℗ 2014 Naive
| Released | September 2, 2014 |
| Duration | 48m 26s |
| Record Label | Naive |
| Catalogue No. | V5370 |
| Genre | Classical (Choral - Sacred) |
Mozart: Requiem
Sandrine Piau, Sara Mingardo, Werner Güra, Christopher Purves, Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Requiem in D Minor, K. 626
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1.1
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I. IntroItus: Requiem æternam
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
4:28 | |||
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1.2
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II. KyiIe: Kyrie eleison
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
2:33 | |||
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1.3
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III. Sequenz, No.1: Dies iræ
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
1:53 | |||
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1.4
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III. Sequenz, No.2: Tuba mirum
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
3:44 | |||
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1.5
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III. Sequenz, No.3: Rex tremendæ
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
2:03 | |||
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1.6
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III. Sequenz, No.4: Recordare
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
5:38 | |||
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1.7
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III. Sequenz, No.5: Confutatis
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
2:35 | |||
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1.8
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III. Sequenz, No.6: Lacrimosa
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
3:15 | |||
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1.9
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IV. Offertory No.1: Domine Jesu Christe
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
3:23 | |||
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1.10
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IV. Offertory No.2: Hostias
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
3:25 | |||
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1.11
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V. Sanctus
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
1:25 | |||
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1.12
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VI. Benedictus
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
5:19 | |||
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1.13
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VII Agnus Dei
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
3:20 | |||
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1.14
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VIII. Communion: Lux æterna
Wolfgang Amadeus Mozart; Sandrine Piau; Sara Mingardo; Werner Güra; Christopher Purves; Accentus Chamber Choir; Insula Orchestra; Laurence Equilbey |
5:25 | |||
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Digital Booklet
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This performance of one of the most emblematic music works ever composed marks the debut recording from Insula Orchestra, a period instrument ensemble co-founded by conductor Laurence Equilbey. The impressive soloists on this 2014 album, including Sandrine Piau, Sara Mingardo, Werner Güra and Christopher Purves, alongside the European choir Accentus all offer an intense and stylish performance of one of the truly major works of the religious music repertoire, Mozart’s Requiem, composed in his final year and unfinished.
44.1 kHz / 24-bit PCM – Naive Studio Masters
Recorded in February 2014 at the Chapelle Royale de Versailles (France) Recording producer, editing & mastering: Laure Casenave-Péré Balance engineer: Thomas Dappelo Sound Assistant: Valérian Langlais Recording & editing system: Pyramix Microphones: Neumann M149, DPA 4011A, Neumann TLM170, Schoeps MK21, Schoeps MK4, Royer 122V, Royer 121 Preamplifiers & converter: DAD AX24 & Merging Horus Articles translated by Charles Johnston (English) Cover photo: © Julien Mignot Inside photos: p.2 © Didier Saulnier p.13 Sandrine Piau © Sandrine Expilly / Sara Mingardo © Laure Vasconi / Werner Güra © Monika Rittershaus Christopher Purves © Clive Barda
Recorded in February 2014 at the Chapelle Royale de Versailles (France) Recording producer, editing & mastering: Laure Casenave-Péré Balance engineer: Thomas Dappelo Sound Assistant: Valérian Langlais Recording & editing system: Pyramix Microphones: Neumann M149, DPA 4011A, Neumann TLM170, Schoeps MK21, Schoeps MK4, Royer 122V, Royer 121 Preamplifiers & converter: DAD AX24 & Merging Horus Articles translated by Charles Johnston (English) Cover photo: © Julien Mignot Inside photos: p.2 © Didier Saulnier p.13 Sandrine Piau © Sandrine Expilly / Sara Mingardo © Laure Vasconi / Werner Güra © Monika Rittershaus Christopher Purves © Clive Barda
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.94 -4.54 to -0.06 | -23.86 -29.04 to -19.71 | -20.24 -25.60 to -16.20 | 13 11 to 15 | |
| 1 | I. IntroItus: Requiem æternam | -1.66 | -23.39 | -19.5 | 13 |
| 2 | II. KyiIe: Kyrie eleison | -2.47 | -21.58 | -18.4 | 12 |
| 3 | III. Sequenz, No.1: Dies iræ | -0.06 | -19.88 | -16.8 | 13 |
| 4 | III. Sequenz, No.2: Tuba mirum | -3.20 | -29.04 | -25.6 | 15 |
| 5 | III. Sequenz, No.3: Rex tremendæ | -0.42 | -22.81 | -18.7 | 14 |
| 6 | III. Sequenz, No.4: Recordare | -4.30 | -27.00 | -23.6 | 14 |
| 7 | III. Sequenz, No.5: Confutatis | -2.71 | -25.52 | -21.5 | 13 |
| 8 | III. Sequenz, No.6: Lacrimosa | -1.00 | -23.81 | -19.7 | 13 |
| 9 | IV. Offertory No.1: Domine Jesu Christe | -1.36 | -23.45 | -20.3 | 13 |
| 10 | IV. Offertory No.2: Hostias | -2.96 | -23.99 | -20.4 | 13 |
| 11 | V. Sanctus | -1.11 | -19.71 | -16.2 | 12 |
| 12 | VI. Benedictus | -0.53 | -25.50 | -22.2 | 15 |
| 13 | VII Agnus Dei | -4.54 | -25.19 | -20.9 | 11 |
| 14 | VIII. Communion: Lux æterna | -0.85 | -23.10 | -19.5 | 13 |