℗ 2015 MicroFest Records
| Released | October 30, 2015 |
| Duration | 1h 06m 09s |
| Record Label | MicroFest Records |
| Catalogue No. | MF6 |
| Genre | Classical (Instrumental) |
The Wayward Trail
Elliot Simpson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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15 Zwiefache
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1.1
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15 Zwiefche Transzendiert
Walter Zimmermann; Elliot Simpson |
7:40 | |||
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Steel Suite
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1.2
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I. Prelude
David B. Doty; Elliot Simpson |
6:05 | |||
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1.3
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II. Balkan Dance
David B. Doty; Elliot Simpson |
3:56 | |||
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1.4
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III. A New Waltz in Pelog
David B. Doty; Elliot Simpson |
4:10 | |||
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1.5
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IV. Gigue (Maggie's Jigs)
David B. Doty; Elliot Simpson |
2:31 | |||
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Songs & Toods
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1.6
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No. 1. Schneidertood
Larry Polansky; Elliot Simpson |
1:40 | |||
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1.7
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No. 2. Dismission of the Great I
Larry Polansky; Elliot Simpson |
3:04 | |||
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1.8
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No. 3. Sweet Betsy from Pike
Larry Polansky; Elliot Simpson |
8:11 | |||
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1.9
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No. 4. Eskimo Lullaby
Larry Polansky; Elliot Simpson |
5:10 | |||
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1.10
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No. 5. 85 Chords (The Historical Tuning Problem)
Larry Polansky; Justin Christensen; Elliot Simpson |
9:44 | |||
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1.11
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Forward
Ezequiel Menalled; Elliot Simpson |
13:58 | |||
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Digital Booklet
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On this album, Elliot Simpson plays a guitar invented in 2002 by the godfather of world music, Lou Harrison, to present music written for a folk guitar tuned in pure intonation. Exquisite harmonies and melodies, previously unheard, burst from this special steel guitar on material that is at once captivating, tuneful, mournful, exuberant, startling and downright addictive.
96 kHz / 24-bit PCM – MicroFest Records Studio Masters
Recorded October 10-12, 2014 in the chapel of the Kapucijnenklooster Emmaus, Velp, NL Executive Producer: John Schneider Producers: Ezequiel Menalled and Elliot Simpson Recording Engineer: Dario Giustarini Mastering Engineer: Scott Fraser Artwork and Design: Fonda Carranza Photography: Santiago Lascurain Trumpet on 85 Chords: Justin Christensen Guitar: National Reso-Phonic Just Intonation Tricone, 2005, #004 Steel Suite published by Pilker Music, BMI
Recorded October 10-12, 2014 in the chapel of the Kapucijnenklooster Emmaus, Velp, NL Executive Producer: John Schneider Producers: Ezequiel Menalled and Elliot Simpson Recording Engineer: Dario Giustarini Mastering Engineer: Scott Fraser Artwork and Design: Fonda Carranza Photography: Santiago Lascurain Trumpet on 85 Chords: Justin Christensen Guitar: National Reso-Phonic Just Intonation Tricone, 2005, #004 Steel Suite published by Pilker Music, BMI
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.69 -12.42 to -0.61 | -27.89 -36.50 to -22.56 | -24.32 -32.30 to -19.60 | 14 11 to 18 | |
| 1 | 15 Zwiefche Transzendiert | -8.29 | -34.14 | -30.5 | 17 |
| 2 | I. Prelude | -5.34 | -28.73 | -24.6 | 15 |
| 3 | II. Balkan Dance | -0.61 | -23.63 | -20.6 | 15 |
| 4 | III. A New Waltz in Pelog | -7.92 | -28.61 | -25.8 | 13 |
| 5 | IV. Gigue (Maggie's Jigs) | -5.99 | -22.56 | -19.6 | 11 |
| 6 | No. 1. Schneidertood | -3.66 | -24.80 | -21.3 | 13 |
| 7 | No. 2. Dismission of the Great I | -5.93 | -26.02 | -22.7 | 13 |
| 8 | No. 3. Sweet Betsy from Pike | -1.78 | -28.27 | -24.3 | 18 |
| 9 | No. 4. Eskimo Lullaby | -12.42 | -36.50 | -32.3 | 15 |
| 10 | No. 5. 85 Chords (The Historical Tuning Problem) | -5.32 | -24.16 | -20.7 | 11 |
| 11 | Forward | -5.33 | -29.33 | -25.1 | 14 |