Robert Aldridge: Sister Carrie (Live)
Adriana Zabala, Matt Morgan, Keith Phares, Alisa Suzanne Jordheim, Stephen Cunningham, Florentine Opera Chorus, Milwaukee Symphony Orchestra, William Boggs
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sister Carrie
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1.1
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Carrie Arrives in Chicago, 1900 (Live)
Robert Livingston Aldridge; Milwaukee Symphony Orchestra; William Boggs |
3:28 | |||
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1.2
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She Finds Work in a Vast Shoe Factory (Live)
Robert Livingston Aldridge; Milwaukee Symphony Orchestra; William Boggs |
2:33 | |||
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1.3
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Act I. Four On, Four Off (Live)
Robert Livingston Aldridge; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
0:51 | |||
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1.4
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Act I. There Is Music Here, Bill (Live)
Robert Livingston Aldridge; Matt Morgan; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
3:29 | |||
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1.5
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Act I. Here's a Very Good Worker Who Can't Make It Go (Live)
Robert Livingston Aldridge; Matt Morgan; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
2:48 | |||
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1.6
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Act I. Lord! But I'm Glad I Ran into You! (Live)
Robert Livingston Aldridge; Matt Morgan; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
4:11 | |||
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1.7
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Act I. You Belong in Places like This (Live)
Robert Livingston Aldridge; Matt Morgan; Adriana Zabala; James Barany; Milwaukee Symphony Orchestra; William Boggs |
4:13 | |||
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1.8
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Act I. I Can Help You Get Along (Live)
Robert Livingston Aldridge; Matt Morgan; Adriana Zabala; Jessica Timman Schwefel; Nathan Krueger; Milwaukee Symphony Orchestra; William Boggs |
5:27 | |||
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1.9
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Act I. Everything Is Paid For (Live)
Robert Livingston Aldridge; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
4:53 | |||
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1.10
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Act I. It's Five, Five (Live)
Robert Livingston Aldridge; Leroy Davis; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
3:29 | |||
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1.11
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Act I. It's Opening Night at McVickar's (Live)
Robert Livingston Aldridge; Keith Phares; Leroy Davis; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
1:23 | |||
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1.12
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Act I. There They Are! (Live)
Robert Livingston Aldridge; Keith Phares; Matt Morgan; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
3:37 | |||
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1.13
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Act I. Try the Bright Ingénue (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Matt Morgan; Tracy Wildt; Brianne Sura; Scott Pullen; William Johnson; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
3:34 | |||
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1.14
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Act I. Is Dinner Ready Yet? (Live)
Robert Livingston Aldridge; Keith Phares; Ashley Puenner; Thomas Leighton; Nancy Davis; Milwaukee Symphony Orchestra; William Boggs |
4:33 | |||
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1.15
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Act I. My Darling! (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
3:21 | |||
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1.16
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Act I. And One Day if I Came to You (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
3:05 | |||
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1.17
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Act I. Oh. Have You Made Up Your Mind (Live)
Robert Livingston Aldridge; Keith Phares; Ashley Puenner; Milwaukee Symphony Orchestra; William Boggs |
2:05 | |||
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1.18
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Act I. No, Carrie No, No (Live)
Robert Livingston Aldridge; Keith Phares; Leroy Davis; Milwaukee Symphony Orchestra; William Boggs |
1:24 | |||
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1.19
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Act I. Mister Hurstwood? (Live)
Robert Livingston Aldridge; Scott Pullen; Keith Phares; Ashley Puenner; Milwaukee Symphony Orchestra; William Boggs |
1:47 | |||
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1.20
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Act I. I'll Lock Up (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
1:58 | |||
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1.21
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Act I. You Are the Only Wonder (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
2:10 | |||
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1.22
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Act I. Closing Doors (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
2:06 | |||
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1.23
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Act I. What Did He Say? (Live)
Robert Livingston Aldridge; Adriana Zabala; Nancy Davis; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
2:33 | |||
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1.24
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Act I. Remember What You Said to Me That Night in the Park (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
2:44 | |||
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1.25
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Act I. When You Asked If You Could Be with Me, What Did I Say? (Live)
Robert Livingston Aldridge; Adriana Zabala; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
2:26 | |||
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1.26
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Act I. I Have Only Dreams, Carrie (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
3:43 | |||
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2.1
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Act II. This Is a Moment I Only Knew in My Dreams (Live)
Robert Livingston Aldridge; Keith Phares; Adriana Zabala; Ariana Douglas; Milwaukee Symphony Orchestra; William Boggs |
1:46 | |||
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2.2
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Act II. We Adore These Two (Live)
Robert Livingston Aldridge; Ariana Douglas; Milwaukee Symphony Orchestra; William Boggs |
