℗ 2015 OnClassical
 

Brahms: Violin Sonatas

Daniela Cammarano, Alessandro Deljavan

Available in 88.2 kHz / 24-bit AIFF and FLAC high-resolution audio formats

  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
discounted price
 
Violin Sonata No. 1 in G Major, Op. 78  
1
I. Vivace ma non troppo
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
12:44
2
II. Adagio - Piu andante - Adagio
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
8:24
3
III. Allegro molto moderato
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
11:12
Violin Sonata No. 2 in A Major, Op. 100  
4
I. Allegro amabile
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
9:21
5
II. Andante tranquillo - Vivace - Andante - Vivace di piu - Andante - Vivace
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
7:07
6
III. Allegro grazioso (e quasi andante)
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
6:23
Violin Sonata No. 3 in D Minor, Op. 108  
7
I. Allegro
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
9:58
8
II. Adagio
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
5:02
9
III. Un poco presto e con sentimento
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
3:17
10
IV. Presto agitato
Johannes Brahms; Daniela Cammarano; Alessandro Deljavan
6:20
Digital Booklet
Total Playing Time    79:48
This album contains the three "official" violin sonatas by Brahms, performed by the young Italian duo of violinist Daniela Cammarano and pianist Alessandro Deljavan. Brahms was intensely self-critical about his violin sonatas and kept his early efforts to himself; he composed his first when he was just 20, which he probably played privately with his friends; he may well have written at least four more, all of which were destroyed. It took Brahms another 20 years to produce what is now recognized as his Sonata No. 1. Like the two sonatas that followed, it was written for his friend, violinist and fellow composer Joseph Joachim.
88.2 kHz / 24-bit PCM – OnClassical Studio Masters

Recorded at Pieve di Sant’Eusebio, Bassano del Grappa, the 19-21 May 2011.
Sound engineer, editing, mastering: Alessandro Simonetto
Artistic direction: William Grant Naboré
Photo: eFFeA Ph di Francesco Astolfi
Graphic: Manuel Mocellin
Violin: Giovan Battista Guadagnini 1780 “Il Soldato”
Piano: Steinway D, 1986, prepared by Silvano Zanta

For Your Consideration | More ▸

Bartholomeus Pękiel: Sacred Works Andrzej Kosendiak
96
Verdi Anna Netrebko; Orchestra del Teatro Regio di Torino; Gianandrea Noseda
96
Pieter Bustijn: 9 Suites Alessandro Simonetto
88.2
Shostakovich: Symphony No. 13 'Babi Yar' Alexander Vinogradov; Men’s Voices of the Royal Liverpool Philharmonic Choir and the Huddersfield Choral Society; Royal Liverpool Philharmonic Orchestra; Vasily Petrenko
96
Encores After Beethoven (Live) András Schiff
44.1
Joseph Wölfl: Piano Music, Vol. 1 Adalberto Maria Riva
44.1
Sonatas for Violin and Piano by César Franck and Richard Strauss Arabella Steinbacher; Robert Kulek
96dsd 2.8
Kind of Satie: New Music around Erik Satie Andrea Pandolfo; Paolo Pandolfo; Michelangelo Rinaldi
96
Verdi: Otello Aleksandrs Antonenko; Krassimira Stoyanova; Carlo Guelfi; Barbara di Castri; Juan Francisco Gatell; Michael Spyres; Paolo Battaglia; Eric Owens; David Govertsen; Chicago Symphony Chorus; Chicago Children's Choir; Chicago Symphony Orchestra; Riccardo Muti
88.2
Latin American Guitar Sonatas: Pujol - Bravo - Angulo - Santórsola Anton Baranov
96dsd 2.8dsd 5.6
Beethoven & Pössinger: Violin Concertos Anton Steck; L'arpa festante; Matthew Halls
96
Pascal Dusapin: String Quartets Nos. 6 & 7 Arditti Quartet; Orchestre Philharmonique de Radio France; Pascal Rophé
48
Daniel Purcell: The Judgment of Paris Anna Dennis; Amy Freston; Ciara Hendrick; Samuel Boden; Ashley Riches; Spiritato; Julian Perkins
96
Mozart: Violin Concertos Nos. 2 & 5 – Sinfonia concertante Antoine Tamestit; Frank Peter Zimmermann; Symphonieorchester des Bayerischen Rundfunks; Radosław Szulc
44.1
Der einzige Krebs im Bache: Orgelwerke von Johann Ludwig Krebs Annette Unternährer-Gfeller; Thomas Unternährer
96

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions