℗ 2014 Ricercar
| Released | November 4, 2014 |
| Duration | 2h 14m 56s |
| Record Label | Ricercar |
| Catalogue No. | RIC348 |
| Genre | Classical (Instrumental) |
Weckmann: Complete Organ Works
Bernard Foccroulle
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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O lux beata trinitas
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1.1
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Primus versus (Im vollen Werck)
Matthias Weckmann; Bernard Foccroulle |
2:49 | |||
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1.2
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Secundus versus (a 4. Choral in Cantu, manualiter vel si placet pedaliter)
Matthias Weckmann; Bernard Foccroulle |
1:40 | |||
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1.3
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Tertius versus (a 4 voc.)
Matthias Weckmann; Bernard Foccroulle |
2:24 | |||
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1.4
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Quartus versus (Manualiter)
Matthias Weckmann; Bernard Foccroulle |
7:50 | |||
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1.5
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Quintus versus (Auff 2 Clavier)
Matthias Weckmann; Bernard Foccroulle |
5:21 | |||
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1.6
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Sextus versus (a 5 Im vollen Werck)
Matthias Weckmann; Bernard Foccroulle |
2:31 | |||
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1.7
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Canzona in C Major (version for organ)
Matthias Weckmann; Bernard Foccroulle |
2:13 | |||
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Fantasia in D Minor
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1.8
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Fantasia Ex D
Matthias Weckmann; Bernard Foccroulle |
4:37 | |||
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1.9
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Canzon No. 2 in C Minor
Matthias Weckmann; Bernard Foccroulle |
5:12 | |||
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Gelobet seist du, Jesu Christ (I)
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1.10
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Primus versus (a 4)
Matthias Weckmann; Bernard Foccroulle |
1:25 | |||
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1.11
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Secundus versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
6:14 | |||
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1.12
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Tertius versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
2:15 | |||
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1.13
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Quartus versus (a 3)
Matthias Weckmann; Bernard Foccroulle |
1:29 | |||
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Nun freut euch, lieben Christen gmein
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1.14
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Primus versus
Matthias Weckmann; Bernard Foccroulle |
2:06 | |||
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1.15
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Secundus versus (Auff zwey Clavir)
Matthias Weckmann; Bernard Foccroulle |
2:09 | |||
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1.16
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Tertius versus
Matthias Weckmann; Bernard Foccroulle |
2:37 | |||
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1.17
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Canzona No. 3 in D Minor
Matthias Weckmann; Bernard Foccroulle |
3:32 | |||
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Komm, heiliger Geist, Herre Gott
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1.18
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Primus versus
Matthias Weckmann; Bernard Foccroulle |
2:30 | |||
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1.19
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Secundus versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
3:51 | |||
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1.20
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Tertius versus (a 3)
Matthias Weckmann; Bernard Foccroulle |
3:51 | |||
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Magnificat II. Toni
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1.21
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Primus versus (a 5)
Matthias Weckmann; Bernard Foccroulle |
1:23 | |||
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1.22
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Secundus versus (a 4, Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
2:12 | |||
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1.23
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Tertius versus (a 5)
Matthias Weckmann; Bernard Foccroulle |
2:14 | |||
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1.24
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Quartus versus (a 6)
Matthias Weckmann; Bernard Foccroulle |
1:20 | |||
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Gott sei gelobet und gebenedeiet
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2.1
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Primus versus (a 4)
Matthias Weckmann; Bernard Foccroulle |
2:33 | |||
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2.2
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Secundus versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
3:58 | |||
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2.3
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Canzona No. 4 in C Major
Matthias Weckmann; Bernard Foccroulle |
2:48 | |||
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2.4
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Praeambulum
Matthias Weckmann; Bernard Foccroulle |
3:37 | |||
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Ach wir armen Sünder
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2.5
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Versus 1 (Choral in Ten:)
Matthias Weckmann; Bernard Foccroulle |
1:51 | |||
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2.6
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Versus 2 (a 2 Clav. è Ped:)
Matthias Weckmann; Bernard Foccroulle |
2:47 | |||
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2.7
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Versus 3 (a 2 Clav.)
Matthias Weckmann; Bernard Foccroulle |
2:46 | |||
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Fuga ex D ped Primi Toni
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2.8
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Fuga ex D ped. primi toni
Matthias Weckmann; Bernard Foccroulle |
5:06 | |||
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Gelobet seist du, Jesu Christ (II)
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2.9
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Primus versus (a 4)
Matthias Weckmann; Bernard Foccroulle |
1:20 | |||
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2.10
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Secundus versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
1:14 | |||
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2.11
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Tertius versus (a 3 voc.)
Matthias Weckmann; Bernard Foccroulle |
1:10 | |||
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2.12
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Canzona No. 5 in G Major
Matthias Weckmann; Bernard Foccroulle |
3:09 | |||
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Es ist das Heil uns kommen her
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2.13
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Primus versus (a 5 Voc. Im vollen Werck)
Matthias Weckmann; Bernard Foccroulle |
3:12 | |||
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2.14
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Secundus versus (Manualiter in hyperdiapente post minimam)
Matthias Weckmann; Bernard Foccroulle |
1:58 | |||
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2.15
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Tertius versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
3:28 | |||
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2.16
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Quartus versus (a 3. Pedaliter, Canon in subdiapason post semiminimam)
Matthias Weckmann; Bernard Foccroulle |
2:46 | |||
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2.17
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Quintus versus (a 3. Pedal[iter], Canon in disdiapente post semiminimam)
Matthias Weckmann; Bernard Foccroulle |
2:57 | |||
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2.18
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Sextus versus (Auff 2 Clavir)
Matthias Weckmann; Bernard Foccroulle |
10:34 | |||
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2.19
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Septimus et ultimus versus (Im vollen Werk, Choral im Tenor)
Matthias Weckmann; Bernard Foccroulle |
3:57 | |||
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Digital Booklet
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Bernard Foccroulle pursues his exploration of the repertoire of the organists of northern Germany who preceeded Bach on this album dedicated to the works of Matthias Weckmann. The repertoire tackles the free forms of the new stylus fantasticus but also proposes different forms of pieces inspired by chorale tunes, including two monumental fantasias in several sections. Foccroulle made this recording on three historic organs: in Hollern, Stade, and primarily on the restored organ of the Katharinen Kirche in Hamburg.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -13.23 -20.53 to -3.16 | -29.10 -35.44 to -18.80 | -26.21 -32.00 to -15.80 | 10 8 to 12 | |
