℗ 2015 Universal Classics & Jazz
Released | March 23, 2015 |
Duration | 1h 02m 51s |
Record Label | Decca (UK) |
Genre | Jazz |
1.1
|
These Are The Days
Jamie Cullum |
3:23 | |||
1.2
|
Twentysomething
Jamie Cullum |
3:41 | |||
1.3
|
Wind Cries Mary
Jamie Cullum |
3:36 | |||
1.4
|
All At Sea
Jamie Cullum |
4:33 | |||
1.5
|
Lover, You Should Have Come Over
Jamie Cullum |
4:48 | |||
1.6
|
Singin' In The Rain
Jamie Cullum |
4:08 | |||
1.7
|
I Get A Kick Out Of You
Jamie Cullum |
4:10 | |||
1.8
|
Blame It On My Youth
Jamie Cullum |
3:11 | |||
1.9
|
High & Dry (US Version)
Jamie Cullum |
4:18 | |||
1.10
|
It's About Time
Jamie Cullum |
4:07 | |||
1.11
|
But For Now
Jamie Cullum |
3:55 | |||
1.12
|
I Could Have Danced All Night
Jamie Cullum |
3:25 | |||
1.13
|
Next Year Baby
Jamie Cullum |
4:50 | |||
1.14
|
What A Difference A Day Made
Jamie Cullum |
5:09 | |||
1.15
|
Frontin' (BBC Radio 1 Live Lounge)
Jamie Cullum |
5:37 |
UK Albums Chart - #3, 2003
"Remarkably, refreshingly, whatever praise is heaped on him is well deserved. This kid can sing and swing and pound the 88s with reckless abandon ..."
- JazzTimes.com
"... an absolutely wonderful album from a fast-rising talent ... Next Year Baby (is) one of the musical moments I’ll most remember from this entire year, ballsy and unpredictable and just burning with talent."
- PopMatters.com
"... Jamie's vocal sound is warmer, softer, less crisp than on his debut ... whether the songs are swingers or heartstring pullers, Jamie has the timing and conviction to get the best out of them."
- BBC Music
"... elegantly-produced ... Cullum's virtues are a remarkable relaxation (which makes music making, even in a sophisticated studio recording, sound like fun to him), a youthful bounce that makes his work engagingly airy and light and a hipness of timing ..."
- The Guardian
Jamie Cullum's major label debut Twentysomething, released in 2003, has gone on to sell three million copies in the UK and has won 11 platinum, 11 gold and two silver sales awards around the world. Selections here are drawn from the Great American Songbook, jazz standards, rock covers and Cullum originals. Producer Stewart Levine (B.B. King, Simply Red, Lionel Richie) opted to enhance Cullum's warm acoustic sound by recording and mixing this album entirely in analogue.
96 kHz / 24-bit PCM – Decca (UK) Studio Masters
* Track 15 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit.
* Track 15 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.46 -4.76 to -0.01 | -20.24 -25.33 to -15.00 | -17.69 -22.10 to -12.70 | 12 8 to 14 | |
1 | These Are The Days | -0.74 | -19.99 | -17.1 | 13 |
2 | Twentysomething | -2.64 | -20.01 | -17.3 | 12 |
3 | Wind Cries Mary | -0.21 | -19.20 | -16.8 | 13 |
4 | All At Sea | -0.39 | -19.94 | -17.1 | 12 |
5 | Lover, You Should Have Come Over | -0.65 | -21.15 | -18.2 | 14 |
6 | Singin' In The Rain | -1.86 | -19.12 | -17.0 | 12 |
7 | I Get A Kick Out Of You | -1.62 | -19.68 | -17.2 | 13 |
8 | Blame It On My Youth | -4.76 | -25.33 | -22.1 | 12 |
9 | High & Dry (US Version) | -3.07 | -21.90 | -19.6 | 12 |
10 | It's About Time | -1.66 | -20.14 | -17.8 | 13 |
11 | But For Now | -2.22 | -22.85 | -20.2 | 14 |
12 | I Could Have Danced All Night | -0.30 | -19.04 | -16.8 | 13 |
13 | Next Year Baby | -0.01 | -20.29 | -17.6 | 13 |
14 | What A Difference A Day Made | -0.39 | -20.03 | -17.9 | 13 |
15 | Frontin' (BBC Radio 1 Live Lounge) | -1.32 | -15.00 | -12.7 | 8 |