℗ 2015 The Sixteen Productions
| Released | June 1, 2015 |
| Duration | 58m 16s |
| Record Label | CORO |
| Catalogue No. | COR16138 |
| Genre | Classical (Chamber Music) |
Beethoven: Sonatas for Fortepiano and Violin Volume 1
Ian Watson, Susanna Ogata
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Fortepiano and Violin No. 4 in A Minor, Op. 23
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1.1
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I. Presto
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
7:30 | |||
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1.2
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II. Andante scherzoso, più allegretto
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
7:23 | |||
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1.3
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III. Allegro molto
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
5:27 | |||
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Sonata for Fortepiano and Violin No. 9 in A Major, Op. 47 "Kreutzer"
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1.4
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I. Adagio sostenuto – Presto
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
14:14 | |||
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1.5
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II. Andante con variazioni
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
14:46 | |||
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1.6
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III. Finale - Presto
Ludwig van Beethoven; Ian Watson; Susanna Ogata |
8:56 | |||
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Digital Booklet
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Violinist Susanna Ogata and fortepianist Ian Watson join forces on a series of recordings of the complete Beethoven sonatas for fortepiano and violin in four volumes. This first installment includes the Sonata No. 4 as well as the revolutionary Sonata No. 9 "Kreutzer", a blazing landmark in violin virtuosity and classical music repertoire. Using period instruments for which this music was originally composed, Watson and Ogata reveal not only the clarity of Beethoven’s extraordinary musical structure but also an amazing palette of colours. In doing so, the duo aims to recreate the intensity of the moment these striking sonatas were written and first performed.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – CORO Studio Masters
Recorded at Mechanics Hall, Worcester, MA, USA, 7-9 June 2014 Producer and Engineer: Jesse Lewis Assistant Engineer: Connor Smith Mastering Engineer: Kyle Pyke Design: Andrew Giles
Recorded at Mechanics Hall, Worcester, MA, USA, 7-9 June 2014 Producer and Engineer: Jesse Lewis Assistant Engineer: Connor Smith Mastering Engineer: Kyle Pyke Design: Andrew Giles
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.80 -2.85 to -0.38 | -21.08 -25.30 to -18.46 | -17.73 -22.00 to -14.70 | 13 11 to 15 | |
| 1 | I. Presto | -0.39 | -20.13 | -17.1 | 13 |
| 2 | II. Andante scherzoso, più allegretto | -2.85 | -25.30 | -22.0 | 14 |
| 3 | III. Allegro molto | -0.38 | -20.55 | -16.8 | 12 |
| 4 | I. Adagio sostenuto – Presto | -0.38 | -18.57 | -14.7 | 11 |
| 5 | II. Andante con variazioni | -0.40 | -23.48 | -20.5 | 15 |
| 6 | III. Finale - Presto | -0.39 | -18.46 | -15.3 | 11 |