℗ 2006 PentaTone
Released 2006
Duration 1h 11m 30s
Record Label PentaTone
Catalogue No. PTC5186063
Genre Classical (Instrumental)
 

Beethoven: Piano Sonatas No.16, No.17 "Tempest", No.18 "The Hunt"

Mari Kodama

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Piano Sonata No. 16 in G Major, Op. 31, No. 1  
1.1
I. Allegro vivace
Ludwig van Beethoven; Mari Kodama
6:33
1.2
II. Adagio grazioso
Ludwig van Beethoven; Mari Kodama
11:48
1.3
III. Rondo allegretto
Ludwig van Beethoven; Mari Kodama
7:10
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest"  
1.4
I. Lento - Allegro
Ludwig van Beethoven; Mari Kodama
9:00
1.5
II. Adagio
Ludwig van Beethoven; Mari Kodama
8:00
1.6
III. Allegretto
Ludwig van Beethoven; Mari Kodama
6:37
Piano Sonata No. 18 in E-Flat Major, Op. 31, No. 3, "The Hunt"  
1.7
I. Allegro
Ludwig van Beethoven; Mari Kodama
7:48
1.8
II. Scherzo. Allegretto vivace
Ludwig van Beethoven; Mari Kodama
5:06
1.9
III. Menuetto. Moderato e grazioso
Ludwig van Beethoven; Mari Kodama
4:29
1.10
IV. Presto con fuoco
Ludwig van Beethoven; Mari Kodama
4:59
Digital Booklet
"... Kodama is on the way to present a modern, timeless recording of Beethoven’s piano sonatas which can claim the title reference recording now." - Pizzicato Japanese pianist Mari Kodama dedicated 10 years of her career to performing and recording the complete cycle of Beethoven's piano sonatas, a project that yielded nine albums and made her only the fourth woman to have recorded all of Beethoven's sonatas. On this installment from 2006, she includes the Piano Sonata No. 16, the Piano Sonata No. 17 "Tempest" along with the Piano Sonata No.18 "The Hunt"; the idea that an artist can play this music and still introduce a new perspective, as Kodama so often does, is astonishing.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters

Recording venue: Doopsgezinde Kerk, Haarlem, the Netherlands (26–29/4/2004) Recording producer: Wilhelm Hellweg Executive producer: Job Maarse Balance engineer: Jean-Marie Geijsen Recording engineer: Jean-Marie Geijsen Editing: Ientje Mooij Recording facility: Polyhymnia International BV Microphones: DPA 4011 & DPA 4006, Schoeps MK 2S, with Polyhymnia microphone buffer electronics. Microphone pre-amps: Custom build by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter. DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies Monitored on B&W Nautilus loudspeakers. Microphone, interconnect and loudspeaker cables by van den Hul.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.83
-11.42 to -0.14
-27.81
-34.50 to -24.34
-24.36
-31.20 to -20.50
15
12 to 18
1
I. Allegro vivace
-4.28-25.41-21.413
2
II. Adagio grazioso
-6.35-31.00-27.915
3
III. Rondo allegretto
-2.65-26.20-22.914
4
I. Lento - Allegro
-0.14-25.37-20.514
5
II. Adagio
-11.42-34.50-31.215
6
III. Allegretto
-3.49-24.34-21.412
7
I. Allegro
-4.01-27.62-24.514
8
II. Scherzo. Allegretto vivace
-0.83-28.69-25.518
9
III. Menuetto. Moderato e grazioso
-4.03-30.40-26.917
10
IV. Presto con fuoco
-1.07-24.60-21.414

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