℗ 2011 Resonus Limited
| Released | June 1, 2011 |
| Duration | 1h 12m 07s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10104 |
| Genre | Classical (Keyboard Music) |
Charles Villiers Stanford: Organ Works
Tom Winpenny
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Fantasia and Toccata in D Minor, Op. 57
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1.1
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I. Fantasia
Charles Villiers Stanford; Tom Winpenny |
5:57 | |||
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1.2
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II. Toccata
Charles Villiers Stanford; Tom Winpenny |
5:54 | |||
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1.3
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Canzona, Op. 116, No. 2
Charles Villiers Stanford; Tom Winpenny |
6:57 | |||
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Prelude and Fugue in E Minor (1874)
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1.4
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I. Prelude
Charles Villiers Stanford; Tom Winpenny |
4:44 | |||
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1.5
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II. Fugue
Charles Villiers Stanford; Tom Winpenny |
5:07 | |||
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1.6
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Prelude (in form of a Chaconne), Op. 88, No. 2
Charles Villiers Stanford; Tom Winpenny |
5:25 | |||
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1.7
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Intermezzo founded upon an Irish Air, Op. 189, No. 4
Charles Villiers Stanford; Tom Winpenny |
5:32 | |||
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1.8
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Epithalamium, Op. 182, No. 5
Charles Villiers Stanford; Tom Winpenny |
2:00 | |||
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Three Preludes and Fugues, Op. 193
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1.9
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I. Prelude in C
Charles Villiers Stanford; Tom Winpenny |
2:19 | |||
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1.10
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II. Fugue in C
Charles Villiers Stanford; Tom Winpenny |
3:04 | |||
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1.11
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III. Prelude in C Minor
Charles Villiers Stanford; Tom Winpenny |
1:45 | |||
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1.12
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IV. Prelude in C Minor
Charles Villiers Stanford; Tom Winpenny |
2:06 | |||
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1.13
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V. Prelude in B Minor
Charles Villiers Stanford; Tom Winpenny |
2:37 | |||
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1.14
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VI. Fugue in B Minor (Fuga Cromatica)
Charles Villiers Stanford; Tom Winpenny |
3:41 | |||
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1.15
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By the Seashore, Op. 194, No. 1
Charles Villiers Stanford; Tom Winpenny |
5:08 | |||
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1.16
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In Modo Dorico, Op. 132, No. 1
Charles Villiers Stanford; Tom Winpenny |
4:45 | |||
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1.17
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Postlude in D Minor, Op. 105, No. 6
Charles Villiers Stanford; Tom Winpenny |
5:06 | |||
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Digital Booklet
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"... this recording now leads the field ... I look forward to hearing more from Tom Winpenny ..."
- MusicWeb International
"The combination of instrument, repertory and Winpenny’s immaculate playing is beyond reproach ... a worthwhile and utterly reliable set of reference recordings ..."
- International Record Review
"Five Stars ... the sound quality is wonderfully open and wide-ranging ... Winpenny has Stanford’s music in his blood ... a thoroughly satisfying release ... the big works shine in their majesty."
- Audiophile Audition
On his debut solo release, organist Tom Winpenny presents a unique recital programme of Stanford organ works featuring four world premieres. This first volume in a series dedicated to Stanford contains a mix of both well known and less familiar organ works, including the Fantasia and Toccata through to the early Prelude and Fugue and the pastoral idyll By the Seashore. Winpenny performs these works on the unspoilt Binns organ of 1892 at Queens' College, University of Cambridge.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
Recorded at 24-bit / 96kHz resolution Recorded in Queens’ College, University of Cambridge on 18-20 August 2010 Producer, Engineer and Editor: Adam Binks Cover image: Cambridge University © foto.fritz - Fotolia Photography © Resonus Ltd
Recorded at 24-bit / 96kHz resolution Recorded in Queens’ College, University of Cambridge on 18-20 August 2010 Producer, Engineer and Editor: Adam Binks Cover image: Cambridge University © foto.fritz - Fotolia Photography © Resonus Ltd
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.93 -10.56 to -0.10 | -24.17 -29.93 to -20.29 | -21.44 -28.20 to -16.80 | 12 9 to 14 | |
| 1 | I. Fantasia | -0.68 | -21.83 | -16.8 | 12 |
| 2 | II. Toccata | -0.10 | -20.61 | -17.2 | 12 |
| 3 | Canzona, Op. 116, No. 2 | -2.54 | -27.43 | -24.2 | 14 |
| 4 | I. Prelude | -6.67 | -27.60 | -25.4 | 12 |
| 5 | II. Fugue | -1.37 | -21.59 | -19.2 | 12 |
| 6 | Prelude (in form of a Chaconne), Op. 88, No. 2 | -1.99 | -24.19 | -20.5 | 12 |
| 7 | Intermezzo founded upon an Irish Air, Op. 189, No. 4 | -8.28 | -29.93 | -28.2 | 13 |
| 8 | Epithalamium, Op. 182, No. 5 | -5.46 | -24.32 | -21.3 | 10 |
| 9 | I. Prelude in C | -5.82 | -25.59 | -23.4 | 11 |
| 10 | II. Fugue in C | -5.27 | -23.55 | -20.9 | 11 |
| 11 | III. Prelude in C Minor | -10.56 | -29.49 | -27.5 | 11 |
| 12 | IV. Prelude in C Minor | -2.40 | -24.19 | -21.6 | 13 |
| 13 | V. Prelude in B Minor | -3.92 | -20.51 | -18.0 | 9 |
| 14 | VI. Fugue in B Minor (Fuga Cromatica) | -3.08 | -23.78 | -21.1 | 11 |
| 15 | By the Seashore, Op. 194, No. 1 | -7.65 | -25.22 | -24.0 | 10 |
| 16 | In Modo Dorico, Op. 132, No. 1 | -0.10 | -20.29 | -17.0 | 12 |
| 17 | Postlude in D Minor, Op. 105, No. 6 | -0.93 | -20.72 | -18.1 | 12 |