℗ 2015 Naxos
| Released | April 7, 2015 |
| Duration | 1h 09m 20s |
| Record Label | Naxos |
| Catalogue No. | 8.573386 |
| Genre | Classical (Chamber Music) |
Music for Brass Septet 2 - Handel - Purcell - Rameau - Blow
Septura
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Dardanus Suite (arr. S. Cox for brass septet)
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1.1
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I. Ouverture
Jean-Philippe Rameau; Simon Cox; Septura |
4:09 | |||
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1.2
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II. Menuet
Jean-Philippe Rameau; Simon Cox; Septura |
3:00 | |||
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1.3
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III. Marche pour les differentes nations
Jean-Philippe Rameau; Simon Cox; Septura |
1:17 | |||
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1.4
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IV. Entree d'Iphise
Jean-Philippe Rameau; Simon Cox; Septura |
3:36 | |||
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1.5
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V. Entree pour les Guerriers
Jean-Philippe Rameau; Simon Cox; Septura |
2:28 | |||
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1.6
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VI. Sommeil de Dardanus
Jean-Philippe Rameau; Simon Cox; Septura |
3:53 | |||
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1.7
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VII. Tambourin
Jean-Philippe Rameau; Simon Cox; Septura |
1:45 | |||
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Venus and Adonis (arr. M. Knight for brass septet) (excerpts)
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1.8
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Chorus of the Graces
John Blow; Matthew Knight; Septura |
1:34 | |||
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1.9
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The Graces' Dance
John Blow; Matthew Knight; Septura |
1:18 | |||
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1.10
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Gavatt
John Blow; Matthew Knight; Septura |
0:57 | |||
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1.11
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Sarabande for the Graces
John Blow; Matthew Knight; Septura |
1:41 | |||
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1.12
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A Ground
John Blow; Matthew Knight; Septura |
1:48 | |||
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1.13
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Act III: Act Tune
John Blow; Matthew Knight; Septura |
2:33 | |||
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1.14
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Aria: With Solemn Pomp Let Mourning Cupids Bear
John Blow; Matthew Knight; Septura |
2:32 | |||
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1.15
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Chorus: Mourn for thy Servant
John Blow; Matthew Knight; Septura |
3:12 | |||
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The Married Beau, Z. 603, "The Curious Impertinent" (arr. S. Cox for brass septet) (excerpts)
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1.16
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Overture
Henry Purcell; Simon Cox; Septura |
3:04 | |||
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1.17
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Hornpipe I
Henry Purcell; Simon Cox; Septura |
0:43 | |||
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1.18
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Slow Air
Henry Purcell; Simon Cox; Septura |
1:07 | |||
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1.19
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Air
Henry Purcell; Simon Cox; Septura |
1:28 | |||
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1.20
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Hornpipe II
Henry Purcell; Simon Cox; Septura |
0:39 | |||
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1.21
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Jig
Henry Purcell; Simon Cox; Septura |
1:17 | |||
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1.22
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Trumpet Air
Henry Purcell; Simon Cox; Septura |
1:34 | |||
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1.23
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March
Henry Purcell; Simon Cox; Septura |
1:26 | |||
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1.24
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Hornpipe on a Ground
Henry Purcell; Simon Cox; Septura |
1:23 | |||
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Rinaldo Suite (arr. S. Cox for brass septet)
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1.25
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I. Overture
George Frideric Handel; Simon Cox; Septura |
5:40 | |||
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1.26
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II. Aria: Sibilar gli angui d'Aletto
George Frideric Handel; Simon Cox; Septura |
4:47 | |||
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1.27
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III. Aria: Il vostro maggio de' bei verdi anni
George Frideric Handel; Simon Cox; Septura |
1:43 | |||
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1.28
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IV. Sinfonia
George Frideric Handel; Simon Cox; Septura |
2:49 | |||
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1.29
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V. March
George Frideric Handel; Simon Cox; Septura |
1:47 | |||
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1.30
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VI. Aria: Lascia ch'io pianga
George Frideric Handel; Simon Cox; Septura |
4:10 | |||
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Digital Booklet
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This second volume in a series of brass chamber music from Septura concentrates on the 17th century and music from the Baroque opera, in four contrasting works by Rameau, Blow, Purcell and Handel. The astounding variety in content, colour and character of the originals demands especially inventive arrangements and these pieces are vividly brought to life by incorporating stylistic elements from period performance. The exhilarating result is a stunningly virtuosic set of new Baroque works for brass.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at St Paul’s Church, New Southgate, London, 3–5 May 2014 Produced and engineered by Phil Rowlands Co-production and editing by Jim Unwin Booklet notes: Matthew Knight Publisher: Resonata Music Cover photo of theatre interior: sebastian-julian / istockphoto
Recorded at St Paul’s Church, New Southgate, London, 3–5 May 2014 Produced and engineered by Phil Rowlands Co-production and editing by Jim Unwin Booklet notes: Matthew Knight Publisher: Resonata Music Cover photo of theatre interior: sebastian-julian / istockphoto
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.08 -8.48 to 0.00 | -22.03 -28.03 to -18.64 | -18.61 -25.30 to -15.30 | 12 11 to 15 | |
| 1 | I. Ouverture | -0.08 | -22.21 | -18.8 | 15 |
| 2 | II. Menuet | -2.01 | -26.23 | -23.1 | 15 |
| 3 | III. Marche pour les differentes nations | 0.00 | -20.76 | -17.2 | 13 |
| 4 | IV. Entree d'Iphise | -5.80 | -24.57 | -21.4 | 11 |
| 5 | V. Entree pour les Guerriers | 0.00 | -20.32 | -17.0 | 14 |
| 6 | VI. Sommeil de Dardanus | -5.54 | -25.81 | -22.3 | 12 |
| 7 | VII. Tambourin | -0.06 | -20.39 | -16.5 | 14 |
| 8 | Chorus of the Graces | -4.22 | -24.50 | -20.8 | 12 |
| 9 | The Graces' Dance | -3.53 | -21.61 | -18.1 | 12 |
| 10 | Gavatt | -0.55 | -20.77 | -17.9 | 12 |
| 11 | Sarabande for the Graces | -7.12 | -28.03 | -25.3 | 11 |
| 12 | A Ground | 0.00 | -19.66 | -16.3 | 12 |
| 13 | Act III: Act Tune | -3.73 | -23.97 | -20.9 | 12 |
| 14 | Aria: With Solemn Pomp Let Mourning Cupids Bear | -2.75 | -24.74 | -20.7 | 12 |
| 15 | Chorus: Mourn for thy Servant | -3.26 | -23.53 | -20.0 | 12 |
| 16 | Overture | -0.19 | -20.18 | -17.0 | 12 |
| 17 | Hornpipe I | -1.00 | -20.46 | -17.0 | 12 |
| 18 | Slow Air | -8.48 | -26.20 | -22.7 | 11 |
| 19 | Air | -1.00 | -18.64 | -15.3 | 12 |
| 20 | Hornpipe II | -2.01 | -20.33 | -16.7 | 12 |
| 21 | Jig | -1.78 | -20.66 | -17.2 | 11 |
| 22 | Trumpet Air | -2.01 | -19.81 | -16.6 | 11 |
| 23 | March | 0.00 | -18.78 | -15.4 | 12 |
| 24 | Hornpipe on a Ground | -1.00 | -21.48 | -17.9 | 13 |
| 25 | I. Overture | 0.00 | -19.64 | -16.2 | 13 |
| 26 | II. Aria: Sibilar gli angui d'Aletto | 0.00 | -20.28 | -17.0 | 13 |
| 27 | III. Aria: Il vostro maggio de' bei verdi anni | 0.00 | -21.34 | -17.8 | 14 |
| 28 | IV. Sinfonia | -0.03 | -20.37 | -17.1 | 13 |
| 29 | V. March | -0.35 | -19.87 | -16.2 | 13 |
| 30 | VI. Aria: Lascia ch'io pianga | -6.00 | -25.71 | -22.0 | 13 |