℗ 2015 Naive
Released | August 28, 2015 |
Duration | 43m 23s |
Record Label | Naive |
Catalogue No. | V902755 |
Genre | Classical (Chamber Music) |
1.1
|
Romanesca
Antonio Carbonchi; Rolf Lislevand; Thor-Harald Johnsen; Bjørn Kjellemyr |
3:34 | |||
1.2
|
Capricci armonici
Giovanni Battista Granata; Rolf Lislevand; Thor-Harald Johnsen; Bjørn Kjellemyr |
5:00 | |||
1.3
|
Capona
Antonio Carbonchi; Rolf Lislevand; Thor-Harald Johnsen |
2:38 | |||
1.4
|
Passacaille - Prelude - Sarabande - Gigue
Francesco Corbetta; Rolf Lislevand; Thor-Harald Johnsen |
6:41 | |||
1.5
|
Calata per cantare
Antonio Carbonchi; Rolf Lislevand; Thor-Harald Johnsen; Ulrik Gaston Larsen |
2:38 | |||
1.6
|
Tarantella (arr. by R. Lislevand & T.H. Johnsen)
Traditional; Rolf Lislevand; Thor-Harald Johnsen |
1:05 | |||
1.7
|
Corrente franzese
Antonio Carbonchi; Rolf Lislevand; Thor-Harald Johnsen; Ulrik Gaston Larsen |
1:54 | |||
1.8
|
Passacagli per tutte le lettere
Domenico Pellegrini; Rolf Lislevand; Thor-Harald Johnsen |
7:55 | |||
1.9
|
Scaramanze
Antonio Carbonchi; Rolf Lislevand; Thor-Harald Johnsen; Ulrik Gaston Larsen |
5:51 | |||
1.10
|
Sarabande
Francesco Corbetta; Rolf Lislevand; Thor-Harald Johnsen |
2:19 | |||
1.11
|
Canarios (arr. by R. Lislevand & T.H. Johnsen)
Traditional; Rolf Lislevand; Thor-Harald Johnsen |
3:48 | |||
Digital Booklet
|
Norwegian early music performer Rolf Lislevand dedicates this album to Italian music composed for the Baroque guitar and the chitarra battente from the mid-17th century. This very specific repertoire connects music from the past and sheds light on the present, as Lislevand creates a bewitching and modern sonic universe, based on music and improvisations inspired by Carbonchi, Corbetta, Granata, Pellegrini and traditional pieces.
96 kHz / 24-bit PCM – Naive Studio Masters
Recorded in April 2006 in Studio Tibor Varga, Sion (Switzerland) Recording producer: Jean-Pierre Loisil Balance engineer: Laure Casenave-Péré Recording system Kali Son Recording & editing system: Pyramix Microphones: Neumann M 149, DPA 4003 Preamplifiers & converter: DAD AX 24 Translation: Charles Johnston Photo p.2 : © Jean-Pierre Loisil Artwork: Valérie Lagarde
Recorded in April 2006 in Studio Tibor Varga, Sion (Switzerland) Recording producer: Jean-Pierre Loisil Balance engineer: Laure Casenave-Péré Recording system Kali Son Recording & editing system: Pyramix Microphones: Neumann M 149, DPA 4003 Preamplifiers & converter: DAD AX 24 Translation: Charles Johnston Photo p.2 : © Jean-Pierre Loisil Artwork: Valérie Lagarde
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.12 -16.41 to -1.66 | -31.18 -38.31 to -25.73 | -28.03 -34.70 to -22.30 | 15 13 to 16 | |
1 | Romanesca | -5.03 | -27.08 | -24.4 | 13 |
2 | Capricci armonici | -9.92 | -31.28 | -28.0 | 14 |
3 | Capona | -10.35 | -31.56 | -28.6 | 14 |
4 | Passacaille - Prelude - Sarabande - Gigue | -7.16 | -31.05 | -27.6 | 16 |
5 | Calata per cantare | -5.66 | -29.12 | -26.2 | 16 |
6 | Tarantella (arr. by R. Lislevand & T.H. Johnsen) | -1.66 | -25.73 | -22.3 | 16 |
7 | Corrente franzese | -4.94 | -27.79 | -25.0 | 14 |
8 | Passacagli per tutte le lettere | -8.91 | -32.00 | -28.8 | 15 |
9 | Scaramanze | -11.18 | -38.31 | -34.7 | 16 |
10 | Sarabande | -16.41 | -37.73 | -34.4 | 15 |
11 | Canarios (arr. by R. Lislevand & T.H. Johnsen) | -8.09 | -31.29 | -28.3 | 14 |