℗ 2014 Zig-Zag Territoires
| Released | November 4, 2014 |
| Duration | 1h 04m 20s |
| Record Label | Zig-Zag Territoires |
| Catalogue No. | ZZT353 |
| Genre | Classical (Choral - Secular) |
Carl Orff: Carmina Burana
Thomas E. Bauer, Yves Saelens, Yeree Suh, Anima Eterna Brugge, Collegium Vocale Gent, Cantate Domino, Jos van Immerseel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Carmina Burana: Fortuna Imperatrix Mundi
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1.1
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O Fortuna
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:36 | |||
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1.2
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Fortune plango vulnera
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:51 | |||
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Carmina Burana: I. Primo vere
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1.3
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Veris leta facies
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
4:33 | |||
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1.4
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Omnia sol temperat
Carl Orff; Thomas E. Bauer; Anima Eterna Brugge; Jos van Immerseel |
2:21 | |||
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1.5
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Ecce gratum
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:57 | |||
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Carmina Burana: Uf dem Anger
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1.6
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Tanz
Carl Orff; Anima Eterna Brugge; Jos van Immerseel |
1:38 | |||
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1.7
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Floret silva
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
3:36 | |||
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1.8
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Chramer, gip die varwe mir
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
3:36 | |||
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1.9
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Reie
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
4:50 | |||
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1.10
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Were diu werlt alle min
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
1:57 | |||
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Carmina Burana: II. In Taberna
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1.11
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Estuans interius
Carl Orff; Thomas E. Bauer; Anima Eterna Brugge; Jos van Immerseel |
2:28 | |||
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1.12
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Olim lacus colueram
Carl Orff; Yves Saelens; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
3:41 | |||
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1.13
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Ego sum abbas
Carl Orff; Thomas E. Bauer; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
1:40 | |||
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1.14
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In taberna quando sumus
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
3:07 | |||
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Carmina Burana: III. Cour d'amours
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1.15
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Amor volat undique
Carl Orff; Yeree Suh; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
3:24 | |||
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1.16
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Dies, nox et omnia
Carl Orff; Thomas E. Bauer; Anima Eterna Brugge; Jos van Immerseel |
2:24 | |||
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1.17
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Stetit puella
Carl Orff; Yeree Suh; Anima Eterna Brugge; Jos van Immerseel |
2:16 | |||
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1.18
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Circa mea pectora
Carl Orff; Thomas E. Bauer; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:01 | |||
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1.19
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Si puer cum puellula
Carl Orff; Collegium Vocale Gent; Cantate Domino |
1:05 | |||
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1.20
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Veni, veni, venias
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
1:03 | |||
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1.21
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In trutina
Carl Orff; Yeree Suh; Anima Eterna Brugge; Jos van Immerseel |
2:22 | |||
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1.22
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Tempus est iocundum
Carl Orff; Yeree Suh; Thomas E. Bauer; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:38 | |||
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1.23
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Dulcissime
Carl Orff; Yeree Suh; Anima Eterna Brugge; Jos van Immerseel |
0:54 | |||
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Carmina Burana: Blanziflor et Helena
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1.24
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Ave formosissima
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
1:41 | |||
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Carmina Burana: Fortuna Imperatrix Mundi
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1.25
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O Fortuna
Carl Orff; Collegium Vocale Gent; Cantate Domino; Anima Eterna Brugge; Jos van Immerseel |
2:41 | |||
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Digital Booklet
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Often described as "music for amateurs," sometimes used, or misused, towards purely commercial ends, Orff’s Carmina Burana was clearly ready for a new approach, a sort of revivifying, thorough rethinking. This has been done here by Jos van Immerseel and the absolutely exceptional musical team he assembled for this project. Faithful to what accounts for the force of his musical approach, van Immerseel profoundly revolutionizes the sound image and interpretation of this score, thanks both to the very high quality of the chosen performers and to the singularity of the instruments and timbres of his orchestra. It is a very new way of approaching this work that van Immerseel proposes, open-minded, without concession but with the great pleasure and joy of simply making music.
96 kHz / 24-bit PCM – Zig-Zag Territoires Studio Masters
Live concert recording: Concertgebouw Brugge, 19 - 20 February 2014 by Tritonus Musikproduktion Gmbh, Stuttgart Recording producer: Markus Heiland Balance engineer: Andreas Neubronner Director of productions and artistic director of Zig-Zag Territoires: Franck Jaffrès Production and editorial coordinator: Virgile Hermelin Cover image: “Rad Der Fortuna” © Bayerische Staatsbibliothek München CLM 4660, FOL. 1R Orchestra images: © Alex Vanhee Artwork by Element-S: Graphisme, Jérôme Witz
Live concert recording: Concertgebouw Brugge, 19 - 20 February 2014 by Tritonus Musikproduktion Gmbh, Stuttgart Recording producer: Markus Heiland Balance engineer: Andreas Neubronner Director of productions and artistic director of Zig-Zag Territoires: Franck Jaffrès Production and editorial coordinator: Virgile Hermelin Cover image: “Rad Der Fortuna” © Bayerische Staatsbibliothek München CLM 4660, FOL. 1R Orchestra images: © Alex Vanhee Artwork by Element-S: Graphisme, Jérôme Witz
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.78 -21.55 to -0.10 | -29.22 -42.95 to -16.45 | -24.53 -39.00 to -12.90 | 13 8 to 17 | |
| 1 | O Fortuna | -0.10 | -19.36 | -13.1 | 12 |
| 2 | Fortune plango vulnera | -1.38 | -25.07 | -19.5 | 14 |
| 3 | Veris leta facies | -11.64 | -38.37 | -34.3 | 17 |
| 4 | Omnia sol temperat | -19.59 | -42.95 | -38.7 | 14 |
| 5 | Ecce gratum | -0.10 | -22.11 | -17.5 | 13 |
| 6 | Tanz | -0.43 | -25.05 | -20.4 | 15 |
| 7 | Floret silva | -7.25 | -30.25 | -26.1 | 14 |
| 8 | Chramer, gip die varwe mir | -15.52 | -36.85 | -33.5 | 14 |
| 9 | Reie | -0.42 | -26.37 | -16.7 | 15 |
| 10 | Were diu werlt alle min | -0.10 | -19.80 | -15.6 | 12 |
| 11 | Estuans interius | -0.10 | -27.61 | -23.9 | 16 |
| 12 | Olim lacus colueram | -3.95 | -30.95 | -25.6 | 16 |
| 13 | Ego sum abbas | -0.10 | -24.11 | -18.9 | 14 |
| 14 | In taberna quando sumus | -0.10 | -22.24 | -17.1 | 14 |
| 15 | Amor volat undique | -18.38 | -41.41 | -38.0 | 13 |
| 16 | Dies, nox et omnia | -18.56 | -40.13 | -36.0 | 13 |
| 17 | Stetit puella | -14.87 | -33.58 | -29.3 | 10 |
| 18 | Circa mea pectora | -2.05 | -25.82 | -22.3 | 15 |
| 19 | Si puer cum puellula | -14.38 | -38.18 | -33.3 | 14 |
| 20 | Veni, veni, venias | -0.80 | -24.28 | -19.5 | 13 |
| 21 | In trutina | -21.55 | -41.87 | -39.0 | 12 |
| 22 | Tempus est iocundum | -2.27 | -25.03 | -20.0 | 13 |
| 23 | Dulcissime | -15.74 | -33.48 | -28.6 | 8 |
| 24 | Ave formosissima | -0.10 | -16.45 | -13.4 | 11 |
| 25 | O Fortuna | -0.10 | -19.17 | -12.9 | 11 |