2:14 | |||
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2.3
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Act II. Congratulations! (Live)
Robert Livingston Aldridge; Nathan Krueger; James Barany; Keith Phares; Leroy Davis; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
2:49 | |||
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2.4
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Act II. My Darling (Live)
Robert Livingston Aldridge; Keith Phares; Leroy Davis; Adriana Zabala; Milwaukee Symphony Orchestra; William Boggs |
3:49 | |||
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2.5
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Act II. I Have My First Audition Today (Live)
Robert Livingston Aldridge; Adriana Zabala; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
3:24 | |||
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2.6
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Act II. Oh Abdul (Live)
Robert Livingston Aldridge; Edson Melendez; Nicholas Barootian; Pablo Siqueiros; Adriana Zabala; Alisa Suzanne Jordheim; John A. Stumpff; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
1:40 | |||
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2.7
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Act II. We're Consultin' with the Sultan (Live)
Robert Livingston Aldridge; Alisa Suzanne Jordheim; Adriana Zabala; Edson Melendez; Nicholas Barootian; John A. Stumpff; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
1:41 | |||
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2.8
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Act II. And Their Father, Poor Old Goriot (Live)
Robert Livingston Aldridge; Nathan Krueger; James Barany; Ariana Douglas; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
1:33 | |||
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2.9
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Act II. Would Anyone Like to Hear My News? (Live)
Robert Livingston Aldridge; Adriana Zabala; James Barany; Ariana Douglas; Nathan Krueger; Keith Phares; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
2:51 | |||
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2.10
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Act II. You're a Nice One to Talk About Who We Can Associate With! (Live)
Robert Livingston Aldridge; Adriana Zabala; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
1:42 | |||
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2.11
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Act II. I Could Be Rather Late (Live)
Robert Livingston Aldridge; Adriana Zabala; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
1:26 | |||
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2.12
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Act II. You're a Dandy, Hurstwood (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
1:18 | |||
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2.13
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Act II. I'm at Home in the World (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
4:26 | |||
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2.14
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Act II. Ladies and Gentlemen (Live)
Robert Livingston Aldridge; John A. Stumpff; Alisa Suzanne Jordheim; Jim Gottfried; Stephen Cunningham; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
5:35 | |||
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2.15
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Act II. I'm Really Quite Distracted (Live)
Robert Livingston Aldridge; Stephen Cunningham; Keith Phares; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
2:24 | |||
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2.16
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Act II. Dear George (Live)
Robert Livingston Aldridge; Adriana Zabala; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
3:42 | |||
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2.17
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Act II. Carrie Madenda (Live)
Robert Livingston Aldridge; Keith Phares; Milwaukee Symphony Orchestra; William Boggs |
1:48 | |||
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2.18
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Act II. Are You Ready? (Live)
Robert Livingston Aldridge; Adriana Zabala; Alisa Suzanne Jordheim; Milwaukee Symphony Orchestra; William Boggs |
4:07 | |||
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2.19
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Act II. Must Be Getting on Ten (Live)
Robert Livingston Aldridge; Florentine Opera Chorus; Stephen Cunningham; Milwaukee Symphony Orchestra; William Boggs |
3:35 | |||
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2.20
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Act II. Shiloh, Antietam (Live)
Robert Livingston Aldridge; Stephen Cunningham; Leroy Davis; Keith Phares; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
4:36 | |||
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2.21
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Act II. Rise Up (Live)
Robert Livingston Aldridge; Leroy Davis; Thomas Leighton; Keith Phares; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
2:42 | |||
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2.22
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Act II. If You Have Any Real Feeling, Hide It like a Treasure (Live)
Robert Livingston Aldridge; Adriana Zabala; Nathan Krueger; Keith Phares; Leroy Davis; Jim Gottfried; William Johnson; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
5:16 | |||
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2.23
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Act II. I Know You, Carrie (Live)
Robert Livingston Aldridge; Nathan Krueger; Adriana Zabala; Keith Phares; Stephen Cunningham; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
3:28 | |||
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2.24
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Act II. I'd Like a Better Room with Private Heat (Live)
Robert Livingston Aldridge; Keith Phares; Tim Rebers; Milwaukee Symphony Orchestra; William Boggs |
1:16 | |||
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2.25
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Act II. Have You Heard? (Live)
Robert Livingston Aldridge; Adriana Zabala; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
1:46 | |||
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2.26
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Act II. That's You All Right (Live)
Robert Livingston Aldridge; Keith Phares; Alisa Suzanne Jordheim; Adriana Zabala; Stephen Cunningham; Florentine Opera Chorus; Milwaukee Symphony Orchestra; William Boggs |
4:49 | |||
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Digital Booklet
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Grammy Award nomination – Producer Of The Year, Classical, 2017
“Zabala’s warmly-textured lyric mezzo registered enchantingly... Baritone Keith Phares nailed the assignment with a beautifully sung, keenly nuanced account of Hurstwood’s plunge into desolate desperation... an important addition to the American operatic canon...”
- Mark Thomas Ketterson, Opera News
This Naxos release presents the live, world premiere recording of Robert Aldridge and Herschel Garfein's operatic adaption of Theodore Dreiser's 1900 novel Sister Carrie. Starring Adriana Zabala in the title role, the story follows Carrie from her arrival in Chicago as a green country girl through her rise (and setbacks) in relationships and the world of the theatre. Joining Zabala are Keith Phares, Matt Morgan, and Alisa Suzanne Jordheim with the Florentine Opera Chorus, the Milwaukee Symphony Orchestra, and conductor William Boggs.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at Uihlein Hall, Marcus Center for the Performing Arts, Milwaukee, Wisconsin, USA Produced by Blanton Alspaugh
Recorded at Uihlein Hall, Marcus Center for the Performing Arts, Milwaukee, Wisconsin, USA Produced by Blanton Alspaugh
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.56 -9.32 to -0.29 | -22.99 -31.67 to -16.95 | -19.67 -29.90 to -13.90 | 12 10 to 16 | |
| 1.1 | Carrie Arrives in Chicago, 1900 (Live) | -0.30 | -18.30 | -15.3 | 11 |
| 1.2 | She Finds Work in a Vast Shoe Factory (Live) | -3.37 | -29.12 | -26.5 | 16 |
| 1.3 | Act I. Four On, Four Off (Live) | -2.21 | -22.07 | -19.3 | 13 |
| 1.4 | Act I. There Is Music Here, Bill (Live) | -2.42 | -22.29 | -19.6 | 12 |
| 1.5 | Act I. Here's a Very Good Worker Who Can't Make It Go (Live) | -1.26 | -21.14 | -17.0 | 11 |
| 1.6 | Act I. Lord! But I'm Glad I Ran into You! (Live) | -3.00 | -24.74 | -21.8 | 12 |
| 1.7 | Act I. You Belong in Places like This (Live) | -3.03 | -24.26 | -21.2 | 12 |
| 1.8 | Act I. I Can Help You Get Along (Live) | -3.85 | -24.69 | -21.8 | 12 |
| 1.9 | Act I. Everything Is Paid For (Live) | -2.08 | -25.04 | -21.6 | 12 |
| 1.10 | Act I. It's Five, Five (Live) | -1.79 | -20.21 | -17.2 | 12 |
| 1.11 | Act I. It's Opening Night at McVickar's (Live) | -2.92 | -23.80 | -20.5 | 11 |
| 1.12 | Act I. There They Are! (Live) | -2.14 | -22.10 | -19.0 | 12 |
| 1.13 | Act I. Try the Bright Ingénue (Live) | -0.29 | -19.32 | -15.1 | 11 |
| 1.14 | Act I. Is Dinner Ready Yet? (Live) | -1.36 | -24.19 | -20.5 | 12 |
| 1.15 | Act I. My Darling! (Live) | -4.46 | -24.77 | -21.2 | 12 |
| 1.16 | Act I. And One Day if I Came to You (Live) | -4.39 | -28.02 | -25.4 | 12 |
| 1.17 | Act I. Oh. Have You Made Up Your Mind (Live) | -7.86 | -28.32 | -24.8 | 12 |
| 1.18 | Act I. No, Carrie No, No (Live) | -3.05 | -24.36 | -20.0 | 11 |
| 1.19 | Act I. Mister Hurstwood? (Live) | -1.59 | -22.48 | -18.9 | 13 |
| 1.20 | Act I. I'll Lock Up (Live) | -3.95 | -24.17 | -20.4 | 12 |
