℗ 2015 Glossa
| Released | May 26, 2015 |
| Duration | 56m 34s |
| Record Label | Glossa |
| Catalogue No. | GCD923103 |
| Genre | Classical (Chamber Music) |
The Cello in Spain: Boccherini and Other 18th-Century Virtuosi
Josetxu Obregón, La Ritirata
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Sonata No. 2 in C Major, G. 6
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1.1
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I. Allegro
Luigi Boccherini; Josetxu Obregón; La Ritirata |
3:31 | |||
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1.2
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II. Largo
Luigi Boccherini; Josetxu Obregón; La Ritirata |
5:11 | |||
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1.3
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III. Allegro moderato
Luigi Boccherini; Josetxu Obregón; La Ritirata |
3:40 | |||
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Sonata in A Minor
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1.4
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I. Largo
Giuseppe Antonio Paganelli; Josetxu Obregón; La Ritirata |
2:51 | |||
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1.5
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II. Allegro
Giuseppe Antonio Paganelli; Josetxu Obregón; La Ritirata |
1:15 | |||
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1.6
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III. Adagio
Giuseppe Antonio Paganelli; Josetxu Obregón; La Ritirata |
1:53 | |||
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1.7
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IV. Gigue
Giuseppe Antonio Paganelli; Josetxu Obregón; La Ritirata |
1:20 | |||
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Cello Sonata No. 1 in D Major, dedicated to the Duque de Alba
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1.8
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I. Allegro
Jean-Louis Duport; Josetxu Obregón; La Ritirata |
3:08 | |||
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1.9
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II. Adagio
Jean-Louis Duport; Josetxu Obregón; La Ritirata |
4:28 | |||
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1.10
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III. Allegro
Jean-Louis Duport; Josetxu Obregón; La Ritirata |
3:53 | |||
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1.11
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Adagio in E Minor (Barcelona Manuscript, 2nd half of the 18th century)
Anonymous; Josetxu Obregón; La Ritirata |
4:00 | |||
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Cello Concerto in G Major with obbligati violins and double bass
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1.12
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I. Largo
Domenico Porretti; Josetxu Obregón; La Ritirata |
1:56 | |||
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1.13
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II. Allegro
Domenico Porretti; Josetxu Obregón; La Ritirata |
2:22 | |||
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1.14
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III. Largo
Domenico Porretti; Josetxu Obregón; La Ritirata |
2:02 | |||
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1.15
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IV. Allegro
Domenico Porretti; Josetxu Obregón; La Ritirata |
1:28 | |||
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1.16
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Toccata prima in G major for cello solo
Francesco Paolo Supriano; Josetxu Obregón |
1:58 | |||
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Arte y Escuela de Violoncello
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1.17
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Duetto-Andante
Pablo Vidal; Josetxu Obregón; La Ritirata |
1:03 | |||
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1.18
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Última lección in B flat major
José de Zayas; Josetxu Obregón; La Ritirata |
2:37 | |||
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Guitar Quintet in D Major, G. 448
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1.19
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III. Fandango. Grave assai - IV. Fandango
Luigi Boccherini; Josetxu Obregón; La Ritirata |
7:58 | |||
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Digital Booklet
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Spanish cellist Josetxu Obregón and his ensemble La Ritirata shed light on the history of 18th century cello music and performance in Spain. The programme provides a sample of pieces which undoubtedly would have been heard in Spain during the infancy of the instrument there and in the period leading into the Age of the Enlightenment. Many of these works are being recorded for the first time, including a new reading of Boccherini’s evocative Fandango, drawn from the Guitar Quintet No. 4, complete with castanets.
88.2 kHz / 24-bit PCM – Glossa Studio Masters
Recorded in Madrid (Real Conservatorio de Música, Sala Tomás Luis de Victoria) in December 2014 Engineered by Federico Prieto Edited by Federico Prieto, Oliver Foures and Josetxu Obregón Produced by Federico Prieto and Josetxu Obregón Executive producer: Carlos Céster Harpsichord and organ tuned by Jon Sarasua and Daniel Oyarzabal Editorial direction: Carlos Céster Editorial assistance: María Díaz Cover photographs: Michal Novak, made in the Palacio del Infante Don Luis in Boadilla del Monte Open cello on the front cover courtesy of the luthier Jorge Pozas
Recorded in Madrid (Real Conservatorio de Música, Sala Tomás Luis de Victoria) in December 2014 Engineered by Federico Prieto Edited by Federico Prieto, Oliver Foures and Josetxu Obregón Produced by Federico Prieto and Josetxu Obregón Executive producer: Carlos Céster Harpsichord and organ tuned by Jon Sarasua and Daniel Oyarzabal Editorial direction: Carlos Céster Editorial assistance: María Díaz Cover photographs: Michal Novak, made in the Palacio del Infante Don Luis in Boadilla del Monte Open cello on the front cover courtesy of the luthier Jorge Pozas
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.15 -9.16 to 0.00 | -23.50 -28.70 to -21.64 | -20.48 -25.60 to -18.70 | 13 10 to 15 | |
| 1 | I. Allegro | -1.04 | -22.41 | -19.6 | 15 |
| 2 | II. Largo | -5.70 | -25.01 | -22.0 | 12 |
| 3 | III. Allegro moderato | -1.35 | -23.98 | -21.1 | 15 |
| 4 | I. Largo | -5.50 | -23.85 | -21.0 | 12 |
| 5 | II. Allegro | -2.82 | -22.67 | -19.8 | 12 |
| 6 | III. Adagio | -4.21 | -23.68 | -20.9 | 13 |
| 7 | IV. Gigue | -3.61 | -21.64 | -18.7 | 12 |
| 8 | I. Allegro | -0.39 | -22.19 | -19.3 | 14 |
| 9 | II. Adagio | -4.22 | -24.52 | -21.2 | 13 |
| 10 | III. Allegro | -2.97 | -22.23 | -19.3 | 14 |
| 11 | Adagio in E Minor (Barcelona Manuscript, 2nd half of the 18th century) | -3.85 | -22.63 | -19.8 | 11 |
| 12 | I. Largo | -0.96 | -22.70 | -19.9 | 13 |
| 13 | II. Allegro | -0.69 | -22.36 | -19.5 | 13 |
| 14 | III. Largo | -6.75 | -23.27 | -20.5 | 10 |
| 15 | IV. Allegro | 0.00 | -22.04 | -18.9 | 14 |
| 16 | Toccata prima in G major for cello solo | -9.16 | -28.70 | -25.6 | 13 |
| 17 | Duetto-Andante | -4.14 | -24.74 | -20.7 | 12 |
| 18 | Última lección in B flat major | -2.45 | -24.41 | -21.5 | 14 |
| 19 | III. Fandango. Grave assai - IV. Fandango | 0.00 | -23.49 | -19.9 | 15 |