℗ 2015 2xHD - Naxos
| Released | April 7, 2015 |
| Duration | 50m 25s |
| Record Label | 2xHD - Naxos |
| Catalogue No. | 812864019667 |
| Genre | Classical (Choral - Sacred) |
Mozart: Requiem
The Choir of St. Jacob Stockholm, The Stockholm Conservatory Orchestra, Stefan Sköld
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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Requiem in D Minor, K. 626
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1.1
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Introit: Requiem aeternam (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
7:55 | |||
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1.2
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Sequence No. 1: Dies Irae (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
1:40 | |||
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1.3
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Sequence No. 2: Tuba mirum (Soprano, Mezzo-soprano, Tenor, Baritone)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
3:30 | |||
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1.4
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Sequence No. 3: Rex tremendae majestatis (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
2:30 | |||
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1.5
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Sequence No. 4: Recordare, Jesu pie (Soprano, Mezzo-soprano, Tenor, Baritone)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
5:25 | |||
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1.6
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Sequence No. 5: Confutatis maledictis (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
2:20 | |||
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1.7
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Sequence No. 6: Lacrimosa dies illa (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
3:25 | |||
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1.8
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Offertory No. 1: Domine Jesu Christe (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
3:40 | |||
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1.9
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Offertory No. 2: Hostias et preces (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
4:45 | |||
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1.10
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Sanctus (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
1:30 | |||
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1.11
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Benedictus (Soprano, Mezzo-soprano, Tenor, Baritone)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
5:15 | |||
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1.12
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Agnus Dei (Chorus)
Wolfgang Amadeus Mozart; Margareta Hallin; Anne-Marie Muhle; Brian Burrows; Magnus Linden; The Choir of St. Jacob Stockholm; The Stockholm Conservatory Orchestra; Stefan Sköld |
8:30 | |||
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Digital Booklet
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This rerelease of a 1979 recording has been called one of the most perfect versions of Mozart's Requiem ever made. Margareta Hallin, Anne-Marie Mühle, Brian Burrows and Magnus Lindén are accompanied by musicians of the Stockholm Conservatory and the Choir of St. Jacob, conducted by Stefan Sköld.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – 2xHD - Naxos Studio Masters
From 2xHD:
From 2xHD:
For the 2xHD transfer of this recording, the original 1/4”, 15 ips CCIR master tape was played on a Nagra-T modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Telefunken EF806 tube. The Nagra T has one of the best transports ever made with four direct drive motors, two pinch rollers and a tape tension head. We did an analog transfer for each high-res sampling and A & B comparisons were made with the original LP, using the KRONOS turntable with a BLACK BEAUTY tone arm. 192kHz was done using Ayre QA9pro DSD was done using dCS 905 and dCS Vivaldi clock DXD 352.8kHz was done using dCS 905 and dCS Vivaldi clock DSD2 was done using Ayre QA9pro 2xHD Mastering: René Laflamme 2xHD Executive Producer: André Perry
This album contains high-resolution digital transfers of material originating from an analogue master source.| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.90 -8.23 to -0.66 | -23.95 -31.20 to -19.79 | -20.02 -27.70 to -16.20 | 13 11 to 14 | |
| 1 | Introit: Requiem aeternam (Chorus) | -1.36 | -22.57 | -18.7 | 13 |
| 2 | Sequence No. 1: Dies Irae (Chorus) | -0.94 | -19.79 | -16.2 | 13 |
| 3 | Sequence No. 2: Tuba mirum (Soprano, Mezzo-soprano, Tenor, Baritone) | -6.70 | -31.20 | -27.7 | 13 |
| 4 | Sequence No. 3: Rex tremendae majestatis (Chorus) | -0.66 | -20.91 | -16.3 | 12 |
| 5 | Sequence No. 4: Recordare, Jesu pie (Soprano, Mezzo-soprano, Tenor, Baritone) | -8.23 | -31.01 | -27.4 | 14 |
| 6 | Sequence No. 5: Confutatis maledictis (Chorus) | -3.86 | -25.35 | -21.4 | 12 |
| 7 | Sequence No. 6: Lacrimosa dies illa (Chorus) | -1.14 | -21.86 | -17.2 | 12 |
| 8 | Offertory No. 1: Domine Jesu Christe (Chorus) | -2.30 | -22.93 | -19.4 | 13 |
| 9 | Offertory No. 2: Hostias et preces (Chorus) | -2.68 | -23.55 | -19.6 | 12 |
| 10 | Sanctus (Chorus) | -2.22 | -20.47 | -16.4 | 11 |
| 11 | Benedictus (Soprano, Mezzo-soprano, Tenor, Baritone) | -2.74 | -25.16 | -21.4 | 13 |
| 12 | Agnus Dei (Chorus) | -1.94 | -22.55 | -18.5 | 12 |