℗ 2015 Decca Music Group Limited
| Released | August 7, 2015 |
| Duration | 1h 04m 05s |
| Record Label | Decca/London |
| Genre | Classical |
Dvořák: Cello Concerto in B Minor, Op.104 - Bruch: Kol Nidrei - Tchaikovsky: Variations on a Rococo Theme
János Starker, London Symphony Orchestra, Antal Doráti
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Concerto in B Minor, Op.104
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1.1
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I. Allegro
Antonín Dvořák; János Starker; London Symphony Orchestra; Antal Doráti |
15:08 | |||
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1.2
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II. Adagio ma non troppo
Antonín Dvořák; János Starker; London Symphony Orchestra; Antal Doráti |
11:13 | |||
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1.3
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III. Finale (Allegro moderato)
Antonín Dvořák; János Starker; London Symphony Orchestra; Antal Doráti |
11:49 | |||
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1.4
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Kol Nidrei, Op.47
Max Bruch; János Starker; London Symphony Orchestra; Antal Doráti |
9:59 | |||
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1.5
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Variations on a Rococo Theme, Op.33
Peter Ilyich Tchaikovsky; János Starker; London Symphony Orchestra; Antal Doráti |
15:56 | |||
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Digital Booklet
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"... there is no lack of elegance, power or compassion in these performances."
- The New York Times
These three works from the Romantic period were recorded in England by the London Symphony Orchestra under Antal Doráti in 1962 and 1964. Master cellist János Starker, who died in 2013, is the featured soloist on all three pieces.
96 kHz / 24-bit PCM – Decca/London Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Recorded: Watford Town Hall, 6, 7 and 10 July 1962 (Dvořák and Bruch) and 26 and 27 June 1964 (Tchaikovsky) Recording equipment: 3-track, 35mm magnetic film (Dvořák and Bruch) and half- inch tape (Dvořák, Bruch and Tchaikovsky)/three Telefunken 201 microphones Recording director: Wilma Cozart (Dvořák and Bruch); Harold Lawrence (Tchaikovsky) Musical supervisor: Harold Lawrence Chief engineer & Technical supervisor: C. Robert Fine (Dvořák and Bruch); Robert Eberenz (Tchaikovsky) Analogue to digital transfer: Andrew Wedman Editing & 2-channel conversion: Mark Bücker assisted by Andreas Brüning Original liner note editor: Sedgwick Clark Cover: Photo of Janos Starker by Wesky Bowman Studio, Inc.
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Recorded: Watford Town Hall, 6, 7 and 10 July 1962 (Dvořák and Bruch) and 26 and 27 June 1964 (Tchaikovsky) Recording equipment: 3-track, 35mm magnetic film (Dvořák and Bruch) and half- inch tape (Dvořák, Bruch and Tchaikovsky)/three Telefunken 201 microphones Recording director: Wilma Cozart (Dvořák and Bruch); Harold Lawrence (Tchaikovsky) Musical supervisor: Harold Lawrence Chief engineer & Technical supervisor: C. Robert Fine (Dvořák and Bruch); Robert Eberenz (Tchaikovsky) Analogue to digital transfer: Andrew Wedman Editing & 2-channel conversion: Mark Bücker assisted by Andreas Brüning Original liner note editor: Sedgwick Clark Cover: Photo of Janos Starker by Wesky Bowman Studio, Inc.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.56 -3.83 to -0.32 | -25.81 -27.49 to -23.09 | -22.14 -24.10 to -18.80 | 15 13 to 17 | |
| 1 | I. Allegro | -0.71 | -23.09 | -18.8 | 13 |
| 2 | II. Adagio ma non troppo | -1.63 | -27.49 | -24.1 | 16 |
| 3 | III. Finale (Allegro moderato) | -0.32 | -24.78 | -20.5 | 14 |
| 4 | Kol Nidrei, Op.47 | -3.83 | -26.79 | -23.6 | 13 |
| 5 | Variations on a Rococo Theme, Op.33 | -1.30 | -26.89 | -23.7 | 17 |