℗ 2015 Sono Luminus
| Released | September 25, 2015 |
| Duration | 1h 15m 45s |
| Record Label | Sono Luminus |
| Catalogue No. | DSL-92195 |
| Genre | Classical (Chamber Music) |
What Artemisia Heard: Music and Art from the Time of Caravaggio & Gentileschi
El Mundo, Richard Savino
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Prologo
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1.1
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La Gran Battaglia
Marco Uccellini; El Mundo; Richard Savino |
3:37 | |||
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Prima Roma (1593 - 1614)
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1.2
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L’onda che limpida “Suite”
Giovanni Girolamo Kapsberger; El Mundo; Richard Savino |
5:44 | |||
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1.3
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Corrente Sesta
Giovanni Girolamo Kapsberger; El Mundo; Richard Savino |
1:12 | |||
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1.4
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Capona
Giovanni Girolamo Kapsberger; El Mundo; Richard Savino |
2:29 | |||
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1.5
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Amanti
Benedetto Ferrari; El Mundo; Richard Savino |
4:20 | |||
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1.6
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Canzona
Girolamo Alessandro Frescobaldi; El Mundo; Richard Savino |
2:40 | |||
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1.7
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Folle Cor
Domenico Mazzocchi; El Mundo; Richard Savino |
3:28 | |||
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Seconda Parte (Firenze 1614 - 1620)
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1.8
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Sinfonia
Marco Gagliano; El Mundo; Richard Savino |
2:21 | |||
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1.9
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Lasciatemi qui solo
Francesca Caccini; El Mundo; Richard Savino |
5:26 | |||
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1.10
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Toccata
Alessandro Piccinini; El Mundo; Richard Savino |
1:35 | |||
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1.11
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Chi desia di saper
Francesca Caccini; El Mundo; Richard Savino |
1:59 | |||
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Terza Parte (Venezia 1620 - 1630)
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1.12
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Sonata Prima
Dario Castello; El Mundo; Richard Savino |
4:32 | |||
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1.13
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Et è pur dunque vero
Claudio Monteverdi; El Mundo; Richard Savino |
7:22 | |||
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1.14
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Come dolce hoggi l’auretta
Claudio Monteverdi; El Mundo; Richard Savino |
3:20 | |||
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1.15
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Sinfonia a due
Francesco Corbetta; El Mundo; Richard Savino |
3:40 | |||
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Quarto Parte (Napoli 1630 - 1638)
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1.16
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Sinfonia detta la buon’hora
Andrea Falconieri; El Mundo; Richard Savino |
2:14 | |||
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1.17
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Occhi belli
Luigi Rossi; El Mundo; Richard Savino |
3:01 | |||
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1.18
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Folia echa para mi Señora Doña Tarolilla di Carallenos
Andrea Falconieri; El Mundo; Richard Savino |
4:34 | |||
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1.19
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Festa Riso
Pietro Antonio Giramo; El Mundo; Richard Savino |
1:49 | |||
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Quinto Parte (Londra 1638 - 1642)
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1.20
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Symphonia in G Major
Nicholas Lanier; El Mundo; Richard Savino |
1:32 | |||
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1.21
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No More Shall Meads be Deck’d with Flow’rs
Nicholas Lanier; El Mundo; Richard Savino |
3:35 | |||
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1.22
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Thou I Am Young
Nicholas Lanier; El Mundo; Richard Savino |
1:58 | |||
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Epilogo
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1.23
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Fan battaglia
Luigi Rossi; El Mundo; Richard Savino |
3:17 | |||
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Digital Booklet
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Grammy nomination - Producer of the Year, Classical, 2015
"The performances are beautiful; the music, fragrant and melancholy, is beguiling."
- The Absolute Sound
This album is the profoundly engaging culmination of a unique project envisioned by El Mundo artistic director, Baroque guitarist and lutenist Richard Savino. Enraptured over the work of female Baroque painter Artemisia Gentileschi, Savino questioned why the music of her time is not as widely appreciated as the visual arts of the era. Savino had the ingenious idea to integrate the sublime painting of Gentileschi and her contemporaries directly with the equally sublime music these painters would have heard at the time by several composers, performed stunningly by chamber group El Mundo and distinguished soloists.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Sono Luminus Studio Masters
Recorded at 24-bit / 192 kHz Recorded at Skywalker Sound, Marin County, California, March 25 - 27, 2014 Producer: Dan Merceruio Recording, mixing and mastering engineer: Daniel Shores Assistant engineer: Dann Thompson Editing engineer: Dan Merceruio Graphic design: Caleb Nei Mastered with Merging Technologies Hapi Mixed and mastered on Legacy Audio speakers
Recorded at 24-bit / 192 kHz Recorded at Skywalker Sound, Marin County, California, March 25 - 27, 2014 Producer: Dan Merceruio Recording, mixing and mastering engineer: Daniel Shores Assistant engineer: Dann Thompson Editing engineer: Dan Merceruio Graphic design: Caleb Nei Mastered with Merging Technologies Hapi Mixed and mastered on Legacy Audio speakers
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.23 -13.43 to -0.31 | -24.22 -32.69 to -16.78 | -20.72 -28.70 to -13.40 | 13 9 to 16 | |
| 1 | La Gran Battaglia | -0.32 | -24.67 | -21.2 | 16 |
| 2 | L’onda che limpida “Suite” | -3.01 | -24.55 | -21.5 | 15 |
| 3 | Corrente Sesta | -6.16 | -25.62 | -22.5 | 13 |
| 4 | Capona | -10.12 | -30.51 | -27.5 | 13 |
| 5 | Amanti | -0.31 | -20.98 | -17.2 | 14 |
| 6 | Canzona | -13.43 | -27.42 | -25.1 | 9 |
| 7 | Folle Cor | -0.31 | -20.24 | -16.4 | 12 |
| 8 | Sinfonia | -4.67 | -25.34 | -22.3 | 12 |
| 9 | Lasciatemi qui solo | -3.25 | -26.35 | -22.4 | 13 |
| 10 | Toccata | -7.62 | -32.69 | -28.7 | 16 |
| 11 | Chi desia di saper | -1.34 | -21.98 | -18.6 | 14 |
| 12 | Sonata Prima | -2.95 | -27.19 | -23.2 | 15 |
| 13 | Et è pur dunque vero | -0.31 | -23.52 | -19.4 | 15 |
| 14 | Come dolce hoggi l’auretta | -0.31 | -22.88 | -19.6 | 16 |
| 15 | Sinfonia a due | -4.38 | -27.61 | -25.0 | 14 |
| 16 | Sinfonia detta la buon’hora | -6.91 | -25.33 | -22.1 | 13 |
| 17 | Occhi belli | -0.31 | -20.31 | -16.7 | 13 |
| 18 | Folia echa para mi Señora Doña Tarolilla di Carallenos | -2.12 | -24.32 | -20.6 | 15 |
| 19 | Festa Riso | -0.31 | -19.62 | -16.0 | 13 |
| 20 | Symphonia in G Major | -5.26 | -24.76 | -21.6 | 12 |
| 21 | No More Shall Meads be Deck’d with Flow’rs | -0.31 | -22.55 | -17.6 | 13 |
| 22 | Thou I Am Young | -0.31 | -21.87 | -17.9 | 14 |
| 23 | Fan battaglia | -0.31 | -16.78 | -13.4 | 9 |