℗ 2012 Fidelio Musique
| Released | September 4, 2012 |
| Duration | 1h 04m 09s |
| Record Label | Fidelio Musique |
| Catalogue No. | FACD-036 |
| Genre | Classical (Orchestral) |
Dvořák & Suk: Sérénades tchèques
Orchestre de Chambre Appassionata, Daniel Myssyk
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Serenade in E-Flat Major, Op. 6
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1.1
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I. Andante con moto
Josef Suk; Orchestre de Chambre Appassionata; Daniel Myssyk |
5:05 | |||
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1.2
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II. Allegro ma non troppo e grazioso
Josef Suk; Orchestre de Chambre Appassionata; Daniel Myssyk |
5:31 | |||
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1.3
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III. Adagio
Josef Suk; Orchestre de Chambre Appassionata; Daniel Myssyk |
9:57 | |||
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1.4
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IV. Allegro giocoso, ma non troppo presto
Josef Suk; Orchestre de Chambre Appassionata; Daniel Myssyk |
7:17 | |||
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Serenade in E Major, Op. 22, B. 52
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1.5
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I. Moderato
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
4:40 | |||
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1.6
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II. Tempo di valse
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
6:48 | |||
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1.7
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III. Scherzo. Vivace
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
5:10 | |||
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1.8
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IV. Larghetto
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
5:52 | |||
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1.9
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V. Finale. Allegro vivace
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
6:09 | |||
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1.10
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Nocturne pour orchestre à cordes en Si Majeur, Op. 40
Antonín Dvořák; Orchestre de Chambre Appassionata; Daniel Myssyk |
7:40 | |||
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Digital Booklet
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"... over an hour’s worth of exquisitely beautiful music, lovingly played and stunningly recorded ... the performances (are) absolutely glorious ... (sound is) simply astounding. I’ve heard lots of very impressive recordings, but I don’t think I’ve ever heard anything like this ... opens on a soundstage of such breadth, depth, clarity and transparency that all sense of speakers, amplifiers and other electronics quite literally disappears. You are there. The image is so realistic, it’s almost freakish. For this alone I would extend this release the strongest possible recommendation."
- Fanfare
Daniel Myssyk leads his Appassionata Chamber Orchestra on this highly-praised audiophile recording of the famous string serenades by Dvořák and Suk, which was nominated for an ADISQ Award in 2013. Specializing in the Classical period, the 20-member Appassionata is motivated by the desire to bring music to as many people as possible while renewing excitement in the concert experience.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Fidelio Musique Studio Masters
Enregistré / Recorded : Église de la Nativité, La Prairie, QC, Canada Direction artistique / Artistic Direction: Daniel Myssyk Directrice générale / General Manager: Françoise Henri Réalisation-montage / Direction-Editing: Anne-Marie Sylvestre Prise de son et matriçage / Sound Engineering and Mastering: René Laflamme Graphisme / Graphic Design - Photographie / Photography : Michel Bérard / Nümoov Communication Textes / Copy: Hélène Panneton Traduction / Translation : Dr. Rachelle Taylor This recording was done with the Schoeps M222 (tube) microphones connected to tubed preamplifiers and linked directly to a dCS 905 analogue-to-digital converter with a 24-bit / 192 kHz resolution with the dCS Scarlatti clock. A Pyramix Mykerinos (Masscore) recorder completed the recording arsenal. Fidelio Musique’s recording technique for this album is identical to the one used by Mercury Records during the 1960s.
Enregistré / Recorded : Église de la Nativité, La Prairie, QC, Canada Direction artistique / Artistic Direction: Daniel Myssyk Directrice générale / General Manager: Françoise Henri Réalisation-montage / Direction-Editing: Anne-Marie Sylvestre Prise de son et matriçage / Sound Engineering and Mastering: René Laflamme Graphisme / Graphic Design - Photographie / Photography : Michel Bérard / Nümoov Communication Textes / Copy: Hélène Panneton Traduction / Translation : Dr. Rachelle Taylor This recording was done with the Schoeps M222 (tube) microphones connected to tubed preamplifiers and linked directly to a dCS 905 analogue-to-digital converter with a 24-bit / 192 kHz resolution with the dCS Scarlatti clock. A Pyramix Mykerinos (Masscore) recorder completed the recording arsenal. Fidelio Musique’s recording technique for this album is identical to the one used by Mercury Records during the 1960s.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.66 -4.36 to 0.00 | -24.27 -27.15 to -22.58 | -20.64 -23.80 to -19.00 | 14 12 to 15 | |
| 1 | I. Andante con moto | -1.32 | -23.74 | -19.7 | 14 |
| 2 | II. Allegro ma non troppo e grazioso | -1.21 | -23.53 | -19.7 | 15 |
| 3 | III. Adagio | -1.80 | -27.00 | -22.8 | 13 |
| 4 | IV. Allegro giocoso, ma non troppo presto | -0.14 | -22.58 | -19.0 | 13 |
| 5 | I. Moderato | -3.82 | -24.60 | -21.3 | 12 |
| 6 | II. Tempo di valse | -0.19 | -22.91 | -19.8 | 15 |
| 7 | III. Scherzo. Vivace | 0.00 | -22.62 | -19.4 | 12 |
| 8 | IV. Larghetto | -3.45 | -25.01 | -21.2 | 13 |
| 9 | V. Finale. Allegro vivace | -0.34 | -23.55 | -19.7 | 15 |
| 10 | Nocturne pour orchestre à cordes en Si Majeur, Op. 40 | -4.36 | -27.15 | -23.8 | 13 |