℗ 2015 Decca Music Group Limited under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc
Released | October 1, 2015 |
Duration | 38m 19s |
Record Label | Decca/London |
Genre | Classical |
Dupré At Saint-Sulpice Vol. 2: The Music of Marcel Dupré (Remastered 2015)
Marcel Dupré
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Cortège et Litanie, Op. 19 No. 2
Marcel Dupré; Marcel Dupré |
6:09 | |||
Variations sur un Noël, Op. 20
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1.2
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Thème
Marcel Dupré; Marcel Dupré |
0:58 | |||
1.3
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I. Larghetto
Marcel Dupré; Marcel Dupré |
1:04 | |||
1.4
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II. Poco animato
Marcel Dupré; Marcel Dupré |
0:45 | |||
1.5
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III. Cantabile (Canon à l’octave)
Marcel Dupré; Marcel Dupré |
1:17 | |||
1.6
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IV. Vif
Marcel Dupré; Marcel Dupré |
0:43 | |||
1.7
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V. Vivace
Marcel Dupré; Marcel Dupré |
0:54 | |||
1.8
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VI. Plus moderé (Canon à la quarte et à la quinte)
Marcel Dupré; Marcel Dupré |
1:10 | |||
1.9
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VII. Vivace
Marcel Dupré; Marcel Dupré |
0:48 | |||
1.10
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VIII. Cantabile (Canon à la seconde)
Marcel Dupré; Marcel Dupré |
1:48 | |||
1.11
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IX. Animé
Marcel Dupré; Marcel Dupré |
0:50 | |||
1.12
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X. Fugato. Non troppo vivace - Presto
Marcel Dupré; Marcel Dupré |
3:15 | |||
Sept Pièces, Op. 27
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1.13
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IV. Carillon
Marcel Dupré; Marcel Dupré |
5:30 | |||
1.14
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Lamento, Op. 24
Marcel Dupré; Marcel Dupré |
8:19 | |||
1.15
|
VII. Final
Marcel Dupré; Marcel Dupré |
4:49 | |||
Digital Booklet
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This is the second volume in a five-album series organist and composer Marcel Dupré made under the Mercury Living Presence banner, recorded in Paris over a nine day period in July 1959. Requiring shipment of an equipment-filled truck from the US, the sessions began at about 9 p.m. each evening and lasted into the early hours, a tiring experience for the 73 year old Dupré, whose hands progressively stiffened on the heavy key action of the great St. Sulpice organ. The series was a massive success when first released and these albums have remained popular for more than five decades.
96 kHz / 24-bit PCM – Decca/London Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. These works by Marcel Dupré were recorded at the gallery organ of the church of Saint-Sulpice, Paris, between July 7 and 9, 1959, on 3-track half-inch tape, using three Schoeps M201 omni-directional condenser microphones. They were first released on SR90229. Recording Supervisor: Wilma Cozart Technical Supervisor: C. Robert Fine Producer: Harold Lawrence Chief Engineer: Robert Eberenz Analog to digital transfer by John K. Chester, from first-generation 3-track master tapes Plangent Process and Audio Restoration by Jamie Howarth 3- to 2-channel Conversion and Mastering for Compact Disc by Thomas Fine Publisher: Chester Music Remastering ℗ 2015 Decca Music Group Limited Cover Photo: Interior of Saint-Sulpice, Paris, by Frank Horvat, Magnum Booklet Back: The organ at Saint-Sulpice Photo: From the collection of Bruno Chaumet Reissue Producer: Raymond McGill Consulting Engineer: Thomas Fine The Reissue Producer, Consulting Engineer and the AAAMD wish to thank Barry Holden and Paul Moseley for their support in bringing this project to fruition. Art Direction & Design: WLP Ltd
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. These works by Marcel Dupré were recorded at the gallery organ of the church of Saint-Sulpice, Paris, between July 7 and 9, 1959, on 3-track half-inch tape, using three Schoeps M201 omni-directional condenser microphones. They were first released on SR90229. Recording Supervisor: Wilma Cozart Technical Supervisor: C. Robert Fine Producer: Harold Lawrence Chief Engineer: Robert Eberenz Analog to digital transfer by John K. Chester, from first-generation 3-track master tapes Plangent Process and Audio Restoration by Jamie Howarth 3- to 2-channel Conversion and Mastering for Compact Disc by Thomas Fine Publisher: Chester Music Remastering ℗ 2015 Decca Music Group Limited Cover Photo: Interior of Saint-Sulpice, Paris, by Frank Horvat, Magnum Booklet Back: The organ at Saint-Sulpice Photo: From the collection of Bruno Chaumet Reissue Producer: Raymond McGill Consulting Engineer: Thomas Fine The Reissue Producer, Consulting Engineer and the AAAMD wish to thank Barry Holden and Paul Moseley for their support in bringing this project to fruition. Art Direction & Design: WLP Ltd
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.81 -21.01 to -0.74 | -25.83 -35.40 to -18.15 | -24.41 -33.80 to -15.00 | 9 7 to 12 | |
1 | Cortège et Litanie, Op. 19 No. 2 | -0.96 | -20.76 | -17.6 | 12 |
2 | Thème | -21.01 | -35.22 | -32.8 | 9 |
3 | I. Larghetto | -12.28 | -26.39 | -25.9 | 8 |
4 | II. Poco animato | -10.35 | -24.35 | -23.7 | 9 |
5 | III. Cantabile (Canon à l’octave) | -17.27 | -35.40 | -33.8 | 10 |
6 | IV. Vif | -13.69 | -28.38 | -28.4 | 7 |
7 | V. Vivace | -14.82 | -32.07 | -31.3 | 9 |
8 | VI. Plus moderé (Canon à la quarte et à la quinte) | -11.49 | -26.43 | -25.3 | 9 |
9 | VII. Vivace | -16.95 | -32.17 | -30.6 | 9 |
10 | VIII. Cantabile (Canon à la seconde) | -8.85 | -23.22 | -23.9 | 7 |
11 | IX. Animé | -9.14 | -22.88 | -22.3 | 8 |
12 | X. Fugato. Non troppo vivace - Presto | -3.20 | -20.63 | -17.5 | 11 |
13 | IV. Carillon | -1.30 | -18.51 | -15.7 | 10 |
14 | Lamento, Op. 24 | -5.07 | -22.98 | -22.4 | 9 |
15 | VII. Final | -0.74 | -18.15 | -15.0 | 11 |