℗ 2017 Centaur Records, Inc.
 

Jazzcats

George Small

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

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    • AIFF 96.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
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1
Toby
George Small; Sarah Larson; Marc Daine; Warren Vaché; Chip Fabrizi
4:36
2
Little Gigi
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
4:11
3
Metromance
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
4:53
4
Bopilection
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
6:06
5
Lazy Daze
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
5:14
6
Sami's Waltz
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
5:01
7
Smunday Driviar
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
5:23
8
Mitzi Eyes
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
5:18
9
Angelized
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
5:25
10
Flyover
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
6:20
11
Intuit Now
Marc Daine; Chip Fabrizi; Sarah Larson; George Small; Warren Vaché
6:27
12
Metromance
Warren Vaché; George Small
5:02
Total Playing Time    63:56
New York-based musician, producer and composer George Small combines forces with Sarah Larson for these twelve stylish contemporary jazz compositions for small ensemble.
96 kHz / 24-bit PCM – Centaur Records Studio Masters

Tracks 1-12 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

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