℗ 2014 Naxos Japan
| Released | September 1, 2014 |
| Duration | 51m 22s |
| Record Label | Naxos Japan |
| Catalogue No. | NYNN-0022 |
| Genre | Classical (Concertos) |
Bach - Mendelssohn: Brandenburg Concerto No. 3 - Symphony No. 3 "Scottish" (1972)
NHK Symphony Orchestra, Tadashi Mori
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Brandenburg Concerto No. 3 in G Major, BWV 1048
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1.1
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I. [Allegro]
Johann Sebastian Bach; NHK Symphony Orchestra; Tadashi Mori |
6:59 | |||
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1.2
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II. Adagio - III. Allegro
Johann Sebastian Bach; NHK Symphony Orchestra; Tadashi Mori |
7:13 | |||
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Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish"
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1.3
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I. Allegro un poco agitato - Andante come prima
Felix Mendelssohn; NHK Symphony Orchestra; Tadashi Mori |
13:35 | |||
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1.4
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II. Vivace non troppo
Felix Mendelssohn; NHK Symphony Orchestra; Tadashi Mori |
4:14 | |||
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1.5
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III. Adagio
Felix Mendelssohn; NHK Symphony Orchestra; Tadashi Mori |
9:34 | |||
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1.6
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IV. Allegro vivacissimo - Allegro maestoso assai
Felix Mendelssohn; NHK Symphony Orchestra; Tadashi Mori |
9:47 | |||
Tadashi Mori conducts the NHK Symphony Orchestra on these works by Bach and Mendelssohn, recorded in 1972. Bach's Brandenburg Concerto No. 3 is considered one of the greatest orchestral works of the Baroque era, while Mendelssohn's Symphony No. 3 "Scottish" draws inspiration from Scottish folk music. This album is part of the NHK Symphony Archive Series, showcasing the greatest recordings of this orchestra and its various conductors over the years.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Naxos Japan Studio Masters
This album is a high-resolution digital transfer of material originating from an analogue recording. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth and dynamic range, due to the technology available at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
This album is a high-resolution digital transfer of material originating from an analogue recording. It may contain noise, distortion or other artifacts, and may also contain audio which is limited in bandwidth and dynamic range, due to the technology available at the time of its original creation. As such, it is offered as a high-resolution documentation of a historical release.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.21 -4.40 to -0.46 | -22.54 -25.10 to -20.49 | -18.88 -21.50 to -16.30 | 12 11 to 14 | |
| 1 | I. [Allegro] | -3.81 | -23.41 | -20.6 | 12 |
| 2 | II. Adagio - III. Allegro | -4.40 | -25.10 | -21.5 | 14 |
| 3 | I. Allegro un poco agitato - Andante come prima | -1.08 | -21.73 | -18.2 | 12 |
| 4 | II. Vivace non troppo | -0.46 | -21.85 | -17.8 | 11 |
| 5 | III. Adagio | -1.84 | -22.66 | -18.9 | 12 |
| 6 | IV. Allegro vivacissimo - Allegro maestoso assai | -1.66 | -20.49 | -16.3 | 11 |