℗ 2015 2xHD - Naxos
Released | June 2, 2015 |
Duration | 1h 15m 42s |
Record Label | 2xHD - Naxos |
Catalogue No. | 813543020073 |
Genre | Classical (Orchestral) |
Debussy: 24 Préludes (Arr. P. Breiner for Orchestra)
Royal Scottish National Orchestra, Jun Markl
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
Preludes, Book 1 (arr. P. Breiner for orchestra)
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1.1
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No. 1. Danseuses de Delphes
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:29 | |||
1.2
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No. 2. Voiles
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:46 | |||
1.3
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No. 3. Le vent dans la plaine
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
1:54 | |||
1.4
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No. 4. Les sons et les parfums tournent dans l'air du soir
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:15 | |||
1.5
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No. 5. Les collines d'Anacapri
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:23 | |||
1.6
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No. 6. Des pas sur la neige
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:20 | |||
1.7
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No. 7. Ce qu'a vu le vent d'ouest
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:58 | |||
1.8
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No. 8. La fille aux cheveux de lin
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:38 | |||
1.9
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No. 9. La serenade interrompue
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:35 | |||
1.10
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No. 10. La cathedrale engloutie
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
5:03 | |||
1.11
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No. 11. La danse de Puck
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:50 | |||
1.12
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No. 12. Minstrels
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:25 | |||
Preludes, Book 2 (arr. P. Breiner for orchestra)
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1.13
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No. 1. Brouillards
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:51 | |||
1.14
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No. 2. Feuilles mortes
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:49 | |||
1.15
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No. 3. La puerta del vino
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:00 | |||
1.16
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No. 4. Les fees sont d'exquises danseuses
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:56 | |||
1.17
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No. 5. Bruyeres
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:19 | |||
1.18
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No. 6. General Lavine - eccentric
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:09 | |||
1.19
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No. 7. La terrasse des audiences du clair de lune
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
4:15 | |||
1.20
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No. 8. Ondine
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
3:09 | |||
1.21
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No. 9. Hommage a S. Pickwick Esq. P.P.M.P.C
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:29 | |||
1.22
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No. 10. Canope
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:40 | |||
1.23
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No. 11. Les tierces alternees
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
2:49 | |||
1.24
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No. 12. Feux d'artifice
Peter Breiner; Claude Debussy; Royal Scottish National Orchestra; Jun Markl |
4:40 | |||
Digital Booklet
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"... orchestrated with a vibrant paintbox by Peter Breiner. Stylish Jun Märkl and the Royal Scottish National Orchestra exploit all the changing hues of this colourful showpiece ..."
- The Guardian
"... the orchestral playing is exemplary and the sonics are first rate. There’s just enough resonance to deliver a true Debussian sound to the listener but all the inner details can still be clearly heard. Both conductor and orchestra were in splendid form during this session. Well worth having and hearing ..."
- MusicWeb International
This volume, part of a 2012 series released to celebrate Debussy's 150th birthday, features the 24 Préludes given subtle and colouristic orchestrations by composer and arranger Peter Breiner and interpreted skillfully by the Royal Scottish National Orchestra under Jun Märkl. Debussy's two books of Préludes contain some of his most visionary and poetic writing for piano, evoking calm seascapes, delicate wind tracery and snow-covered landscapes. Some moments are steeped in antiquity, such as La cathédrale engloutie, others in expressive portraiture, as in La fille aux cheveux de lin.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – 2xHD - Naxos Studio Masters
Recorded in 96 kHz / 24-bit *Mastered in PCM 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit and DSD 5.6448 MHz, 2.8224 MHz This album was mastered using our 2xHD proprietary system. In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. DSD and 192kHz/24Bit versions are separately generated, directly from the analog signal. 2xHD Mastering: René Laflamme 2xHD Executive Producer: André Perry
Recorded in 96 kHz / 24-bit *Mastered in PCM 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit and DSD 5.6448 MHz, 2.8224 MHz This album was mastered using our 2xHD proprietary system. In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. DSD and 192kHz/24Bit versions are separately generated, directly from the analog signal. 2xHD Mastering: René Laflamme 2xHD Executive Producer: André Perry
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.10 -15.67 to -0.08 | -29.72 -35.47 to -22.54 | -26.41 -32.70 to -18.80 | 14 11 to 17 | |
1 | No. 1. Danseuses de Delphes | -5.11 | -30.89 | -27.7 | 13 |
2 | No. 2. Voiles | -6.71 | -30.97 | -27.6 | 14 |
3 | No. 3. Le vent dans la plaine | -4.44 | -31.60 | -28.6 | 16 |
4 | No. 4. Les sons et les parfums tournent dans l'air du soir | -6.25 | -31.32 | -27.9 | 13 |
5 | No. 5. Les collines d'Anacapri | -3.74 | -26.03 | -22.6 | 13 |
6 | No. 6. Des pas sur la neige | -15.67 | -35.47 | -32.7 | 12 |
7 | No. 7. Ce qu'a vu le vent d'ouest | -0.77 | -23.13 | -18.8 | 14 |
8 | No. 8. La fille aux cheveux de lin | -11.58 | -32.28 | -29.4 | 12 |
9 | No. 9. La serenade interrompue | -4.19 | -31.16 | -28.6 | 16 |
10 | No. 10. La cathedrale engloutie | -1.80 | -22.54 | -19.7 | 12 |
11 | No. 11. La danse de Puck | -8.15 | -32.93 | -30.2 | 15 |
12 | No. 12. Minstrels | -2.44 | -26.94 | -22.8 | 13 |
13 | No. 1. Brouillards | -9.29 | -34.38 | -31.4 | 15 |
14 | No. 2. Feuilles mortes | -7.87 | -31.92 | -29.4 | 14 |
15 | No. 3. La puerta del vino | -0.42 | -29.04 | -25.9 | 16 |
16 | No. 4. Les fees sont d'exquises danseuses | -8.72 | -31.26 | -28.2 | 13 |
17 | No. 5. Bruyeres | -14.05 | -32.51 | -29.7 | 11 |
18 | No. 6. General Lavine - eccentric | -0.73 | -24.90 | -20.3 | 14 |
19 | No. 7. La terrasse des audiences du clair de lune | -2.43 | -29.46 | -25.9 | 17 |
20 | No. 8. Ondine | -11.27 | -31.20 | -28.3 | 13 |
21 | No. 9. Hommage a S. Pickwick Esq. P.P.M.P.C | -3.84 | -24.91 | -20.3 | 12 |
22 | No. 10. Canope | -13.61 | -33.34 | -30.3 | 12 |
23 | No. 11. Les tierces alternees | -3.18 | -31.11 | -28.2 | 16 |
24 | No. 12. Feux d'artifice | -0.08 | -24.09 | -19.4 | 14 |