| 1.1 | Primus versus (Im vollen Werck) | -8.23 | -22.79 | -19.8 | 10 |
| 1.2 | Secundus versus (a 4. Choral in Cantu, manualiter vel si placet pedaliter) | -18.71 | -33.53 | -30.8 | 9 |
| 1.3 | Tertius versus (a 4 voc.) | -17.19 | -31.57 | -28.9 | 9 |
| 1.4 | Quartus versus (Manualiter) | -16.77 | -32.42 | -29.6 | 10 |
| 1.5 | Quintus versus (Auff 2 Clavier) | -13.38 | -28.85 | -26.5 | 10 |
| 1.6 | Sextus versus (a 5 Im vollen Werck) | -5.82 | -21.40 | -18.3 | 10 |
| 1.7 | Canzona in C Major (version for organ) | -16.48 | -32.02 | -28.8 | 10 |
| 1.8 | Fantasia Ex D | -11.57 | -27.48 | -24.8 | 10 |
| 1.9 | Canzon No. 2 in C Minor | -16.45 | -33.26 | -30.7 | 10 |
| 1.10 | Primus versus (a 4) | -6.17 | -21.67 | -18.4 | 10 |
| 1.11 | Secundus versus (Auff 2 Clavir) | -10.03 | -27.06 | -24.2 | 11 |
| 1.12 | Tertius versus (Auff 2 Clavir) | -17.02 | -33.62 | -31.4 | 9 |
| 1.13 | Quartus versus (a 3) | -16.99 | -31.29 | -27.6 | 9 |
| 1.14 | Primus versus | -12.07 | -27.19 | -24.0 | 10 |
| 1.15 | Secundus versus (Auff zwey Clavir) | -16.68 | -31.92 | -29.5 | 10 |
| 1.16 | Tertius versus | -19.03 | -34.36 | -31.9 | 9 |
| 1.17 | Canzona No. 3 in D Minor | -17.59 | -35.44 | -32.0 | 11 |
| 1.18 | Primus versus | -10.05 | -25.61 | -22.6 | 10 |
| 1.19 | Secundus versus (Auff 2 Clavir) | -12.59 | -28.38 | -25.8 | 10 |
| 1.20 | Tertius versus (a 3) | -18.39 | -34.51 | -32.0 | 10 |
| 1.21 | Primus versus (a 5) | -8.15 | -22.85 | -19.8 | 10 |
| 1.22 | Secundus versus (a 4, Auff 2 Clavir) | -16.40 | -31.75 | -29.3 | 9 |
| 1.23 | Tertius versus (a 5) | -17.13 | -31.99 | -29.7 | 8 |
| 1.24 | Quartus versus (a 6) | -8.39 | -24.32 | -21.0 | 9 |
| 2.1 | Primus versus (a 4) | -9.19 | -24.51 | -21.3 | 10 |
| 2.2 | Secundus versus (Auff 2 Clavir) | -12.76 | -29.36 | -26.2 | 11 |
| 2.3 | Canzona No. 4 in C Major | -13.22 | -32.24 | -28.4 | 10 |
| 2.4 | Praeambulum | -8.04 | -25.72 | -22.4 | 11 |
| 2.5 | Versus 1 (Choral in Ten:) | -15.42 | -29.71 | -27.0 | 9 |
| 2.6 | Versus 2 (a 2 Clav. è Ped:) | -15.53 | -31.35 | -29.1 | 10 |
| 2.7 | Versus 3 (a 2 Clav.) | -17.13 | -32.78 | -30.1 | 9 |
| 2.8 | Fuga ex D ped. primi toni | -11.98 | -30.32 | -27.4 | 11 |
| 2.9 | Primus versus (a 4) | -12.53 | -26.99 | -23.8 | 9 |
| 2.10 | Secundus versus (Auff 2 Clavir) | -12.67 | -28.91 | -26.0 | 10 |
| 2.11 | Tertius versus (a 3 voc.) | -16.37 | -31.99 | -27.9 | 10 |
| 2.12 | Canzona No. 5 in G Major | -16.59 | -33.81 | -30.5 | 10 |
| 2.13 | Primus versus (a 5 Voc. Im vollen Werck) | -4.12 | -20.25 | -17.5 | 10 |
| 2.14 | Secundus versus (Manualiter in hyperdiapente post minimam) | -20.53 | -34.52 | -31.9 | 9 |
| 2.15 | Tertius versus (Auff 2 Clavir) | -9.33 | -26.28 | -23.8 | 10 |
| 2.16 | Quartus versus (a 3. Pedaliter, Canon in subdiapason post semiminimam) | -17.28 | -31.76 | -29.5 | 9 |
| 2.17 | Quintus versus (a 3. Pedal[iter], Canon in disdiapente post semiminimam) | -15.60 | -31.63 | -29.1 | 10 |
| 2.18 | Sextus versus (Auff 2 Clavir) | -6.39 | -24.94 | -22.1 | 12 |
| 2.19 | Septimus et ultimus versus (Im vollen Werk, Choral im Tenor) | -3.16 | -18.80 | -15.8 | 10 |