| 1.21 | Act I. You Are the Only Wonder (Live) | -3.75 | -23.61 | -19.2 | 10 |
| 1.22 | Act I. Closing Doors (Live) | -0.70 | -19.99 | -16.9 | 12 |
| 1.23 | Act I. What Did He Say? (Live) | -0.59 | -20.06 | -16.7 | 11 |
| 1.24 | Act I. Remember What You Said to Me That Night in the Park (Live) | -1.88 | -23.76 | -19.6 | 12 |
| 1.25 | Act I. When You Asked If You Could Be with Me, What Did I Say? (Live) | -3.58 | -21.73 | -18.1 | 10 |
| 1.26 | Act I. I Have Only Dreams, Carrie (Live) | -6.21 | -31.50 | -26.2 | 15 |
| 2.1 | Act II. This Is a Moment I Only Knew in My Dreams (Live) | -5.07 | -22.53 | -19.6 | 10 |
| 2.2 | Act II. We Adore These Two (Live) | -2.29 | -21.99 | -18.8 | 11 |
| 2.3 | Act II. Congratulations! (Live) | -0.30 | -22.06 | -18.8 | 13 |
| 2.4 | Act II. My Darling (Live) | -2.74 | -22.90 | -20.1 | 12 |
| 2.5 | Act II. I Have My First Audition Today (Live) | -4.60 | -26.92 | -22.4 | 13 |
| 2.6 | Act II. Oh Abdul (Live) | -1.50 | -21.64 | -18.8 | 11 |
| 2.7 | Act II. We're Consultin' with the Sultan (Live) | -0.30 | -20.12 | -16.9 | 11 |
| 2.8 | Act II. And Their Father, Poor Old Goriot (Live) | -3.04 | -25.13 | -22.4 | 11 |
| 2.9 | Act II. Would Anyone Like to Hear My News? (Live) | -2.50 | -21.21 | -18.3 | 11 |
| 2.10 | Act II. You're a Nice One to Talk About Who We Can Associate With! (Live) | -2.49 | -26.22 | -23.1 | 14 |
| 2.11 | Act II. I Could Be Rather Late (Live) | -9.32 | -31.67 | -29.9 | 14 |
| 2.12 | Act II. You're a Dandy, Hurstwood (Live) | -6.04 | -25.90 | -22.7 | 12 |
| 2.13 | Act II. I'm at Home in the World (Live) | -1.14 | -21.39 | -18.0 | 12 |
| 2.14 | Act II. Ladies and Gentlemen (Live) | -0.30 | -20.01 | -17.0 | 12 |
| 2.15 | Act II. I'm Really Quite Distracted (Live) | -1.11 | -21.36 | -17.9 | 11 |
| 2.16 | Act II. Dear George (Live) | -2.73 | -24.84 | -20.8 | 12 |
| 2.17 | Act II. Carrie Madenda (Live) | -4.71 | -25.39 | -22.1 | 12 |
| 2.18 | Act II. Are You Ready? (Live) | -0.73 | -20.93 | -17.9 | 12 |
| 2.19 | Act II. Must Be Getting on Ten (Live) | -0.90 | -18.20 | -14.8 | 10 |
| 2.20 | Act II. Shiloh, Antietam (Live) | -1.12 | -19.76 | -16.9 | 11 |
| 2.21 | Act II. Rise Up (Live) | -0.29 | -16.95 | -14.3 | 11 |
| 2.22 | Act II. If You Have Any Real Feeling, Hide It like a Treasure (Live) | -0.29 | -17.56 | -13.9 | 11 |
| 2.23 | Act II. I Know You, Carrie (Live) | -0.97 | -20.92 | -18.1 | 12 |
| 2.24 | Act II. I'd Like a Better Room with Private Heat (Live) | -0.77 | -23.05 | -19.4 | 12 |
| 2.25 | Act II. Have You Heard? (Live) | -5.49 | -23.94 | -20.8 | 11 |
| 2.26 | Act II. That's You All Right (Live) | -0.30 | -18.93 | -15.2 | 11 |