging introduction to this repertoire.
88.2 kHz / 24-bit PCM – Arcana Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.40 -8.62 to -0.67 | -21.20 -25.95 to -18.29 | -18.16 -22.70 to -15.00 | 11 11 to 13 | |
| 1 | Prelude in F Major | -5.31 | -22.23 | -18.9 | 11 |
| 2 | I. Allemande | -3.46 | -21.70 | -18.9 | 11 |
| 3 | II. Courante | -1.45 | -19.29 | -16.3 | 11 |
| 4 | III. Autre courante | -1.40 | -19.44 | -16.3 | 12 |
| 5 | IV. Rondeau | -3.54 | -21.48 | -18.6 | 11 |
| 6 | V. Sarabande | -8.62 | -25.95 | -22.7 | 11 |
| 7 | VI. Chaconne | -0.67 | -18.82 | -15.7 | 12 |
| 8 | I. Allemande | -4.65 | -21.49 | -18.8 | 11 |
| 9 | II. Courante | -1.48 | -19.64 | -16.7 | 11 |
| 10 | III. Autre courante | -3.04 | -19.67 | -16.7 | 11 |
| 11 | IV. Sarabande | -4.72 | -24.01 | -20.9 | 11 |
| 12 | V. Gigue | -0.71 | -18.34 | -15.4 | 11 |
| 13 | VI. Gavotte avec double par M. Couperin | -1.40 | -18.29 | -15.0 | 11 |
| 14 | Sarabande grave | -4.68 | -22.58 | -19.7 | 11 |
| 15 | Toccata in A Minor (Bauyn Manuscript) | -0.82 | -20.46 | -17.4 | 12 |
| 16 | Sarabande | -6.12 | -22.61 | -19.6 | 11 |
| 17 | Tombeau de Mr. Blancrocher | -5.36 | -23.85 | -20.8 | 11 |
| 18 | Sarabande in C Major | -6.35 | -22.91 | -19.7 | 11 |
| 19 | I. Allemande | -4.33 | -22.54 | -19.6 | 12 |
| 20 | II. Courante | -2.30 | -20.18 | -17.2 | 12 |
| 21 | III. Autre courante | -2.47 | -19.13 | -16.1 | 12 |
| 22 | IV. Sarabande | -5.09 | -23.36 | -20.5 | 12 |
| 23 | V. Gigue | -1.34 | -18.98 | -15.7 | 12 |
| 24 | VI. Chaconne | -2.47 | -19.42 | -15.9 | 12 |
| 25 | I. Prélude | -1.77 | -21.23 | -18.2 | 13 |
| 26 | II. Allemande | -4.45 | -24.23 | -21.3 | 12 |
| 27 | III. Courante | -3.03 | -20.07 | -17.0 | 12 |
| 28 | IV. Sarabande | -5.49 | -22.95 | -20.2 | 11 |
| 29 | V. Passacaille | -2.17 | -19.94 | -16.7 | 12 |