℗ 2014 Calderstone Productions Limited (a division of Universal Music Group)
Released 1975
Duration 39m 49s
Record Label BEATLES CATALOG MKT (C91)
Genre Rock
 

Rock 'N' Roll

John Lennon

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Be-Bop-A-Lula
John Lennon
2:37
1.2
Stand By Me
John Lennon
3:31
1.3
Rip It Up / Ready Teddy
John Lennon
1:35
1.4
You Can't Catch Me
John Lennon
4:54
1.5
Ain't That A Shame
John Lennon
2:34
1.6
Do You Want To Dance
John Lennon
2:54
1.7
Sweet Little Sixteen
John Lennon
3:04
1.8
Slippin' And Slidin'
John Lennon
2:18
1.9
Peggy Sue
John Lennon
2:05
1.10
Bring It On Home To Me / Send Me Some Lovin'
John Lennon
3:42
1.11
Bony Moronie
John Lennon
3:51
1.12
Ya Ya
John Lennon
2:18
1.13
Just Because
John Lennon
4:26
Digital Booklet
Billboard 200 - #6, 1975 "... offers delights for those true believers who share Lennon's lifelong insistence that early rock is the only music that really matters. John lends dignity to these classics; his singing is tender, convincing and fond." - Rolling Stone "... there is evident affection throughout, excellent musicianship and some fun post-modern nods to the audience ... on all tracks, Lennon’s singing is superb, especially a passionate and epic Stand By Me ... nobody can teach this man anything about generating primal rock excitement." - BBC Music Released in 1975, this was John Lennon's last album before his five-year hiatus to become a house husband and raise his son Sean. As the title promises, it contains classic rock 'n' roll from the 1950s and early 1960s that influenced and inspired both Lennon and the Beatles and was co-produced by Phil Spector, the same producer responsible for much of that influential music. A star-studded lineup of studio musicians worked with Lennon on this record, names like Leon Russell, José Feliciano, Steve Cropper and Hal Blaine, as well as a full horn section.
96 kHz / 24-bit PCM – BEATLES CATALOG MKT (C91) Studio Masters

Produced and arranged by John Lennon (October 21-25, 1974) except ‘You Can’t Catch Me’, Sweet Little Sixteen’, ‘Bony Moronie’ and ‘Just Because’: Produced by Phil Spector/arranged by John and Phil (October 1973 to December 1973). Recorded at: Record Plant, East/Record Plant, West/A&M Studios Engineers: Roy Cicala, Lee Keifer (You Can’t Catch Me), Shelly Yakus (Slippin’ And Slidin’) Assistant engineer: Jim lovine Remix engineers: Roy Cicala, Jim lovine (Sweet Little Sixteen) Relived by: J.L. Mastered at: The Cutting Room, Record Plant, New York; Gregg Calbi Production coordinator and Mother Superior: May Pang Art direction and design: Roy Kohara Photography: Jurgen Vollmer Neon lettering: John Uomoto Remaster Project Production Producer: Yoko Ono Project coordinator: Allan Rouse Remaster engineers: Paul Hicks, Sean Magee Audio restoration: Simon Gibson Remastered at Abbey Road Studios, London, England, 2010 Sleeve notes by Paul Du Noyer Additional photography: Jurgen Vollmer, Astrid Kirchherr Passport photos on page 4 c Lenono Photo Archive. Art direction by Yoko Ono Design by Peacock Artwork Co-ordinator: Karla Merrifield Photo research: Xilonen Oreshnick Project management by Timothy Ryan, Jane Ventom, Kris Perera and Guy Hayden
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.31
-1.53 to 0.00
-16.10
-19.25 to -13.76
-12.59
-15.30 to -10.80
11
10 to 12
1
Be-Bop-A-Lula
-0.16-15.55-12.611
2
Stand By Me
-0.10-17.20-13.411
3
Rip It Up / Ready Teddy
-0.28-15.98-12.211
4
You Can't Catch Me
0.00-14.19-10.810
5
Ain't That A Shame
-0.18-15.59-12.011
6
Do You Want To Dance
-0.26-16.73-13.312
7
Sweet Little Sixteen
-0.24-16.58-12.612
8
Slippin' And Slidin'
-0.35-16.59-12.812
9
Peggy Sue
-0.18-13.76-10.810
10
Bring It On Home To Me / Send Me Some Lovin'
-1.53-16.35-13.111
11
Bony Moronie
-0.17-15.34-11.811
12
Ya Ya
-0.29-16.20-13.011
13
Just Because
-0.29-19.25-15.312

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions